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| Lucille Ball | ... | Lucy Ricardo / ... (181 episodes, 1951-1957) | |
| Desi Arnaz | ... | Ricky Ricardo (181 episodes, 1951-1957) | |
| Vivian Vance | ... | Ethel Mertz (176 episodes, 1951-1957) | |
| William Frawley | ... | Fred Mertz (175 episodes, 1951-1957) |
Series Directed by | |||
| William Asher | (101 episodes, 1952-1957) | ||
| James V. Kern | (39 episodes, 1955-1957) | ||
| Marc Daniels | (33 episodes, 1951-1953) | ||
Series Writing credits | ||
| Bob Carroll Jr. | (174 episodes, 1951-1957) | |
| Madelyn Davis | (174 episodes, 1951-1957) | |
| Jess Oppenheimer | (151 episodes, 1951-1956) | |
| Bob Schiller | (50 episodes, 1955-1957) | |
| Bob Weiskopf | (50 episodes, 1955-1957) | |
Series Produced by | |||
| Jess Oppenheimer | .... | producer / co-producer (150 episodes, 1951-1956) | |
| Desi Arnaz | .... | executive producer / producer / ... (150 episodes, 1952-1957) | |
| Al Simon | .... | associate producer (33 episodes, 1951-1952) | |
| Jack Aldworth | .... | associate producer (22 episodes, 1956-1957) | |
| Lucille Ball | .... | producer (unknown episodes) | |
Series Original Music by | |||
| Eliot Daniel | (135 episodes, 1952-1957) | ||
| Wilbur Hatch | (33 episodes, 1951-1954) | ||
| Harold Adamson | (unknown episodes) | ||
Series Cinematography by | |||
| Karl Freund | (149 episodes, 1951-1956) | ||
| Sidney Hickox | (14 episodes, 1956-1957) | ||
| Robert De Grasse | (8 episodes, 1956) | ||
Series Film Editing by | |||
| Bud Molin | (105 episodes, 1953-1957) | ||
| Dann Cahn | (33 episodes, 1951-1952) | ||
Series Casting by | |||
| Kerwin Coughlin | (20 episodes, 1956-1957) | ||
Series Art Direction by | |||
| Ralph Berger | (106 episodes, 1953-1957) | ||
| Larry Cuneo | (17 episodes, 1951-1952) | ||
Series Set Decoration by | |||
| Ted Offenbecker | (2 episodes, 1954) | ||
Series Costume Design by | |||
| Edward Stevenson | (35 episodes, 1955-1957) | ||
| Eloise Jensson | (9 episodes, 1953-1954) | ||
Series Makeup Department | |||
| Max Factor | .... | makeup artist (122 episodes, 1951-1955) | |
| Hal King | .... | makeup artist (47 episodes, 1955-1957) | |
| Irma Kusely | .... | hair stylist (21 episodes, 1956-1957) | |
Series Production Management | |||
| Argyle Nelson | .... | production manager (135 episodes, 1952-1957) | |
Series Second Unit Director or Assistant Director | |||
| Jack Aldworth | .... | assistant director (51 episodes, 1954-1956) | |
| Jerry Thorpe | .... | assistant director (33 episodes, 1953-1954) | |
| James Paisley | .... | assistant director (31 episodes, 1952-1953) | |
| Jay Sandrich | .... | assistant director (14 episodes, 1956-1957) | |
| Edward M. Hillie | .... | assistant director (7 episodes, 1956) | |
Series Art Department | |||
| Ted Offenbecker | .... | set dresser (103 episodes, 1953-1957) | |
| Dick Henrikson | .... | property master (50 episodes, 1954-1956) | |
Series Sound Department | |||
| Cam McCulloch | .... | sound recordist (104 episodes, 1953-1957) | |
| Robert Reeve | .... | re-recording editor (104 episodes, 1953-1957) | |
| Glen Glenn | .... | sound (25 episodes, 1954-1957) | |
| E.C. Norton | .... | re-recording editor (2 episodes, 1956-1957) | |
| Jim Bullock | .... | sound editor (unknown episodes) | |
| John Speak | .... | boom operator (unknown episodes) | |
Series Camera and Electrical Department | |||
| Maury Thompson | .... | camera coordinator (23 episodes, 1956-1957) | |
| Louie Anderson | .... | camera operator (unknown episodes) | |
| Emily Daniels | .... | camera coordinator (unknown episodes) | |
| Sam Leavitt | .... | camera operator (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Eloise Jensson | .... | wardrobe supervisor / wardrobe: Miss Ball / ... (48 episodes, 1953-1955) | |
| Edward Stevenson | .... | wardrobe: Miss Ball / wardrobe: Lucille Ball / ... (12 episodes, 1955-1957) | |
Series Editorial Department | |||
| Dann Cahn | .... | editorial supervisor / supervising editor (136 episodes, 1952-1957) | |
Series Music Department | |||
| Wilbur Hatch | .... | musical director / conductor / ... (135 episodes, 1951-1957) | |
| E.C. Norton | .... | music editor (44 episodes, 1955-1957) | |
| Ralph Carmichael | .... | composer: incidental music (unknown episodes) | |
Series Other crew | |||
| Lee Scott | .... | choreographer (17 episodes, 1951-1952) | |
| Bob Gilbreath | .... | helicopter pilot (unknown episodes) | |
| Hal Hudson | .... | network supervisor (unknown episodes) | |
| Frank Inn | .... | animal trainer (unknown episodes) | |
| Maury Thompson | .... | script supervisor (unknown episodes) | |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Lucille Ball changed television forever when "I Love Lucy" hit the air in 1951. It featured a woman as a main character, which was rare back during that time and age. And the fact that the woman did not listen to her husband often was even more controversial. Everything the show was was rebellious. It was also extremely controversial because her husband was Cuban, and back in the '50's, barely anyone married other races, and if so, the subject was definitely not the premise for a television show.
So, through the ages, I Love Lucy has had a major impact on generations, and has not slipped into culture like many shows, but has been accepted into culture. Not to mention all the Lucy impersonators who have pageants each and every year. But the thing I remember most, is the famous "Eeeooowww!"
5/5 stars --
John Ulmer