Rio Grande (1950)

Director:

John Ford

Writers:

James Kevin McGuinness (screenplay)
James Warner Bellah (Saturday Evening Post story)

Release Date:

15 November 1950 (USA)

Genre:

Romance | Western

Tagline:

THE BREATHTAKING SAGA OF THE UNITED STATES CAVALRY! (original print ad - all caps)

Plot:

Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches...

Plot Keywords:

Sequel | Cult Western | Beautiful Woman | Reveille | Cavalry

Awards:

1 nomination

Cast

John Wayne	...	Lt. Col. Kirby Yorke
Maureen O'Hara	...	Mrs. Kathleen Yorke
Ben Johnson	...	Trooper Travis Tyree
Claude Jarman Jr.	...	Trooper Jefferson 'Jeff' Yorke
Harry Carey Jr.	...	Trooper Daniel 'Sandy' Boone
Chill Wills	...	Dr. Wilkins (regimental surgeon)
J. Carrol Naish	...	Lt. Gen. Philip Sheridan
Victor McLaglen	...	Sgt. Maj. Timothy Quincannon
Grant Withers	...	U.S. Deputy Marshal
Sons of the Pioneers	...	Regimental Musicians
Peter Ortiz	...	Capt. St. Jacques
Steve Pendleton	...	Capt. Prescott
Karolyn Grimes	...	Margaret Mary
Alberto Morin	...	Lieutenant
Stan Jones	...	Sergeant

Also Known As:

John Ford and Merian C. Cooper's Rio Grande (UK) (complete title) (USA) (complete title)
Rio Bravo (USA) (working title)
Rio Bravo, Rio Grande Command (USA) (working title)

Runtime:

105 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Iceland:L | USA:Approved (PCA #14822) | New Zealand:G | USA:Passed (National Board of Review) | Australia:G | Finland:K-12 | Norway:16 (1959) | Sweden:15 | UK:U | West Germany:12

Filming Locations:

Colorado River, Moab, Utah, USA

Company:

Argosy Pictures

Trivia:

In order to get approval for his film, The Quiet Man (1952), John Ford had to agree to first make this film starring both John Wayne and 'Maureen O'Hara'. The studio thought "The Quiet Man" would tank at the box office and thought a western would recoup any losses.

Goofs:

Continuity: When Quincannon is addressing the recruits about horsemanship, Sandy takes his hand out of his pocket and removes the hay straw from his mouth, when the camera angle changes to behind Sandy, he has his thumb looped through his suspenders, and the straw is back in his mouth. When it changes again to the front view of Sandy, his hand is back in his pocket again.

Quotes:

Lt. Col. Kirby York: You said it, soldier, that's enough for me!
Mrs. Kathleen York: Ramrod, wreckage and ruin, still the same Kirby York.
Lt. Col. Kirby York: Special privileges to special born, still the same Kathleen.

Movie Connections:

Referenced in Major Dundee (1965)

Soundtrack:

My Gal Is Purple

Sentimental, psychological, classic movie, very unique for its genre

Although I am not particularly fond of westerns, I saw this movie since I had heard much about it from many people. It is true that a lot of westerns show the wild lives of cowboys overdoing with cruelty. RIO GRANDE, however, is a different story. It is not only a western but a highly educational movie which combines all precious values in life, some of which do not necessarily go in harmony, including honor, love, the feeling of duty, grandeur, and psychological reflections. Moreover, as a film, it is supplied with highly prestigious cinematography, memorable music, and, most importantly, great cast. But there is something more that makes Ford's film really memorable - the characters presented very clearly. But why such a title? While watching the movie, one clearly notices that the title RIO GRANDE does not only refer to the famous river that separated the cavalrymen from Indians in Mexico, but has wider metaphorical extensions.

The characters are very well developed throughout. Lieutanant Kirby Yorke (John Wayne), a northerner, lost the family 15 years earlier but never gives up finding a chance to rebuild the old relationship with his southern wife, Kathleen (Maureen O'Hara) and their son Jeff. His "rio grande" is duties and strict orders that make a barrier for a happy life within the family. Kathleen Yorke tries to get her son out of the cavalry; however, Jeff decides to protect honor rather than his comfort. She also aims at rebuilding the family ties with Kirby but is aware that it requires much sacrifice. Their relationship is built upon a high respect for the freedom of both and a very delicate love between a man and a woman. Jeff (Claude Jarman), their son, attempts to do right and seeks for the honorable deeds. The blink of ambition in his eyes is noticeable in every scene with him. There are also other characters that the movie shows in a very psychological light (consider Travis Tyree played by Ben Johnson).

The cast give memorable performances but the pair of John Wayne and Maureen O'Hara shine above all. Wayne seems to have been born for the role and, although he played in two previous parts of John Ford's cavalry trilogy (FORT APACHE and SHE WORE A YELLOW RIBBON), he gives his best performance in RIO GRANDE. Wayne wonderfully emphasizes grandeur, feeling of duty and a husband who reflects on his past mistakes in marriage. Maureen O'Hara has something aristocratic in her behavior as well as in her appearance, which helps her portray a southern lady who used to live a rich life on a plantation. She also stresses her attempts to rebuild the past mistakes; however, she seems to be driven by completely different factors.

Music is absolutely wonderful for this genre. The ballads supply the movie with sentimental mood. Yes, they are deadly sentimental, but they in no way make you sad but rather lifted to high emotions. Here comes to my mind a very poetic scene when Wayne and O'Hara are serenaded by troop soldiers on one moonlit night. Their faces strongly express profound emotions and nostalgia for the better life together. This is so well played that anybody who sees the pair will be able to deduce some reflections from their faces.

Some people said that the Apaches are showed as real monsters in RIO GRANDE. It is important to state here that they are showed exactly in the way they were perceived rather than what they were really like. These were very "wild" tribes in the eyes of the white people and that is what the film shows. As a matter of fact, both the Apaches and the cavalrymen defended their values and John Ford did not forget about it.

And coming back to the thrilling atmosphere of the movie, there is one more aspect that needs to be mentioned - the locations. The Monument Valley supplies the scenes with authenticity as well as drives viewers into a wonderful mood. It simply leaves an unfading trace in memory as do the cast, the content, and everything about RIO GRANDE.

What to say at the end?... The last part of Ford's cavalry trilogy, though 55 years old, is a classic attempt to bring all that is valuable onto screen - HISTORY MEETS SINGLE INDIVIDUALS! Aren't our lives constructed in such a way that we all have our own "rio grande", such a barrier that closes us from happiness? I leave this universal question open to every open minded reader as John Ford implicitly did more than 50 years ago to every open minded viewer. Anyway, the film is unarguably worth seeing!