The Red Badge of Courage (1951)

User Rating:

7.3/10   

Director:

John Huston

Writers:

Stephen Crane (novel)
John Huston (screenplay)

Release Date:

16 March 1951 (USA)

Genre:

Drama | War

Tagline:

Stephen Crane's Great American Story of the Civil War

Plot:

Truncated adaptation of Stephen Crane's novel about a Civil War Union soldier who stuggles to find the courage to fight in the heat of battle.

Plot Keywords:

Civil War | Cowardice | Very Little Dialogue | Based On Novel

Awards:

Nominated for BAFTA Film Award.

Cast

Audie Murphy	...	The Youth
Bill Mauldin	...	The Loud Soldier
Douglas Dick	...	The Lieutenant
Royal Dano	...	The Tattered Man
John Dierkes	...	The Tall Soldier
Arthur Hunnicutt	...	Bill Porter
Tim Durant	...	The General
Andy Devine	...	The Cheery Soldier
Robert Easton	...	Thompson (as Robert Easton Burke)

Runtime:

69 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

USA:Approved (certificate #14937) | Canada:PG (video rating) | Australia:PG | Finland:K-16 | Sweden:15

Filming Locations:

Bidwell Park - Manzanita Avenue, Chico, California, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

This production amounted to a power struggle between Louis B. Mayer and producer Dore Schary. Mayer rejected the production (partly on account of it lacking women and thus a romance angle) and Schary insisted. Mayer appealed to Loew's Inc. chairman Nicholas Schenck and was rebuffed. This and other ego-bruising incidents that occurred during the same period resulted in Mayer's ouster from the company he helped found in 1924. As Mayer predicted the $1.6 million film flopped badly but by the Summer of 1951 he was out.

Goofs:

Factual errors: The enlisted soldiers in the film are shown wearing the rectangular Model 1851 belt plate instead of the brass oval "US" belt plate worn by enlisted soldiers.

Movie Connections:

Spoofed in "South Park: The Red Badge of Gayness (#3.14)" (1999)

Murphy's Best

I can't understand why this movie isn't more well known or why it doesn't get more critical applause. Well, I suppose it's in black and white, it's short, it has no expensive bankable stars, and no love interest. I can't think of any other reasons, because this is a very good movie indeed. John Huston's direction is outstanding, while still being understated. When he was uninterested, Huston could do a merely pedestrian job. But he must have been interested in "The Red Badge of Courage," from beginning to end.

Example from the beginning: a group of soldiers are gathered around a speaker who is spreading rumors about a coming battle, most of their backs turned to us. The camera slowly moves in towards the small crowd, not the speaker, but the backs of the listeners' heads, and one of the soldiers turns around towards the camera and steps quickly into a close up with an expression of deep self-doubt. What a way to introduce Audie Murphy as Henry Fleming! What a way to individuate a mob of naive young men!

Example from the end: Henry and his friend Tom, played by Bill Mauldin, are marching away from the battlefield, still alive, and a bit surprised. Tom says something about how the birds are beginning to sing again, and Henry agrees that as soon as the smoke and noise of battle end it doesn't take the birds long to get worked up again. Henry looks upward over his shoulder, and Huston gives us a point-of-view shot of a hazy sun drifting dimly through the tops of the trees that tower alongside the road. The cast could hardly do better. It is Audie Murphy's best performance by far. In "To Hell and Back," in which he played himself, he wasn't required to do much more than rudimentary acting, and the film itself is cliché ridden. Here, Murphy convinces us that he's worried, or scared, or half out of his mind on adrenalin, or whatever the situation calls for. His boyish voice is completely appropriate to the role, as is his overall appearance. He seems to have really given this movie some effort. Bill Mauldin as Tom is also surprisingly good. He was undoubtedly the most famous and most controversial cartoonist of World War II and spent a good deal of time with Murphy's Third Division in Italy. He may not be a trained actor, but his sincerity, his gawky face and outlandish ears are more convincing than, say, Tab Hunter's brawn ever was. All of the supporting cast are excellent, particularly John Dierkes as the dying soldier.

Do you want to have your hair raised? Read Steven Crane's original novel. He was 22 when he wrote it, years after the Civil War had ended, but no one would know it from the novel, which has the ring of reminiscence about it. The scene of the dying soldier as he actually dies, standing and trembling from head to foot as if in some Jacksonian fit, is unforgettable in its horror. It's impossible to identify the battle on which the book was based, if indeed there was any.

Let's face facts. The North lost damned near all of its most dramatic battles, and not through the fault of its soldiers or junior officers. (General Winterside's cognomen must have been influenced by the real-life General Ambrose Burnside, for whom our "sideburns" are named. Burnside was one of Lincoln's worst generals and had the good sense and the courage to admit it himself.} The Penninsular campaign, fought under MacLellan, another real hard-charging fire eater, was a dismal failure and ended in an ignominious retreat Crane was from New Jersey and is now buried in Evergreen Cemetery in Hillside, having died a young man. One can only wonder what he might have accomplished had he written more than just two novels. The photography may be black and white but it's splendidly done. I find the only two problems, and they're relatively minor ones, involve the production itself. This isn't back East where the war was fought. This is clearly California, with scattered live oak trees dark and evergreen against the dried summer bunch grass. And the musical score is generic, adding little to the picture aside from the expected Battle Hymn of the Republic and triumphant marches in major keys. A fine picture, all around.