| Photos (see all 30 | slideshow) |
| Sterling Hayden | ... | Dix Handley | |
| Louis Calhern | ... | Alonzo D. Emmerich | |
| Jean Hagen | ... | Doll Conovan | |
| James Whitmore | ... | Gus Minissi | |
| Sam Jaffe | ... | Doc Erwin Riedenschneider | |
| John McIntire | ... | Police Commissioner Hardy | |
| Marc Lawrence | ... | Cobby | |
| Barry Kelley | ... | Lt. Ditrich | |
| Anthony Caruso | ... | Louis Ciavelli | |
| Teresa Celli | ... | Maria Ciavelli | |
| Marilyn Monroe | ... | Angela Phinlay | |
| William 'Wee Willie' Davis | ... | Timmons (as William Davis) | |
| Dorothy Tree | ... | May Emmerich | |
| Brad Dexter | ... | Bob Brannom | |
| John Maxwell | ... | Dr. Swanson | |
| rest of cast listed alphabetically: | |||
| Ray Bennett | ... | Detective in Hardy's office (uncredited) | |
| Benny Burt | ... | Taxi driver (uncredited) | |
| Frank Cady | ... | Night clerk (uncredited) | |
| Jean Carter | ... | Woman (uncredited) | |
| David Clarke | ... | Mr. Atkinson, railroad man (uncredited) | |
| John Cliff | ... | Policeman (uncredited) | |
| Henry Corden | ... | Karl Anton Smith (uncredited) | |
| Chuck Courtney | ... | Red, boy in diner (uncredited) | |
| Ralph Dunn | ... | Policeman (uncredited) | |
| Gene Evans | ... | Policeman at Ciavalli's apartment (uncredited) | |
| Pat Flaherty | ... | Policeman (uncredited) | |
| Alex Gerry | ... | Maxwell (uncredited) | |
| Sol Gorss | ... | Policeman (uncredited) | |
| Fred Graham | ... | Truck driver (uncredited) | |
| William Haade | ... | Bill, cop (uncredited) | |
| Don Haggerty | ... | Det. Andrews (uncredited) | |
| Eloise Hardt | ... | Vivian (uncredited) | |
| Thomas Browne Henry | ... | James X. Connery (uncredited) | |
| George Lynn | ... | Detective at Ciavelli's apartment (uncredited) | |
| Fred Marlow | ... | Reporter (uncredited) | |
| Strother Martin | ... | William Doldy, second man in lineup (uncredited) | |
| Patricia Miller | ... | Girl (uncredited) | |
| Howard M. Mitchell | ... | Secretary (uncredited) | |
| Alberto Morin | ... | Eddie Donato, grocer (uncredited) | |
| Kerry O'Day | ... | Girl (uncredited) | |
| Raymond Roe | ... | Tallboy (uncredited) | |
| Henry Rowland | ... | Frank Schurz, taxi driver (uncredited) | |
| Tim Ryan | ... | Jack, police clerk (uncredited) | |
| James Seay | ... | Officer Janocek (uncredited) | |
| Jack Shea | ... | Policeman (uncredited) | |
| Joseph Darr Smith | ... | Reporter (uncredited) | |
| Helene Stanley | ... | Jeannie, girl in diner (uncredited) | |
| Ray Teal | ... | Policeman (uncredited) | |
| Leah Wakefield | ... | Girl (uncredited) | |
| Jack Warden | ... | Bit Role (uncredited) | |
| William Washington | ... | Suspect (uncredited) | |
| Constance Weiler | ... | Woman (uncredited) | |
| Judith Wood | ... | Woman (uncredited) | |
| Victor Wood | ... | Evans (uncredited) | |
| Wilson Wood | ... | Man (uncredited) | |
| Jeff York | ... | Policeman (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Ben Maddow | (screenplay) and | |
| John Huston | (screenplay) | |
| W.R. Burnett | (novel) | |
Produced by | |||
| Arthur Hornblow Jr. | .... | producer | |
Original Music by | |||
| Miklós Rózsa | (as Miklos Rozsa) | ||
Cinematography by | |||
| Harold Rosson | (director of photography) | ||
Film Editing by | |||
| George Boemler | |||
Art Direction by | |||
| Randall Duell | |||
| Cedric Gibbons | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Makeup Department | |||
| Jack Dawn | .... | makeup designer | |
| Sydney Guilaroff | .... | hair stylist | |
| Lou LaCava | .... | makeup artist (uncredited) | |
| Elaine Ramsey | .... | hair stylist (uncredited) | |
Production Management | |||
| Lee Katz | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jack Greenwood | .... | assistant director (uncredited) | |
Art Department | |||
| Jack D. Moore | .... | associate set decorator | |
Sound Department | |||
| Douglas Shearer | .... | recording supervisor | |
| Robert B. Lee | .... | sound recordist (uncredited) | |
Camera and Electrical Department | |||
| Robert Martin | .... | camera operator (uncredited) | |
| Andrew J. McIntyre | .... | assistant camera (uncredited) | |
Music Department | |||
| Eugene Zador | .... | orchestrator (uncredited) | |
Other crew | |||
| John Banse | .... | script supervisor (uncredited) | |
| Leslie H. Martinson | .... | script supervisor (uncredited) | |
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John Huston, one of the great film makers of all times, was at the top of his craft when he undertook the direction of "The Asphalt Jungle". The book by W.R. Barnett was brilliantly adapted by Mr. Huston and Ben Maddox and the result stunned everyone. In fact, the film has been so influential one sees parts of it in other movies of the genre. The magnificent cinematography created by Harold Rosson speaks by itself. The music score by Miklos Rozsa stays in the background and never interferes with the action.
This is a film that looks as good today, as when it first was released. In fact, one discovers more nuances as one watches it again, when it's shown on cable. The cast of the film is one of its best assets going for "The Asphalt Jungle". Mr. Huston assembled some of the best talent working in the American cinema of that time.
Sterling Hayden, as Dix, gives a tremendous performance. The excellent Louis Calhern, though, steals the picture with his take on Lon Emmerich, the man who finds he is broke and wants to be at the center of the caper, without risking anything. Marilyn Monroe has only two scenes in the movie, but she shines in them. Also Jean Hagen, an actress that should have gone far, but didn't, makes a valuable contribution with her Doll Conovan.
The supporting cast is amazing. James Whitmore, Sam Jaffe, Anthony Caruso, Brad Dexter, and the rest, play well together to give the film a seamless look.
"The Asphalt Jungle" shows why John Huston was one of the most influential men in pictures. His films are a must see for all movie lovers and studied by his successors and people working today owe a lot to this master, who pioneered a style that stands as his legacy.