| Photos (see all 7 | slideshow) |
| Toshirô Mifune | ... | Ichirô Aoye | |
| Shirley Yamaguchi | ... | Miyako Saijo (as Yoshiko Yamaguchi) | |
| Yôko Katsuragi | ... | Masako Hiruta | |
| Noriko Sengoku | ... | Sumie | |
| Eitarô Ozawa | ... | Hori | |
| Takashi Shimura | ... | Attorney Hiruta | |
| Shinichi Himori | ... | Editor Asai | |
| Ichirô Shimizu | ... | Arai | |
| Fumiko Okamura | ... | Miyako's mother | |
| Masao Shimizu | ... | Judge | |
| Tanie Kitabayashi | ... | Yasu Hiruta | |
| Sugisaku Aoyama | ... | Dr. Kataoka | |
| Kokuten Kodo | ... | Old Man A | |
| Kichijiro Ueda | ... | Old Man B | |
| Bokuzen Hidari | ... | Drunk | |
| Taiji Tonoyama | ... | Aoye's friend | |
| Junji Masuda | ... | News Reporter | |
| rest of cast listed alphabetically: | |||
| Yasuko Goto | |||
| Koji Mitsui | ... | Cameraman A (uncredited) | |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Ryuzo Kikushima | writer | |
| Akira Kurosawa | writer | |
Produced by | |||
| Takashi Koide | .... | producer | |
| Sojiro Motoki | .... | planning producer | |
Original Music by | |||
| Fumio Hayasaka | |||
Cinematography by | |||
| Toshio Ubukata | |||
Art Direction by | |||
| Tatsuo Hamada | |||
Costume Design by | |||
| Bunjiro Suzuki | |||
Makeup Department | |||
| Toku Sakuma | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Teruo Hagiyama | .... | chief assistant director | |
| Keizaburo Kobayashi | .... | assistant director | |
| Yasu Nakahira | .... | assistant director | |
| Yoshiho Nihonmatsu | .... | assistant director | |
| Hotaro Nomura | .... | assistant director | |
Sound Department | |||
| Saburo Omura | .... | sound | |
Special Effects by | |||
| Keiji Kawakami | .... | special effects | |
Camera and Electrical Department | |||
| Kazuzo Kajimoto | .... | still photographer | |
| Masao Katô | .... | lighting technician | |
Editorial Department | |||
| Yoshi Sugihara | .... | negative cutter | |
Other crew | |||
| Kametaro Kamida | .... | processing | |
| Takamasa Kobayashi | .... | equipment | |
| Hideo Morishita | .... | script supervisor | |
| Fushitaro Moriya | .... | display | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section | Add this title to MyMovies |
This is my favourite Kurosawa film. The director was reported to have been furious at the state of media freedom under the post-WWII US Occupation, and he vents his spleen on it here. The film is a passionate condemnation of gutter press and appears to be partly based on the director's own experiences.
I have to stop myself from the overuse of superlatives when describing this film. The acting is simply some of the best I've seen in any movie. Mifune does his usual good job as the brooding and very serious motorbike-riding painter but, for once, even the great Mifune is outclassed by several other actors.
Yoshiko Yamaguchi shines as the doe-eyed singer, whom a scandal magazine tries to frame as the painter's lover.
Despite not appearing until a third of the way through the film, Takashi Shimura steals every scene from Mifune. He is in top form as the weird and corrupted lawyer, and is a delight to watch.
But even Shimura is outclassed by the young Yoko Katsuragi, playing his daughter, who despite dying of TB is cheerful and a joy to all around her.
Nor does the support cast let them down. A number of great character actors, led by the man who plays the sleazy editor, complete the picture nicely.
I unreservedly recommend this film as a must-see for any film lover.