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C.S. Forester (novel)
James Agee (adaptation) ...
(more)
20 February 1952 (USA) more
The greatest adventure a man ever lived...with a woman!
In Africa during WW1, a gin-swilling riverboat owner/captain is persuaded by a strait-laced missionary to use his boat to attack an enemy warship. full summary | full synopsis
Won Oscar. Another 1 win & 5 nominations more
Jack Cardiff Dies
(From EmpireOnline. 23 April 2009, 5:46 AM, PDT)
Jack Cardiff
(From Alternative Film Guide. 22 April 2009, 5:55 PM, PDT)
Don't Take This One For Granted more (152 total)
| Humphrey Bogart | ... | Charlie Allnut | |
| Katharine Hepburn | ... | Rose Sayer | |
| Robert Morley | ... | Rev. Samuel Sayer | |
| Peter Bull | ... | Captain of Louisa | |
| Theodore Bikel | ... | First Officer | |
| Walter Gotell | ... | Second Officer | |
| Peter Swanwick | ... | First Officer of Shona | |
| Richard Marner | ... | Second Officer of Shona | |
| rest of cast listed alphabetically: | |||
| Errol John | ... | (uncredited) | |
| Gerald Onn | ... | Petty Officer (uncredited) | |
| John von Kotze | ... | German officer (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| C.S. Forester | (novel "The African Queen") | |
| James Agee | adaptation & | |
| John Huston | adapted for the screen by | |
| Peter Viertel | uncredited | |
| John Collier | uncredited | |
Produced by | |||
| Sam Spiegel | .... | producer (as S.P. Eagle) | |
| John Woolf | .... | producer (uncredited) | |
Original Music by | |||
| Allan Gray | |||
Cinematography by | |||
| Jack Cardiff | |||
Film Editing by | |||
| Ralph Kemplen | |||
Art Direction by | |||
| Wilfred Shingleton | |||
Costume Design by | |||
| Connie De Pinna | |||
Makeup Department | |||
| Eileen Bates | .... | hair stylist | |
| George Frost | .... | makeup artist | |
Production Management | |||
| Leigh Aman | .... | production manager | |
| T.S. Lyndon-Haynes | .... | production manager | |
| Robert Sterne | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Guy Hamilton | .... | assistant director | |
| Bill Herlihy | .... | third assistant director (uncredited) | |
| Bert Pearl | .... | second assistant director (uncredited) | |
Art Department | |||
| John Hoesli | .... | assistant art director | |
| Don Picton | .... | draughtsman (uncredited) | |
Sound Department | |||
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Eric Wood | .... | sound editor | |
| Kevin McClory | .... | boom operator (uncredited) | |
Special Effects by | |||
| Cliff Richardson | .... | special effects | |
Camera and Electrical Department | |||
| Ted Moore | .... | camera operator | |
| Edward Scaife | .... | photography: second unit (as Ted Scaife) | |
| Steve Birtles | .... | electrician (uncredited) | |
| Desmond Davis | .... | clapper loader: studio (uncredited) | |
| Arthur Graham | .... | camera operator: second unit (uncredited) | |
| Cliff Shirpser | .... | assistant camera: Technicolor (uncredited) | |
| John von Kotze | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Doris Langley Moore | .... | costumes: Miss Hepburn | |
| Vi Murray | .... | wardrobe mistress | |
Editorial Department | |||
| Roy Hyde | .... | assistant editor (uncredited) | |
| George Minassian | .... | color technician: Technicolor (uncredited) | |
| Ted Obolensky | .... | assistant editor (uncredited) | |
Music Department | |||
| Norman Del Mar | .... | conductor | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Bunny Allen | .... | location manager (uncredited) | |
| Edward Joseph | .... | location scout (uncredited) | |
| V.B. Lyndon-Haynes | .... | location manager (uncredited) | |
| Kevin McClory | .... | assistant: Mr. Huston (uncredited) | |
| Eva Monley | .... | production assistant (uncredited) | |
| Jeanie Sims | .... | secretary to producer (uncredited) | |
105 min
Color (Technicolor)
1.37 : 1 more
Mono (Western Electric Recording)
Canada:G (Manitoba/Nova Scotia/Quebec) | Canada:PG (Ontario) | Norway:7 | Singapore:PG | USA:Approved (PCA #15611) | South Korea:15 (2002) | Argentina:13 | Australia:G | Finland:S | Iceland:L | Netherlands:AL (video rating) | Sweden:15 | UK:U | USA:Unrated | West Germany:12
According to United Artists press materials and John Huston's autobiography, the director built a camp to house the cast and crew in Biondo, outside the town of Stanleyville. It included a bar, a restaurant and several one-room bungalows. more
Continuity: When Robert Morley lays on his deathbed only a few days after being hit, forcefully, in the left cheek with a rifle butt, his cheek is perfectly smooth and pink with no sign of an injury. more
Charlie Allnut:
You know why did the chicken cross the road.
Rose Sayer:
[missing the joke] I beg your pardon.
Charlie Allnut:
Nevermind, miss.
more
Referenced in "Sanford and Son: Home Sweet Home for the Aged (#2.21)" (1973) more
God of Grace and God of Glory (Cwm Rhondda) more
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THE African QUEEN is probably one of the most widely available films in the world, on sale in the electronics department of virtually every major retail chain, a commonplace at every rental counter, frequently seen on television. It is hard to imagine any one in the western world, especially in the United States, who has not seen the film at least once--and probably more than once. And so we take it for granted.
That is a mistake. Based on the famous C.S. Forester novel, which it follows quite closely, THE African QUEEN is the simple story of pragmatic river-rat Charlie Allnut (Bogart) and high-minded Methodist missionary spinster Rose Sayer (Hepburn) who are thrown together by chance when German troops sweep through Africa during World War I. Once safely aboard his beat-up riverboat "The African Queen," Allnut desires nothing more than to dodge the Germans until war's end; Rose, however, determines to strike a blow against the Germans by sailing the boat downriver to attack a German battleship.
There are so many fine things about this movie that they are hard to innumerate. Filmed on location in the Congo, the cinematography is remarkably fine without being obtrusive; the script, which is at once subtle and very purposeful, has a remarkably natural tone; the two stars--who play the vast majority of the film alone together--give justly famous performances; and Huston's direction is so fine that we never feel even the slightest hint of directorial manipulation. As an adventure, it has a sense of realism that most adventure stories lack; as a character study it is remarkably detailed and finely wrought; as a love story, it is quite touching without engaging in common sentimentality. And it can be enjoyed by many people of diverse backgrounds and ages without the faintest qualm.
If you haven't seen THE African QUEEN in a while (or heaven forbid never seen it at all) don't take it for granted thinking you'll catch it sooner or later. Sit down with the film and watch it with fresh eyes. You'll be amazed.
Gary F. Taylor, aka GFT, Amazon Reviewer