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40 comments in total

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21 out of 23 people found the following comment useful :-
Why isn't this film better known?, 19 January 2003
Author: Spleen from Canberra, Australia

I've only seen two other Fred Astaire vehicles: "Top Hat" and "Swing Time", the more recent of which was made 15 years before this. The improvement is remarkable. At some time perhaps in the 1940s Astaire appears to have been given a charm transplant; in "Royal Wedding", instead of coming across, woodenly, as a bit of a cad, he's a perfectly decent fellow, with all of the human impulses it's easiest to like and intelligence to boot. It's as though he'd been taking lessons from Gene Kelly.

If the earlier dance spectacles are not to be judged too harshly for merely marking time between the breath-taking dance sequences – and I concur, they should not be judged too harshly for this – how much less should this one be judged harshly, with at least four sequences likely to get applause (all four DID get applause, at the screening I attended): the bit where Astaire "rehearses" when his partner doesn't show up by dancing with and around the gym equipment (again, this is exactly the kind of thing Gene Kelly would do); the scene in which he dances on the wall, then the ceiling, then the other wall, then the ceiling again – obviously within a set like the one used in "2001", but Astaire disguises this by finding a different, natural-looking transition from surface to surface each time; the over-the-top "I Left My Hat in Haiti" number; and the superbly performed (well acted and sung as well as well danced) "How Could You Believe Me … etc." routine. Any one of these would be reason enough to dust a mediocre film off and watch it at least once.

But this isn't a mediocre film. It's not just that there are four strong numbers and no weak ones; it's that it DOESN'T merely mark time between them. One thing that this has in common with Donen's other films is its desire to entertain at every moment. It's a light film, even a facetious one… yet we can feel for it, too. There's nothing contrived or pointless about the complication that threatens to thwart True Love. (Whether or not this really IS true love is of course beside the point.) Tom likes the lifestyle of a bachelor, Ellen wants to preserve her career; both characters are genuinely torn for perfectly legitimate reasons, and in fact, there's no way for them to resolve their difficulties except by simply choosing, which is why the sudden, simultaneous decision to get married to their respective partners at the end doesn't feel forced.

I go to watch films I've never heard of and expect very little from, all the time. Why? Because every once in a while, I strike gold.

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21 out of 24 people found the following comment useful :-
More Fun Than Any Wedding I Have Ever Been To., 6 October 2003
Author: tfrizzell from United States

After their act is broken up in New York, a brother/sister tap dance team (Fred Astaire and Jane Powell) travel to England and immediately fall in love with new acquaintances. Powell goes after royalty in the form of Peter Lawford and Astaire sets his eyes on Sarah Churchill. Which will win out in the end, their old dance routine or their new romantic interests? Pure Hollywood fluff here, but enjoyable for the time period nonetheless. One of the more under-rated musicals of the early-1950s. Astaire, getting up in years here, still shows amazing athleticism through the dance sequences. Not a bad time passer. 4 stars out of 5.

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14 out of 15 people found the following comment useful :-
You must see these great dancing sequences..., 3 June 2000
Author: Tommy-92

Of course, there is Fred Astaire's delightful, legendary, innovative dance on the ceiling and his dance with a hatrack in the gym, both of which are great. But then there are also his delightful partnerings with Jane Powell, playing his Adele Astaire-esque sister and dancing partner. These include the opening number, "Every Night At Seven," their cute little attempt to dance aboard a rocky boat, and the dynamite "How Could You Believe Me, etc." AND "I Left My Hat in Haiti." Powell, known mostly for her operetic soprano that never quite seems to match her speaking voice, (and which can also be heard in a few forgettable songs here) rivals Ginger Rogers in her ability to keep up with Astaire and match him every step of the way. Not to be missed if you love musicals, dancing in musicals, and/or Fred Astaire dancing in musicals.

As for the rest of the film, the plot is thin as expected but breezes along smoothly. The characterizations of the English are silly caricatures. (Alan Jay Lerner wrote the screenplay and lyrics, but remember, this was five years before "My Fair Lady") Keenan Wynn does okay with the double role of an American agent and his British twin counterpart, though. Peter Lawford is Powell's English honey bun. (In real life, Adele Astaire did leave dancing when she married an English lord) And yes, that is Sarah Churchill, Winston's daughter, as about the only romantic partner of Fred's on film that was his own age.

