IMDb > Francesco, giullare di Dio (1950)

Francesco, giullare di Dio (1950) More at IMDbPro »


Overview

User Rating:
7.7/10   830 votes
MOVIEmeter: ?
Down 4% in popularity this week. See why on IMDbPro.
Director:
Roberto Rossellini
Writers:
Federico Fellini (screenplay)
Father Antonio Lisandrini (screenplay)
(more)
Contact:
View company contact information for The Flowers of St. Francis on IMDbPro.
Release Date:
6 October 1952 (USA) more
Genre:
Drama more
Plot:
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting... more | add synopsis
Plot Keywords:
more
User Comments:
The most unrigid religious movie ever more (15 total)

Cast

 
Gianfranco Bellini ... Narrator (voice)
Aldo Fabrizi ... Nicolaio, il tiranno di Viterbo
Peparuolo ... Giovanni il Sempliciotto
Fra' Severino Pisacane ... Fra' Ginapro
Roberto Sorrentino
Brother Nazario Gerardi ... San Francesco (uncredited)
Arabella Lemaitre ... Santa Chiara (uncredited)
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Directed by
Roberto Rossellini 
 
Writing credits
(in alphabetical order)
Federico Fellini  screenplay
Father Antonio Lisandrini  screenplay
Father Félix Morlión  screenplay
Brunello Rondi  uncredited
Roberto Rossellini  screenplay & story

Produced by
Giuseppe Amato .... associate producer
Angelo Rizzoli .... producer
 
Original Music by
Renzo Rossellini 
 
Cinematography by
Otello Martelli 
 
Film Editing by
Jolanda Benvenuti 
 
Production Design by
Virgilio Marchi 
 
Set Decoration by
Giuseppe Rissone 
 
Costume Design by
Marina Arcangeli 
 
Production Management
Mario Gabrielli .... unit manager
Luigi Giacosi .... production manager
 
Second Unit Director or Assistant Director
Marcella Laurino .... assistant director
Brunello Rondi .... assistant director (as Brunello Gay)
 
Sound Department
Raffaele Del Monte .... sound recordist
Eraldo Giordani .... sound recordist
 
Camera and Electrical Department
Enrico Betti Berutto .... second assistant camera (as Enrico Betti)
Osvaldo Civirani .... still photographer
Roberto Gerardi .... assistant camera (as Roberto Girardi)
Luciano Trasatti .... camera operator
 
Other crew
Gianfranco Parolini .... script supervisor
Emimmo Salvi .... production secretary
Herman G. Weinberg .... subtitler: USA
Pino Locchi .... voice dubbing: Nazario Gerardi (uncredited)
 
Crew believed to be complete


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Additional Details

Also Known As:
Francis, God's Jester
Saint Francis, God's Jester (UK)
The Flowers of St. Francis (USA)
more
Runtime:
75 min | Canada:83 min | West Germany:85 min (TV)
Country:
Italy
Language:
Italian
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric)
Certification:
UK:PG (video rating) (2005) | UK:U (original rating)
Company:
Cineriz more

Fun Stuff

Trivia:
The screenplay takes its inspiration from the 14th Century legends "Fioretti di San Francesco" and "La Vita di Frate Ginepro". more
Movie Connections:
Referenced in Notes on My Father: An Interview with Isabella Rossellini (2005) (V) more
Soundtrack:
Te deum laudamus more

FAQ

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15 out of 18 people found the following comment useful.
The most unrigid religious movie ever, 26 June 2001
9/10
Author: (edwartell@hotmail.com) from Austin, TX

Most religious films are somber affairs, made by religious men. So Francesco, giullare di Dio is an odd religious movie. It lacks any readings from scripture, or even any quotation. It's made by Rossellini, and the title means "Francis, Jester Of God." It's a long long way from here to Diary Of A Country Priest.

We've had St. Francis movies, of course. Most (in)famous is Zeffirelli's Brother Sun, Sister Moon: St. Francis as hippie. But this was the best. It was shot more or less on location, in the Italian countryside. It stars non-professionals (of course; Rossellini was a neo-realist). Fortunately, it stars a bunch of monks as...a bunch of monks following St. Francis.

In a brisk 75 minutes, Rossellini sketches a bunch of events: St. Francis meeting a leper, a cook learning why actions win souls, not words, etc. There's little music, and, oddly, not really much time spent with St. Francis himself. He's a side character; the thing of real interest is the daily lives and lessons of the monks.

At the end, Francis sends the monks off on their own to preach. They spin in circles, fall down, and wherever their head points, that's where they go. Religion is a journey, not an urgent reason to convert others. This supremely generous and uninsistent film is surely one of the best religious films ever made, full of nature and joy.

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