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IMDb > Lullaby of Broadway (1951)

Lullaby of Broadway (1951) More at IMDbPro »

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Overview

User Rating:
6.5/10   295 votes
MOVIEmeter: ?
Down 6% in popularity this week. See why on IMDbPro.
Director:
Writer:
Earl Baldwin (writer)
Contact:
View company contact information for Lullaby of Broadway on IMDbPro.
Release Date:
26 December 1951 (Sweden) more
Genre:
Plot:
Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise... more | add synopsis
Awards:
1 win more
User Reviews:
Cheesecake a la Day more (9 total)

Cast

  (in credits order) (verified as complete)

Doris Day ... Melinda Howard
Gene Nelson ... Tom Farnham
S.Z. Sakall ... Adolph Hubbell
Billy De Wolfe ... Lefty Mack
Gladys George ... Jessica Howard
Florence Bates ... Mrs. Anna Hubbell
Anne Triola ... Gloria Davis
Hanley Stafford ... Voice of Producer
Page Cavanaugh ... Himself
Carlo De Mattiazzi ... Dance Specialty
Constance De Mattiazzi ... Dance Specialty
rest of cast listed alphabetically:
John Milton Kennedy ... The Radio Announcer (voice)
Page Cavanaugh Trio ... Themselves
Murray Alper ... Joe the bartender (uncredited)
Jimmy Aubrey ... Steward (uncredited)
Brooks Benedict ... Reporter (uncredited)
James Conaty ... Theatregoer in Box (uncredited)
Herschel Daugherty ... Sidney (uncredited)
Elizabeth Flournoy ... Secretary (uncredited)
Bess Flowers ... Shipboard Dance Extra (uncredited)
Carl Harbaugh ... Doorman (uncredited)
Hans Herbert ... Head Waiter (uncredited)
Shep Houghton ... Specialty Dancer (uncredited)
Sheldon Jett ... Gus (uncredited)
Donald Kerr ... Driver (uncredited)
Mike Lally ... Party Extra (uncredited)
Edith Leslie ... Nurse (uncredited)
Jimmy Lloyd ... Reporter (uncredited)
Charles Marsh ... Reporter (uncredited)
Philo McCullough ... Waiter (uncredited)
Harold Miller ... Party Guest Extra (uncredited)
William J. O'Brien ... Nightclub Waiter (uncredited)
Arlyn Roberts ... Blonde Showgirl (uncredited)
Jeffrey Sayre ... Dance Extra / Party Extra (uncredited)
Larry Steers ... Party Dance Extra (uncredited)
Charles Williams ... Reporter (uncredited)
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Directed by
David Butler 
 
Writing credits
(in alphabetical order)
Earl Baldwin  writer

Produced by
William Jacobs .... producer
 
Cinematography by
Wilfred M. Cline 
 
Film Editing by
Irene Morra 
 
Art Direction by
Douglas Bacon 
 
Set Decoration by
Lyle B. Reifsnider 
 
Costume Design by
Milo Anderson 
 
Makeup Department
Gordon Bau .... makeup artist (uncredited)
 
Second Unit Director or Assistant Director
Philip Quinn .... assistant director (uncredited)
 
Sound Department
Stanley Jones .... sound
 
Music Department
Ray Heindorf .... musical director
Howard Jackson .... orchestrator
Frank Perkins .... orchestrator
 
Other crew
Mitchell Kovaleski .... technicolor color consultant
Eddie Prinz .... choreographer
LeRoy Prinz .... choreographer
Al White Jr. .... choreographer (as Al White)
 
Crew verified as complete


Production CompaniesDistributors
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Additional Details

Runtime:
92 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound System)

Fun Stuff

Trivia:
Doris Day's 10-inch Columbia LP of selections from the film score captured first place on the "Billboard" pop albums chart. more
Goofs:
Factual errors: Gloria reads a copy of Variety with news on the back cover; in reality, the back cover of this publication has always been reserved for full-page ads. more
Quotes:
Melinda Howard: [handing Tom a penny] There's a message on that to you from the women of the world.
Tom Farnham: In God We Trust
more
Movie Connections:
Spoofed in Norbert Smith, a Life (1989) (TV) more
Soundtrack:
You're Getting to Be a Habit with Me more

FAQ

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7 out of 7 people found the following review useful.
Cheesecake a la Day, 29 April 2004
Author: seven_keys2003 from Corpus Christi, Texas

If you're a pushover for Fifties movie-musicals that stress music over story, "Lullaby of Broadway" may represent that genre's prototype. This is not to say that musicals with thin storylines are necessarily bad. The success of the earlier Astaire-Rogers films depended on dancing, music, and an occasional wisecrack or a fancy bit of dialogue--in that order. "Lullaby" isn't in the class of "Top Hat" by a long way. But it does represent a trend of movie-making that Warner Brothers embarked on briefly during the early 1950's: Cheesecake a la Day ("It's a Great Feeling," "On Moonlight Bay," "By the Light of the Silvery Moon," etc.).

In her autobiography, "Doris Day: Her Own Story" (published in 1976), the actress describes her early years as a contract player for Jack L. Warner and the heated disputes she had with the autocratic movie czar regarding miscasting and bad scripts. But in "Lullaby," there is virtually no script to complain of. It's a revue, and thus, not a movie in the traditional sense. But what a revue! From Ray Heindorf's jazzy 1951 arrangement of the old title tune (from "Gold Diggers of 1935") over the opening credits, to the Prinzs' inventive choreography, this movie clicks along in high gear from one showstopper to the next.

Day also recalled in her memoirs that "Lullaby" contained, by far, the toughest dance routines of any film she ever made. One particularly challenging scene called for her to perform an intricate series of steps on a huge staircase--while weighted down in a gold-lame dress. At first, she balked, warning the crew to have an ambulance waiting after the first take. With encouragement from the director David Butler and others, however, she did manage to successfully complete the dance number.

"Lullaby of Broadway" is not the best of the Day/Warners musicals--that distinction goes to "Calamity Jane" (1953)--but it's as good as the rest. With Gene Nelson as Day's dance-partner, Billy De Wolfe as a vaudevillian-turned-valet, and the almost unbearable S. Z. "Cuddles" Sakall, as a Broadway "angel."

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