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George Bruce (screenplay) and
Harry Essex (screenplay) ...
(more)
11 November 1952 (USA) more
Exploding! Like a gun in your face! more
An ex-con trying to go straight is framed for a million dollar armored car robbery and must go to Mexico in order to unmask the real culprits. full summary | full synopsis
Good, But Tough To Live Up To That Opening more (48 total)
| John Payne | ... | Joe Rolfe | |
| Coleen Gray | ... | Helen Foster | |
| Preston Foster | ... | Tim Foster | |
| Neville Brand | ... | Boyd Kane | |
| Lee Van Cleef | ... | Tony Romano | |
| Jack Elam | ... | Pete Harris | |
| Dona Drake | ... | Teresa | |
| Mario Siletti | ... | Tomaso | |
| Howard Negley | ... | Andrews | |
| Carleton Young | ... | Martin | |
| Don Orlando | ... | Diaz | |
| Ted Ryan | ... | Morelli | |
| rest of cast listed alphabetically: | |||
| Orlando Beltran | ... | Porter (uncredited) | |
| Ray Bennett | ... | Prisoner (uncredited) | |
| Barry Brooks | ... | Player (uncredited) | |
| Charles Cane | ... | Det. Barney (uncredited) | |
| Edward Coch | ... | Airline Clerk (uncredited) | |
| James Conaty | ... | Man at Craps Table (uncredited) | |
| Tom Dillon | ... | Policeman (uncredited) | |
| George Dockstader | ... | Policeman (uncredited) | |
| Paul Dubov | ... | Eddie (uncredited) | |
| Paul Fierro | ... | Mexican Policeman (uncredited) | |
| Eddie Foster | ... | Shooter (uncredited) | |
| Tom Greenway | ... | Policeman (uncredited) | |
| William Haade | ... | Det. Mullins (uncredited) | |
| Al Hill | ... | Stickman #2 (uncredited) | |
| Harry Hines | ... | News Vendor (uncredited) | |
| Paul Hogan | ... | Bouncer (uncredited) | |
| Don House | ... | Policeman (uncredited) | |
| Vivi Janiss | ... | Mrs. Rogers (uncredited) | |
| Helen Kleeb | ... | Mrs. Crane (uncredited) | |
| Mike Lally | ... | Stickman #3 (uncredited) | |
| Roger Moore | ... | News Vendor's Customer (uncredited) | |
| House Peters Jr. | ... | Policeman (uncredited) | |
| Lee Phelps | ... | Jailer (uncredited) | |
| Sam Pierce | ... | Workman (uncredited) | |
| Joey Ray | ... | Houseman (uncredited) | |
| Carlos Rivero | ... | Shooter (uncredited) | |
| Ric Roman | ... | Rick - Eddie's Brother (uncredited) | |
| Frank J. Scannell | ... | Stickman #4 (uncredited) | |
| Sam Scar | ... | Player (uncredited) | |
| Jack Shea | ... | Policeman (uncredited) | |
| Charles Sherlock | ... | Stickman #1 (uncredited) | |
| Brick Sullivan | ... | Policeman (uncredited) | |
| Charles Sullivan | ... | Player (uncredited) | |
| Phil Tead | ... | Mr. Collins (uncredited) | |
| Archie Twitchell | ... | Police Dispatcher (uncredited) | |
| George Wallace | ... | Olson (uncredited) | |
| Kay Wiley | ... | Woman (uncredited) | |
| Jeff York | ... | Captain McBride (uncredited) | |
Directed by | |||
| Phil Karlson | |||
Writing credits | ||
| George Bruce | (screenplay) and | |
| Harry Essex | (screenplay) | |
| Harold Greene | (story) (as Harold R. Greene) and | |
| Rowland Brown | (story) | |
| Phil Karlson | uncredited | |
| John Payne | uncredited | |
Produced by | |||
| Edward Small | .... | producer | |
Original Music by | |||
| Paul Sawtell | |||
Cinematography by | |||
| George E. Diskant | (director of photography) | ||
Film Editing by | |||
| Buddy Small | |||
Art Direction by | |||
| Edward L. Ilou | |||
Set Decoration by | |||
| Edward R. Robinson | (as Ray Robinson) | ||
Production Management | |||
| Ben Hersh | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ralph E. Black | .... | assistant director (as Ralph Black) | |
Sound Department | |||
| Fred Lau | .... | sound | |
Stunts | |||
| Gil Perkins | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Joe King | .... | wardrobe | |
The Secret Four (UK)
more
99 min
1.37 : 1 more
USA:Unrated | Canada:PG (Ontario) | West Germany:18 (nf) | Finland:(Banned) (1953) | Finland:K-16 (cut: 1955) | Finland:K-18 (DVD rating: 2008) | Sweden:15
Veteran actor Preston Foster plays a character whose last name is also Foster. more
Pete Harris:
Okay wise guy, you found me. Now what?
Joe Rolfe:
What's eatin' you?
Pete Harris:
You been giving me the fisheye all night.
more
Referenced in "M*A*S*H: The Gun (#4.13)" (1975) more
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| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
I liked this film but I got spoiled with the first 20-30 minutes. It started off so intense that I thought this was going to be fantastic: an incredibly edgy film noir. It still wound up good overall, but it never lived up to that great beginning.
The story slows down a bit once the scene shifts from the heist in Kansas City to the rendezvous of the bandits down in Mexico. It has as a full lulls here and there but still does enough things right to keep your interest.
What it does is right is emphasize two things that a good film noir provides: tension and paranoia. All the crooks are assembled in one spot but only the boss knows who the others are. They don't know what any of the gang members look like since all of the thieves had to wear masks throughout the planning and execution of the crime. However, since the boss hired them, he knows them all. Also, down in Mexico, the good guy in the film, "Joe Rolfe" (John Payne) is an impostor, pretending he's "Peter Harris," one of the crooks who got caught by the cops and knocked off just before heading south. Rolfe doesn't know, however, that the boss knows he's a phony. Payne's character got unfairly fingered in the robbery so he's down there trying to clear his name. All of this may sound complicated, but it isn't once you watch the film. Suffice to say it's interesting to see how all these guys slowly figure out who's who.
I thought "Tim Foster," played by Preston Foster, was the best character in the film, probably because he was right in the middle of everything. He was a bitter ex-cop and the brains behind the whole scheme, which could easily have been pulled off . He was just wasn't lucky, because he had a great plan.
One of the people he had to fool was his daughter, who surprises him down in Mexico and further complicates the situation. Colleen Gray plays "Helen Foster," but she doesn't really come into the story much until the last half hour. Her character did one implausible thing after another, things NO woman would do and softened the rough edges of this movie, which was a mistake. "Helen" wasn't even needed in this film. It would have been better as a straight male- only tough film noir.
Speaking of tough: how about this "Rogue's gallery:" Jack Elam, Lee Van Cleef and Neville Brand? Now there are three good faces for this genre of film. They were the other gang members
There are a number of holes in this story, but you have to ignore them and go along for the ride which, for the most part, is a good one. It's recommended for all film noir buffs.