Ace in the Hole (1951)

Director:

Billy Wilder

Writers:

Billy Wilder (written by) &
Lesser Samuels (written by) ...

Release Date:

29 June 1951 (USA)

Genre:

Drama | Film-Noir

Plot:

A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.

Plot Keywords:

Newspaper | Trapped | Rescue | Reporter | New Mexico

Awards:

Nominated for Oscar. Another 2 wins & 2 nominations

Cast

Kirk Douglas	...	Chuck Tatum
Jan Sterling	...	Lorraine Minosa
Robert Arthur	...	Herbie Cook (as Bob Arthur)
Porter Hall	...	Jacob Q. Boot
Frank Cady	...	Mr. Federber
Richard Benedict	...	Leo Minosa
Ray Teal	...	Sheriff Gus Kretzer
Lewis Martin	...	McCardle
John Berkes	...	Papa Minosa
Frances Dominguez	...	Mama Minosa
Gene Evans	...	Deputy Sheriff
Frank Jaquet	...	Sam Smollett
Harry Harvey	...	Dr. Hilton
Bob Bumpas	...	Radio Announcer
Geraldine Hall	...	Nellie Federber

Also Known As:

The Big Carnival (USA) (new title)
The Human Interest Story (USA) (working title)

Runtime:

111 min

Country:

USA

Language:

English | Latin

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

USA:TV-14 (TV rating) | UK:A (1951) | Finland:K-16 | Iceland:L | USA:Approved

Filming Locations:

Albuquerque, New Mexico, USA

Company:

Paramount Pictures

Trivia:

When the film was released, it got bad reviews and lost money. The studio, without Billy Wilder's permission, changed the title to "The Big Carnival" to increase the box office take of the film. It didn't work. On top of that, Billy Wilder's next picture Stalag 17 (1953) was a hit and Billy Wilder expected a share of the Stalag 17 (1953)'s profits. Paramount accountants told him that since this picture lost money, the money it lost would be subtracted from the profits of Stalag 17 (1953).

Goofs:

Continuity: When Tatum and Boot are talking in the Minosa's back room, the amount of alcohol Tatum pours in his glass changes.

Quotes:

[first lines]
Charles Tatum: Hey. Pull up at the corner.

Movie Connections:

Referenced in Portrait d'un homme 'à 60% parfait': Billy Wilder (1980)

Soundtrack:

We're Coming, Leo

Media of 1951 acting like media of 2001

A powerful toasting of the media of the day. Imagine what this would have been like in the age of television. Kirk Douglas plays a self-centered heel, and does so very well. I also liked Jan Sterling as Lorraine. It's true that there is no really sympathetic character in this film, except maybe Leo, the man trapped in the cave. Someone wrote that he too, wasn't a sympathetic character, because he was trapped while collecting Indian artifacts for sale, but I don't think that would have bothered anyone in 1951. The tone of the film throughout was one of total cynicism, that seems a bit out of place for the times. Maybe that's why this movie was not a commercial success. It fits much better now, though, since everyone has seen the media behaving in such disgraceful fashion. However, that may rob it of some of its (probably intended) shock value. Grade: A