| Photos (see all 6 | slideshow) | Videos |
| Dana Andrews | ... | Det. Mark Dixon | |
| Gene Tierney | ... | Morgan Taylor | |
| Gary Merrill | ... | Tommy Scalise | |
| Bert Freed | ... | Det. Paul Klein | |
| Tom Tully | ... | Jiggs Taylor | |
| Karl Malden | ... | Lt. Thomas | |
| Ruth Donnelly | ... | Martha | |
| Craig Stevens | ... | Ken Paine | |
| rest of cast listed alphabetically: | |||
| Fred Aldrich | ... | Detective at Staff Meeting (uncredited) | |
| Don Appell | ... | Willie Bender (uncredited) | |
| Tony Barr | ... | Hoodlum (uncredited) | |
| Eddie Borden | ... | Pool Hall Patron (uncredited) | |
| Neville Brand | ... | Steve, Scalise Hood (uncredited) | |
| Barry Brooks | ... | Thug (uncredited) | |
| Ralph Brooks | ... | Railroad Baggage Clerk (uncredited) | |
| Oleg Cassini | ... | Oleg the Fashion Designer (uncredited) | |
| John Close | ... | Hanson (uncredited) | |
| Tom Coleman | ... | Detective at Staff Meeting (uncredited) | |
| Clancy Cooper | ... | Police Desk Sergeant Murphy (uncredited) | |
| John Daheim | ... | Scalise Hoodlum (uncredited) | |
| Sayre Dearing | ... | Man at Dice Table / Passerby (uncredited) | |
| Bob Evans | ... | Sweatshirt (uncredited) | |
| Charles Flynn | ... | Policeman Schwartz (uncredited) | |
| Robert Foulk | ... | Fenney (uncredited) | |
| Anthony George | ... | Scalise Hoodlum (uncredited) | |
| Joseph Granby | ... | Fat Man (uncredited) | |
| Chuck Hamilton | ... | Detective at Staff Meeting (uncredited) | |
| Kathleen Hughes | ... | Secretary (uncredited) | |
| Lou Krugman | ... | Mike Williams (uncredited) | |
| Louise Lane | ... | Secretary (uncredited) | |
| Louise Lorimer | ... | Mrs. Jackson (uncredited) | |
| Herbert Lytton | ... | Joe, Scalise Hood (uncredited) | |
| Ian MacDonald | ... | Detective Casey (uncredited) | |
| John Marshall | ... | Police Detective (uncredited) | |
| John McGuire | ... | Detective Gertessen (uncredited) | |
| David McMahon | ... | Harrington (uncredited) | |
| Eda Reiss Merin | ... | Mrs. Shirley Klein (uncredited) | |
| Grayce Mills | ... | Mrs. Tribaum, Paine's Landlady (uncredited) | |
| Lou Nova | ... | Ernie, Scalise Hood (uncredited) | |
| Peggy O'Connor | ... | Model (uncredited) | |
| Robert Patten | ... | Medical Examiner (uncredited) | |
| Gil Perkins | ... | Policeman (uncredited) | |
| 'Snub' Pollard | ... | Pool Hall Patron (uncredited) | |
| Stephen Roberts | ... | Gilruth (uncredited) | |
| Lester Sharpe | ... | Friedman, Morgan's Employer (uncredited) | |
| Robert F. Simon | ... | Insp. Nicholas Foley (uncredited) | |
| Wanda Smith | ... | Model (uncredited) | |
| Bert Stevens | ... | Passerby (uncredited) | |
| Clarence Straight | ... | Detective (uncredited) | |
| Charles Tannen | ... | Police Radio Dispatcher #79 (voice) (uncredited) | |
| Shirley Tegge | ... | Model (uncredited) | |
| Larry Thompson | ... | Riley (uncredited) | |
| John Trebach | ... | Bartender (uncredited) | |
| Phil Tully | ... | Det. Ted Benson, 16th Precinct (uncredited) | |
| Harry von Zell | ... | Mr. Morrison (uncredited) | |
| Duke Watson | ... | Cab Driver (uncredited) | |
| Chili Williams | ... | Teddy (uncredited) | |
| Mack Williams | ... | Jerry Morris, Attorney (uncredited) | |
| Robert Williams | ... | Detective (uncredited) | |
| David Wolfe | ... | Sid Kramer, Scalise Hood (uncredited) | |
Directed by | |||
| Otto Preminger | |||
Writing credits | ||
| Ben Hecht | (screenplay) | |
| Victor Trivas | (adaptation) and | |
| Frank P. Rosenberg | (adaptation) and | |
| Robert E. Kent | (adaptation) | |
| William L. Stuart | (novel) | |
Produced by | |||
| Otto Preminger | .... | producer | |
| Frank P. Rosenberg | .... | associate producer | |
Original Music by | |||
| Cyril J. Mockridge | (as Cyril Mockridge) | ||
Cinematography by | |||
| Joseph LaShelle | (director of photography) | ||
Film Editing by | |||
| Louis R. Loeffler | (as Louis Loeffler) | ||
Art Direction by | |||
| J. Russell Spencer | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Set Decoration by | |||
| Thomas Little | |||
| Walter M. Scott | |||
Costume Design by | |||
| Oleg Cassini | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Marie Walter | .... | hair stylist (uncredited) | |
Production Management | |||
| Sam Wurtzel | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Henry Weinberger | .... | assistant director (uncredited) | |
Sound Department | |||
| Alfred Bruzlin | .... | sound | |
| Harry M. Leonard | .... | sound | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects | |
Camera and Electrical Department | |||
| Don Anderson | .... | camera operator (uncredited) | |
| Cliff Maupin | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | wardrobe director (as Charles LeMaire) | |
Music Department | |||
| Lionel Newman | .... | musical director | |
| Edward B. Powell | .... | orchestrator (as Edward Powell) | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
Other crew | |||
| Kathleen Fagan | .... | script supervisor (uncredited) | |
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| The Galloping Ghost | The Line-Up | Woman in Distress | Midnight Court | Special Agent K-7 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
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WHERE THE SIDEWALK ENDS deserves to be a better known film directed by Otto Preminger, the man who gave the world LAURA. And this time, he's got the same co-stars: DANA ANDREWS and GENE TIERNEY. It must be said that Tierney here is under-used in what amounts to more of a supporting role while the spotlight goes to Andrews.
He plays a tough, hardened cop used to dealing with a bunch of thugs in too vigorous a way until one night he accidentally kills a man in the process of arresting him. When suspicion falls on a cab driver (TOM TULLY), he goes along with the investigation into the murder but starts to feel guilt because he's in love with the cabbie's daughter (GENE TIERNEY). Tierney, by the way, looks a little too elegant for the girl she's playing here and doesn't seem to fit into the squalid background elements of the story.
The story takes a grim turn as the investigation goes deeper and it's discovered that the murdered man had a silver plate in his head from his service as a war hero. By the end, it turns into a morality tale with Andrews developing a conscience over his crime.
It's fascinating as film noir with capable performances from a strong supporting cast. A good entry in the field of noir, forcefully directed by Preminger and nicely played by Andrews and Tierney, despite the slight miscasting of her character.