Overview
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Release Date:
28 July 1952 (USA)
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Plot:
Elisabeth is very protective of her teenage brother Paul, who is injured in a snowball fight at school and has to rest in bed most of the time...
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Awards:
Nominated for BAFTA Film Award.
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User Comments:
My two favorite French filmmakers collaborate and turn out a masterpiece
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Additional Details
Also Known As:
Jean Cocteau's Les enfants terribles (France) (complete title)
The Strange Ones
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Runtime:
105 min
Aspect Ratio:
1.37 : 1
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Fun Stuff
Trivia:
Jean Cocteau was allowed a day of shooting, when
Jean-Pierre Melville wasn't feeling up to the mark. Cocteau was to follow Melville's instructions exactly or do nothing at all. Eight shots in all, which were supposed to be of a summer's day but were done in midwinter in the rain.
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Soundtrack:
Were You Smiling At Me
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Jean Pierre Melville and Jean Cocteau are my two favorite filmmakers from France, but for me, they couldn't be more opposite in style. Melville is best known for minimalist, low-key, and realistic crime dramas such as "Le Samourai" and "Army of Shadows", whereas Jean Cocteau creates operatic and dreamlike fantasies such as "Beauty and the Beast". I was worried, despite my love for both auteurs, that Melville directing and Cocteau writing the screenplay wouldn't mesh at all. Fortunately, their collaboration turned out an absolutely gorgeous masterpiece. Jean Cocteau narrates the film in his typically poetic style. This adds a dreamlike layer to a film full of bizarre yet plausible situations, so it doesn't go against Melville's established sense of realism.
The direction by Melville is, unsurprisingly, superb. This was before he made his more acclaimed masterpieces, but its obvious he was very skilled from the start. The pacing is perfect without a single scene or shot gone to waste. The acting by the youths is uneven, which is the only slight flaw. Edouard Dermithe (who later starred in Cocteau's "Orpheus" and "The Testament of Dr. Orpheus") is too melodramatic and over-the-top, but the rest of the cast fares very well. Nicole Stéphane in particular is terrific as the cold sister fanatically devoted to her brother. Fortunately, Cocteau manages to avoid any incestuous undertones that a cheaper artist would feel compelled to attach to the material (and honestly, I was frightened that they'd be present here initially). I'm glad the great Criterion has released this film to DVD. Hopefully, it'll obtain the larger audience it deserves. (9/10)