| Valerie Hobson | ... | Hester Grahame | |
| John Howard Davies | ... | Paul Grahame | |
| Ronald Squire | ... | Oscar Cresswell | |
| John Mills | ... | Bassett | |
| Hugh Sinclair | ... | Richard Grahame | |
| Charles Goldner | ... | Mr. Tsaldouris | |
| Susan Richards | ... | Nannie | |
| Cyril Smith | ... | Bailiff | |
| rest of cast listed alphabetically: | |||
| Anthony Holles | ... | Bowler Hat (uncredited) | |
| Melanie McKenzie | ... | Matilda Grahame (uncredited) | |
| Michael Ripper | ... | Second Chauffeur (uncredited) | |
| Johnnie Schofield | ... | First Chauffeur (uncredited) | |
| Caroline Steer | ... | Joan Grahame (uncredited) | |
Directed by | |||
| Anthony Pelissier | |||
Writing credits(in alphabetical order) | ||
| D.H. Lawrence | story | |
| Anthony Pelissier | writer | |
Produced by | |||
| John Mills | .... | producer | |
| Earl St. John | .... | executive producer | |
Original Music by | |||
| William Alwyn | |||
Cinematography by | |||
| Desmond Dickinson | (director of photography) | ||
Film Editing by | |||
| John Seabourne Sr. | (as John Seabourne) | ||
Casting by | |||
| Maude Spector | |||
Art Direction by | |||
| Carmen Dillon | |||
Makeup Department | |||
| Tony Sforzini | .... | makeup supervisor | |
| Vivienne Walker | .... | hair styles supervisor | |
| Trevor Crole-Rees | .... | assistant makeup artist (uncredited) | |
| Bob Lawrance | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Andrew Allan | .... | production manager | |
| Phil C. Samuel | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Robert Asher | .... | assistant director | |
| Frank Ernst | .... | third assistant director (uncredited) | |
| Alec Gibb | .... | second assistant director (uncredited) | |
Sound Department | |||
| George Croll | .... | sound recordist | |
| Harry Miller | .... | sound editor | |
| John W. Mitchell | .... | sound recordist | |
| Danny Daniel | .... | boom operator (uncredited) | |
| Peter Davies | .... | first assistant dubbing mixer (uncredited) | |
| Basil Fenton-Smith | .... | sound recordist (uncredited) | |
| Gus Lloyd | .... | boom operator (uncredited) | |
Special Effects by | |||
| Francis Carver | .... | special effects | |
Camera and Electrical Department | |||
| H.A.R. Thomson | .... | camera operator (as Russell Thomson) | |
| Reginald H. Morris | .... | focus puller (uncredited) | |
| Alex Thomson | .... | clapper loader (uncredited) | |
Editorial Department | |||
| Anne V. Coates | .... | assistant editor (uncredited) | |
| Les Wiggins | .... | second assistant editor (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
Other crew | |||
| Tilly Day | .... | continuity | |
| Doreen Dearnaley | .... | production secretary (uncredited) | |
| Ken Green | .... | publicist (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
I first saw this film as a pare-teen many years ago and it stuck in my memory all these years; I suppose I identified, at the time, with the idea that events could be somehow manipulated and controlled by sheer intensity. When I recently saw this film on DVD, it still struck a nerve and, as an adult, realized what a strong film it is and why it had been in my memory all these years. Because the file is so old, many of the mannerisms in the movie appear quaint now, but the themes are timeless; sensitive kids sensing parental dysfunction and taking it upon themselves to try and "fix" things. It's interesting to note that John Mills, then a staple in English films, produced the film. I would recommend this film to anyone with a penchant for psychological drama of the old school.