| Photos (see all 22 | slideshow) | Videos |
| Gary Cooper | ... | Marshal Will Kane | |
| Thomas Mitchell | ... | Mayor Jonas Henderson | |
| Lloyd Bridges | ... | Deputy Marshal Harvey Pell | |
| Katy Jurado | ... | Helen Ramírez | |
| Grace Kelly | ... | Amy Fowler Kane | |
| Otto Kruger | ... | Judge Percy Mettrick | |
| Lon Chaney Jr. | ... | Martin Howe (as Lon Chaney) | |
| Harry Morgan | ... | Sam Fuller (as Henry Morgan) | |
| Ian MacDonald | ... | Frank Miller | |
| Eve McVeagh | ... | Mildred Fuller | |
| Morgan Farley | ... | Dr. Mahin, minister | |
| Harry Shannon | ... | Cooper | |
| Lee Van Cleef | ... | Jack Colby | |
| Robert J. Wilke | ... | Jim Pierce (as Robert Wilke) | |
| Sheb Wooley | ... | Ben Miller | |
| Tom London | ... | Sam | |
| Ted Stanhope | ... | Station Master | |
| Larry J. Blake | ... | Gillis, saloon owner | |
| William 'Bill' Phillips | ... | Barber | |
| Jeanne Blackford | ... | Mrs. Henderson | |
| James Millican | ... | Deputy Sheriff Herb Baker | |
| Cliff Clark | ... | Ed Weaver | |
| Ralph Reed | ... | Johnny, town boy | |
| William Newell | ... | Jimmy, drunk with eye patch | |
| Lucien Prival | ... | Joe, Ramirez Saloon bartender | |
| Guy Beach | ... | Fred, coffinmaker | |
| Howland Chamberlain | ... | Hotel clerk | |
| Virginia Christine | ... | Mrs. Simpson | |
| Jack Elam | ... | Charlie, drunk in jail | |
| Paul Dubov | ... | Scott | |
| Harry Harvey | ... | Coy | |
| Tim Graham | ... | Sawyer | |
| Nolan Leary | ... | Lewis | |
| Tom Greenway | ... | Ezra | |
| Dick Elliott | ... | Kibbee | |
| John Doucette | ... | Trumbull | |
| rest of cast listed alphabetically: | |||
| Lee Aaker | ... | Boy (uncredited) | |
| Roy Bucko | ... | Barfly (uncredited) | |
| Bob Carson | ... | Barfly (uncredited) | |
| Ben Corbett | ... | Townsman (uncredited) | |
| Virginia Farmer | ... | Mrs. Fletcher (uncredited) | |
| Chuck Hayward | ... | Townsman (uncredited) | |
| Chubby Johnson | ... | First old timer on hotel porch (uncredited) | |
| Merrill McCormick | ... | Fletcher (uncredited) | |
| Syd Saylor | ... | Second old timer on hotel porch (uncredited) | |
Directed by | |||
| Fred Zinnemann | |||
Writing credits | ||
| John W. Cunningham | (story "The Tin Star") | |
| Carl Foreman | (screenplay) | |
Produced by | |||
| Carl Foreman | .... | associate producer (uncredited) | |
| Stanley Kramer | .... | producer (uncredited) | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Floyd Crosby | |||
Film Editing by | |||
| Elmo Williams | |||
Production Design by | |||
| Rudolph Sternad | |||
Art Direction by | |||
| Ben Hayne | |||
Set Decoration by | |||
| Murray Waite | |||
Makeup Department | |||
| Louise Miehle | .... | hair stylist | |
| Gustaf Norin | .... | makeup artist | |
Production Management | |||
| Clem Beauchamp | .... | production supervisor | |
| Percy Ikerd | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Emmett Emerson | .... | assistant director | |
Sound Department | |||
| Jean L. Speak | .... | sound engineer (as Jean Speak) | |
| John Speak | .... | sound (uncredited) | |
Stunts | |||
| Regis Parton | .... | stunts (uncredited) | |
| Slim Talbot | .... | stunt double (uncredited) | |
| Don Turner | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Morris Rosen | .... | head grip | |
| Homer Plannette | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Joe King | .... | wardrobe: men | |
| Ann Peck | .... | wardrobe: women | |
Editorial Department | |||
| Harry W. Gerstad | .... | editorial supervisor (as Harry Gerstad) | |
Music Department | |||
| George C. Emick | .... | music editor (as George Emick) | |
| Anthony Galla-Rini | .... | musician: accordions | |
| Dimitri Tiomkin | .... | musical director | |
Other crew | |||
| Sam Freedle | .... | script clerk | |
| Calvin Spencer | .... | double: Lloyd Bridges | |
| Sally Hamilton | .... | executive secretary (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
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This is the definitive Western. There are other excellent Westerns of course ("The Unforgiven," "Pat Garrett and Billy the Kid," "The Searchers," "My Darling Clementine," and "The Man Who Shot Liberty Valance" come immediately to mind), but none tops this one. Even though the difference in age between Gary Cooper and Grace Kelley makes the thought of their marriage seem a little kinky, it's easy to buy into the story. Katy Jurado is sexy, Lloyd Bridges is callow, and the townspeople mean well, but when push comes to shove, they reveal their cowardice. (If you remember the scene in "Blazing Saddles" in which Van Johnson says, "Howard Johnson is right," you'll almost certainly laugh at an inappropriate moment in "High Noon." ) "High Noon" is a textbook example of the storyteller's art. The drama begins with the opening credits and doesn't let up until everyone's true character has been laid bare. This one is suspenseful and thrilling, and I find more to admire with every viewing.