| Photos (see all 18 | slideshow) | Videos |
| John Wayne | ... | Lt Cmdr. Duke E. Gifford | |
| Patricia Neal | ... | Lt. (j.g.) Mary Stuart | |
| Ward Bond | ... | Cmdr. John T. 'Pop' Perry | |
| Scott Forbes | ... | Lt. Larry | |
| Philip Carey | ... | Lt. (j.g.) Bob Perry | |
| Paul Picerni | ... | Jonesy | |
| William Campbell | ... | The Talker (as Bill Campbell) | |
| Kathryn Givney | ... | Cmdr. Steele | |
| Martin Milner | ... | Ens. Caldwell | |
| Cliff Clark | ... | Commander, SUBPAC | |
| Jack Pennick | ... | The Chief | |
| Virginia Brissac | ... | Sister Anna | |
| Vincent Fotre | ... | Soundman | |
| Lewis Martin | ... | Squad commander | |
| Sam Edwards | ... | Junior | |
| Louis Mosconi | ... | Radarman Mosconi | |
| rest of cast listed alphabetically: | |||
| John Baer | ... | Fighter pilot (uncredited) | |
| Robert Carson | ... | Torpedo Officer (uncredited) | |
| Gail Davis | ... | Bit part (uncredited) | |
| Chris Drake | ... | Sparks (radioman) (uncredited) | |
| James Flavin | ... | Mick (SP commander) (uncredited) | |
| Bess Flowers | ... | Dance floor extra (uncredited) | |
| Ray Hyke | ... | Crewman (uncredited) | |
| Gayle Kellogg | ... | Crewman (uncredited) | |
| Al Kikume | ... | Hawaiian (uncredited) | |
| Brett King | ... | Lt. Ernie Stark (uncredited) | |
| Mike Lally | ... | Quartermaster (uncredited) | |
| Keith Larsen | ... | Crewman (uncredited) | |
| Harry Lauter | ... | Freddie (officer on submarine Corvena) (uncredited) | |
| Richard Loo | ... | Japanese fighter pilot (uncredited) | |
| Bob Nash | ... | Quartermaster (uncredited) | |
| Carl Saxe | ... | Shore Patrolman (uncredited) | |
| William Self | ... | Helmsman (uncredited) | |
| Michael St. Angel | ... | Lt. Jorgenson (uncredited) | |
| Bert Stevens | ... | Naval officer at briefing (uncredited) | |
| Milburn Stone | ... | Ground Control officer (uncredited) | |
| Harlan Warde | ... | Dick (admiral's aide) (uncredited) | |
| Steve Wayne | ... | Crewman (uncredited) | |
| Mack Williams | ... | Crewman (uncredited) | |
| Carleton Young | ... | Pilot briefing officers on carrier (uncredited) | |
Directed by | |||
| George Waggner | |||
Writing credits(in alphabetical order) | ||
| George Waggner | writer | |
Produced by | |||
| Louis F. Edelman | .... | producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Bert Glennon | |||
Film Editing by | |||
| Alan Crosland Jr. | |||
Art Direction by | |||
| Leo K. Kuter | |||
Set Decoration by | |||
| John Gilbert Kissel | |||
Makeup Department | |||
| Gordon Bau | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Russell Saunders | .... | assistant director (uncredited) | |
Sound Department | |||
| Francis J. Scheid | .... | sound | |
Special Effects by | |||
| Hans F. Koenekamp | .... | special effects (as H.F. Koenekamp) | |
| William C. McGann | .... | special effects director (as William McGann) | |
Music Department | |||
| Murray Cutter | .... | orchestrator | |
Other crew | |||
| Charles A. Lockwood | .... | technical advisor (as Vice-Admiral Charles Lockwood) | |
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| Tora! Tora! Tora! | Crash Dive | U-571 | Run Silent Run Deep | Hell Below |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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It's hard to decide which genre provided John Wayne the greater opportunity to showcase his talents - the "Western" or the "War Movie". Clearly, he excelled at both (and had more than a few opportunities to demonstrate it). Personally, I've always been a greater fan of his westerns, but when this film appeared on one of my favorite cable channels this afternoon, I found myself willingly drawn in. Although a lot of its elements are standard WWII fare, Operation Pacific still demonstrates why the genre has proven so successful to Hollywood.
This one includes all the cliches - the tragedy of lives lost for a just cause (in this case, the war in the Pacific), the heroism of the men who gave up their lives for that cause (here it's a submarine crew based out of "Pearl"), and the women forced to wait patiently while the men they loved went into harm's way.
Although a lot of this seems outdated and stereotyped some 50 years later, the movies that were made during and immediately following WWII nevertheless reflect the ideals and values that drove an entire nation (and generation) to act and feel as it did. My own father, who was a Navy man during the war, was a big fan of John Wayne. I have to believe that Wayne personified some of the very same values my father had come to embrace as a youth and during his time in the military. For me, this adds some validity and perspective.
I know this is not considered to be Wayne's best war film (and admit to not being an enthusiastic student of the genre), but I'm confident that it's a good example of why these films were (and remain) so popular.