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12 out of 13 people found the following comment useful :-
Trite Script, Colorless Love Interests, But OH! THAT DANCING, 14 April 2001

Author: Bob-45 from Savannah, GA

I wouldn't waste the keystrokes to comment on the trite story in ROYAL WEDDING. Worse, Sarah Churchill can't dance and has no chemistry with Fred Astaire. HOWEVER, Jane Powell is WONDERFUL as Astaire's sister. She's even more impressive here than in the wonderful SEVEN BRIDES FOR SEVEN BROTHERS. And, OH! THOSE DANCE NUMBERS. Astaire's singles numbers are the BEST dancing I've ever seen in a movie. His numbers with Powell are equally marvelous. Great music, great songs. Forget the romance (and weak comedy with Keenan Wynn) and enjoy the music and dance. SUPERFINE!

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12 out of 15 people found the following comment useful :-
Jane Powell holds her own with the amazing Fred Astaire, 6 May 2000

Author: k_jasmine_99 from Nebraska

It's hard to pick one of Fred Astaire's movies as a favorite or as his best! But of course Royal Wedding has to hit the top of the classics simply for the famous "dance on the ceiling".

Jane Powell plays his sister and does a very nice job, considering she and Fred never practiced any dance routines together before shooting the film! A must-see for Astaire fans, and if you're not a fan, watch this film and you will be!

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12 out of 15 people found the following comment useful :-
An Unexpected Team, 6 February 2000

Author: ykwms from Dallas, TX

Jane Powell (as Ellen Bowen) was a surprisingly adept partner for Fred Astaire for those of us who know her best as a brilliant soprano songstress. She kept up with him, step for step. She's probably best known for her fabulous voice as showcased in SEVEN BRIDES FOR SEVEN BROTHERS, but she brought in the wonderful tune, "Too Late Now," here in ROYAL WEDDING. Astaire was his typical debonair self, and his role is reminiscent of that in THREE LITTLE WORDS.

The plot of ROYAL WEDDING is easy to follow and serves as a great backdrop for Astaire and Powell and their respective musical talents. And yes, Sarah Churchill is Winston's daughter. Worth seeing more than once.

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17 out of 25 people found the following comment useful :-
Dancing Great; Story Stinks, 24 May 2006

Author: ccthemovieman-1 from Lockport, NY, United States

This movie features some of the most famous dance scenes by Fred Astaire, such as the one where he dances on the walls and ceiling.

That particularly dance is impressive because the special-effects made it look realistic. Kudos to the filmmakers for doing that in a film that is 55 years old. Astaire also did a clever number earlier with a hat rack and did two entertaining dances with Jane Powell.

The dancing was the only good thing in the film. Most of the story deals with romances between Powell and Peter Lawford and Astaire and Sarah Churchill. The latter look a little old for the normal young-romance type angles viewers are used to seeing in films. Facially, Fred looked like he had been ill. He just didn't look good. Powell looked fine but her soprano voice almost broke my TV tube. It was brutal.

Since those famous Astaire dances can be seen on "That's Entertainment" tapes or DVDs, there was no reason to keep this film.

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12 out of 16 people found the following comment useful :-
A Lovely Wedding!, 9 September 2002
Author: Engwy from Fangorn Forest, ME

The Royal Wedding is one of my family's favourite Astaire movies, next to Easter Parade. Jane Powell, as his sister, does a wonderful job with her beautiful operatic voice. Many people do not realize that she was also a singer, not just a dancer, until they watch Seven Brides for Seven Brothers, which she also starred in. Peter Lawford does his usual job as playboy-royale, but thankfully does not sing. Astaire's dancing feat of climbing all over his hotel room is unparralled. No one else could do it and still look good! A great family film.

