John Paxton (screenplay)
Joel Sayre (story)
April 1951 (USA) more
A new element in screen suspense
An unhappy man threatens suicide by standing on the ledge of a high-rise building for 14 hours. full summary | add synopsis
Nominated for Oscar. Another 1 win & 3 nominations more
What's On Tonight: Survivor, Bones, The Office, It's Always Sunny
(From AOL - TVSquad. 5 November 2009, 9:22 AM, PST)
Yes more (24 total)
| Paul Douglas | ... | Police Ofcr. Charlie Dunnigan | |
| Richard Basehart | ... | Robert Cosick | |
| Barbara Bel Geddes | ... | Virginia Foster | |
| Debra Paget | ... | Ruth | |
| Agnes Moorehead | ... | Christine Hill Cosick | |
| Robert Keith | ... | Paul E. Cosick | |
| Howard Da Silva | ... | Deputy Police Chief Moskar (as Howard da Silva) | |
| Jeffrey Hunter | ... | Danny Klempner | |
| Martin Gabel | ... | Dr. Strauss | |
| Grace Kelly | ... | Mrs. Louise Ann Fuller | |
| Frank Faylen | ... | Walter, room service waiter | |
| Jeff Corey | ... | Police Sgt. Farley | |
| James Millican | ... | Police Sgt. Boyle | |
| Donald Randolph | ... | Dr. Benson | |
| rest of cast listed alphabetically: | |||
| George Baxter | ... | Attorney (uncredited) | |
| Leonard Bell | ... | Cab Driver for Mrs. Fuller (uncredited) | |
| Richard Beymer | ... | (uncredited) | |
| Barry Brooks | ... | Photographer (uncredited) | |
| Bernard Burke | ... | Police Captain (uncredited) | |
| David Burns | ... | Cab Driver (uncredited) | |
| John Cassavetes | ... | Bit Part (uncredited) | |
| Gean Danise | ... | Girl in the Street (uncredited) | |
| Ossie Davis | ... | Cab driver (uncredited) | |
| Brad Dexter | ... | Reporter (uncredited) | |
| Leif Erickson | ... | Bit Part (uncredited) | |
| Michael Fitzmaurice | ... | TV Announcer (uncredited) | |
| Gordon Gebert | ... | Harry Dunnigan (uncredited) | |
| Sandra Gould | ... | Hotel Switchboard Operator (uncredited) | |
| Kenneth Harvey | ... | Police Operator (uncredited) | |
| Jerry Hausner | ... | Reporter (uncredited) | |
| Russell Hicks | ... | Regan, Hotel Manager (uncredited) | |
| Brian Keith | ... | Extra (uncredited) | |
| Rusty Lane | ... | Cop (uncredited) | |
| Harvey Lembeck | ... | Cab driver (uncredited) | |
| George MacQuarrie | ... | Reverend Dr. J.C. Parkinson (uncredited) | |
| Rory Mallinson | ... | Cop (uncredited) | |
| Renny McEvoy | ... | Radio man (uncredited) | |
| John McGuire | ... | Cop (uncredited) | |
| Bill McLean | ... | Bellboy (uncredited) | |
| Shepard Menken | ... | Reporter (uncredited) | |
| Ann Morrison | ... | Mrs. Helen Dunnigan (uncredited) | |
| Forbes Murray | ... | Police Commissioner (uncredited) | |
| Howard Negley | ... | Police Captain (uncredited) | |
| Frank Nelson | ... | Impatient Hotel Guest (uncredited) | |
| George Offerman Jr. | ... | Reporter (uncredited) | |
| Robert Pitkin | ... | Kemper (uncredited) | |
| Lou Polan | ... | Cab Driver (uncredited) | |
| George Putnam | ... | Radio Announcer (uncredited) | |
| John Randolph | ... | Fireman (uncredited) | |
| Suzanne Ridgeway | ... | Woman in Hotel (uncredited) | |
| Dan Riss | ... | Reporter (uncredited) | |
| Lucille Rogers | ... | Charwoman (uncredited) | |
| Janice Rule | ... | Bit Part (uncredited) | |
| Henry Slate | ... | Cab driver (uncredited) | |
| Alix Talton | ... | Miss Kelly, Secretary (uncredited) | |
| Jean Temple | ... | Charwoman (uncredited) | |
| Joyce Van Patten | ... | Barbara, Ruth's friend (uncredited) | |
| James Warren | ... | Thomas Edward Fuller (uncredited) | |
| Willard Waterman | ... | Mr. Harris (uncredited) | |
| William H. Welsh | ... | Hotel clerk (uncredited) | |
| Mervin Williams | ... | Photographer (uncredited) | |
Directed by | |||
| Henry Hathaway | |||
Writing credits | ||
| John Paxton | (screenplay) | |
| Joel Sayre | (story) | |
Produced by | |||
| Sol C. Siegel | .... | producer | |
Original Music by | |||
| Alfred Newman | |||
Cinematography by | |||
| Joseph MacDonald | (as Joe MacDonald) | ||
Film Editing by | |||
| Dorothy Spencer | |||
Art Direction by | |||
| Leland Fuller | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Set Decoration by | |||
| Thomas Little | |||
| Fred J. Rode | |||
Costume Design by | |||
| Edward Stevenson | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
Sound Department | |||
| W.D. Flick | .... | sound | |
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
Visual Effects by | |||
| Ray Kellogg | .... | special photographic effects | |
| Fred Sersen | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | wardrobe director (as Charles LeMaire) | |
Music Department | |||
| Edward B. Powell | .... | orchestrator (as Edward Powell) | |
14 Hours (USA) (alternative spelling)
more
92 min
1.37 : 1 more
Mono (Western Electric Recording)
West Germany:12 (re-rated) | West Germany:16 (original rating) | USA:Approved (certificate #14687) | Finland:K-12 | Sweden:15
20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA more
This film is based on a real life incident which happened July 26, 1938 in New York City. John W. Warde, 26 years of age, leaped seventeen floors to his death from the ledge outside a room in the Hotel Gotham. more
Continuity: The middle-aged priest climbs 15 flights of stairs, and is not the least bit out of breath. more
Ofcr. Charlie Dunnigan:
[Phoning to police headquarters] Dunnigan, Traffic "A."
Ofcr. Charlie Dunnigan:
There's a jumper on the ledge... Hotel Rodney!
more
Referenced in The Making of 'High Noon' (1992) (V) more
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| News articles | IMDb Film-Noir section | IMDb USA section |
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Despite the distinction of being Grace Kelly's first film, (and she is quite good here), this film holds up with the best of the genre. It's one of those films that is incidentally seen by the casual channel surfer and, given five minutes, impossible to turn away from. This film is amazingly innovative in its premise and relies on character, (New York being as important as any other), and story to set the flow and tempo. There are deliciously cunning and unique character moments throughout a film that is, at the same time, full of contrivance and stereotypical sorts. (Do we really need to see another Irish-american policeman being negligent in his duties?). Yet, somehow all the parts equal a very solid whole and a very tense, sharply focussed and surprising film.
If you see this one on late-night tv as you flick through with your remote, be sure to stop and take a look. This one is a definite "yes".