Scaramouche (1952)

Director:

George Sidney

Writers:

Rafael Sabatini (novel)
Ronald Millar (screenplay) ...

Release Date:

27 June 1952 (USA)

Genre:

Adventure | Drama | History | Romance

Plot:

Andre-Louis Moreau is a nobleman's bastard in the days of the French revolution. Noel, the Marquis de Mayne...

Plot Keywords:

Duel | French Revolution | Palm Reading | French Court | Male Female Relationship

Awards:

1 nomination

Cast

Stewart Granger	...	Andre Moreau
Eleanor Parker	...	Lenore
Janet Leigh	...	Aline de Gavrillac de Bourbon
Mel Ferrer	...	Noel, Marquis de Maynes
Henry Wilcoxon	...	Chevalier de Chabrillaine
Nina Foch	...	Marie Antoinette
Richard Anderson	...	Philippe de Valmorin (Marcus Brutus)
Robert Coote	...	Gaston Binet
Lewis Stone	...	Georges de Valmorin
Elisabeth Risdon	...	Isabelle de Valmorin
Howard Freeman	...	Michael Vanneau
Curtis Cooksey	...	Lawyer Fabian
John Dehner	...	Doutreval of Dijon
John Litel	...	Dr. Dubuque
Jonathan Cott	...	Sergeant

Runtime:

115 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

USA:Approved (MPAA rating: #15626) | UK:U | Australia:PG | Portugal:M/12 | Finland:K-16

Filming Locations:

Château de Pierrefonds, Pierrefonds, Oise, France

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

A final scene in which the Marquis de Maynes is killed at the storming of the Bastille was cut in editing, as was another final one with Queen Marie Antoinette.

Goofs:

Crew or equipment visible: During the final sword fight between Scaramouche and the marquis, when Andre falls off the balcony, a safety rope is visible under his cape.

Quotes:

Lenore: But who is Scaramouche? And why does he hide his face behind a mask?

Movie Connections:

Referenced in Glamour à Hollywood par George Sidney (2002)

Lots of fun

The Commedia dell'Arte is an old Italian form of stage presentation, dating from the 16th century and featuring a series of stock characters like Arlecchino, Pantolone, Pulchnello, and Capitano. Everyone in the audience knew their comic weaknesses and looked forward to seeing them on display, kind of like a John Ford movie. The characters were called zanni and played practical jokes on each other (called "burle", which gives us "burlesque.") As in this movie the humor was often improvised. When the form was taken to France, Arlecchino became Harlequin, Pantalone became Pantaloon (from which we get our "pants"), Pulchinello morphed into Punch, and Capitano, a character who was a braggart soldier, was changed to Scaramouche and became an admired acrobatic mime, which suited French tastes. Sorry for the tedious introduction but it helps to get the interesting history out of the way fast.

The rest of the movie is a comic book and, like a comic book, filled with colorful people in comic-book costumes, zestful and exuberant. If you want a movie to have zip, one way of doing it is to have lots of people riding horses. But the horses should always be ridden at a gallop, and with slightly accelerated motion. (The gallops were shot partly in Golden Gate Park.) Another way of adding action is to have the lovers fight each other physically, as in "Taming of the Shrew", instead of wistfully melting into each others' arms at every meeting and parting. A third way is to build the main plot around a few well-choreographed action scenes -- and in this respect the movie is superb.

"Scaramouche" reminds one of Errol Flynn at his best, in "The Adventures of Robin Hood." Instead of Saxons and Normans, we have aristocrats and poor people. (Fortunately the Saxons in "Robin Hood" didn't win a revolution and implement a reign of terror.) The aristocrats dress in outrageously ornate costumes. The poor people are in dark clothes, like the figure on the Quaker Oats package.

There's quite a lot of fencing but much of it is brief and in long shot. There are three main encounters between Stewart Granger and his nemesis Mel Ferrer. Granger is manly and well built and forceful in his style. Ferrer is long-limbed and lanky, deceptively clumsy at times, but he has never given a more graceful physical performance.

In the first match between the two, Granger knows nothing about the sword and hacks away at Ferrer, who stands there nonchalantly, smiling, leaning on his weapon as if it were a walking stick between easy parries. In the second, Granger has picked up a few tricks but is still easily outmatched and has to escape through one of those secret doors in a paneled wall. The third match is more than six minutes long and is as well staged as any duel on screen -- better than anything in "Robin Hood" and at least as good as "The Mark of Zorro." Granger swings off the stage on a rope to confront Ferrer who is in the theater balcony. And you should see Stewart's wardrobe in this scene! Unbelievable skin-tight leotards, white boots with furry tops, a white cape -- everything -- mostly white with black accents. Ferrer strips off his jacket and is dressed in black shoes and stockings, black pants, black vest, and a white blouse with ruffles, mostly black, that is. (I warned you this was a comic book.) The ensuing duel wanders all over the theater while the spectators tumble out of the actors' way. Note the scene where the advantage changes from Ferrer to Granger when the fight moves from the bottom of the stairs to the rows of theater seats. Ferrer does an almost impossible balletic leap from one row to the next, twirling around in midair. (Another footnote: original ballet steps borrowed heavily from contemporary fencing movements. Sorry.)

The movie has its sad moments too, and the plot is a bit complicated although never hard to follow. But its overall tonus is comedic, as befits Scaramouche's venue. Granger may not be Errol Flynn but he's pretty good, and a better actor. The two women in his life are adequate, but Janet Leigh was a beginner and it shows. She was to be better in some later movies like "Psycho." She looks like a porcelain doll in some shots. The supporting players are all professionally competent.

It's an entertaining and well-crafted piece of entertainment -- exciting and vibrant with color. A comic book worth checking out.