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6 out of 6 people found the following comment useful :-
Astaironomically Brilliant!, 14 October 2005

Author: neithernor2000 from Long Beach, California

Fred Astaire's gravity-be-damned four-wall dance solo was imbued with choreographic wonder and sprinkled judiciously with humor. He did it all because of a woman!!! Tom Bowen is a male dancer who is pure male but the most important woman in his life is not the one who had him defying gravity. It is his sister, Ellen: his equal on the terpsichorean turf. Their Runyonesque number was pitch perfect with lyrical precision provided by Alan Jay Lerner, who obviously spent quality time (physically or spiritually) with Damon Runyon. For the script and acting per se–with Keenan Wynn as a stupendous "double agent" –A Royal Wedding is worth the price of admission. Fred Astaire and Jane Powell give award-winning performances but their dancing puts this film on the top shelf of cinematic history. The hat-rack dance, the turbulent ship dance and–of course–the ceiling dance owe a debt to Ernie Kovacs, the man who dovetailed comedy, art, and special effects before George Lucas was born. Too bad "Kovackian" is such a cumbersome word. A personal aside: I was once invited to Alan Jay Lerner's Park Avenue home. The invitation came from the furniture company whose products Mrs. Lerner had ordered. AJ wasn't home. So be it.

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5 out of 5 people found the following comment useful :-
The Happiest Day In A Lifetime, 11 February 2008

Author: bkoganbing from Buffalo, New York

*** This comment may contain spoilers ***

One of Fred Astaire's most charming musicals is Royal Wedding where as if taken from his own real life, he's part of a brother and sister act with Jane Powell. We never did get to see Adele Astaire perform on screen, but rumor has it she was exquisite in her steps and lovely to see. And like Jane in this film she married into the aristocracy.

In fact both brother and sister have their romances in Royal Wedding, Fred with none other than Sarah Churchill who was the daughter of a well known British politician. On shipboard Jane attracts the attention of Peter Lawford who was a member of the aristocracy and something of a skirt chaser.

All this is against the background of the royal wedding that took place in 1947 between Mr. Phillip Mountbatten and Ms. Elizabeth Windsor. Another reviewer astutely remarked this film was on the MGM drawing boards for some time. In fact it was originally meant for Judy Garland, but she had her breakdown and Jane stepped into the part. Despite all the British locales, the cast never left the MGM lot, footage of the real royal wedding and other London establishing shots were used.

Jane got three lovely numbers to sing, The Happiest Day in a Lifetime, Open Your Eyes, and Too Late Now, the last being nominated for Best Song. In fact Jane Powell had a unique distinction of having two film songs up in the same year for the Oscar, the other being Wonder Why from Rich, Young, And Pretty. I can't recollect another performer this ever happened to, not even her co-star Fred Astaire or Bing Crosby who did introduce the Oscar winning song for 1951, In The Cool Cool Cool of the Evening from Here Comes The Groom.

Songwriters Burton Lane and Alan Jay Lerner didn't do too bad for Fred either. Royal Wedding is famous as the picture in which Fred Astaire did his surreal dance on the ceiling. Thinking about his lady love Sarah, Fred, alone in his hotel room starts to sing and dance You're All the World To Me and ends up dancing on the sides of the wall and ceiling of his room. This was accomplished by constructing a set that turned with the furniture and fixtures nailed down. I can't fathom the precision it took to get that number right and retain the spontaneous look that Astaire's dancing was noted for. Fred also sang and danced I Left My Hat in Haiti and Every Night at Seven.

The duet that Powell and Astaire have is the longest song title on record to date. How Can You Believe Me When You Know I've Been A Liar All My Life has Fred and Jane as a gangster and his moll. Astaire was fabulous and Jane more than kept up with him in the number.

When Judy Garland had her breakdown, her first public appearance after leaving the hospital was on a pair of Bing Crosby's Philco Radio Program where guest starred with Bob Hope as well. Judy did a rollicking version of the Liar song with Bing and it's the only instance where you can get an idea of what she might have been like in Powell's role.

This film was a favorite of my mother's, when we watched on VHS about 20 years ago, she loved Fred Astaire's Sunday Jumps number. This is a sequence on board ship where Fred asks to use the ship's gym for rehearsal and does a marvelously inventive sequence with the gym equipment even including a coat hanger. If there's an example of Fred Astaire's ingenuity in making his material look spontaneous this is it. It's well known the number of man hours he rehearsed to get that spontaneous look, but it certainly pays off here.

And this review is dedicated to my mother, a very big fan of this film. I can still hear her remark about how graceful Fred Astaire moved.

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