| Photos (see all 28 | slideshow) |
| George Burns | ... | George Burns / ... (88 episodes, 1950-1958) | |
| Gracie Allen | ... | Gracie Allen / ... (88 episodes, 1950-1958) |
Series Directed by | |||
| Ralph Levy | (16 episodes, 1950-1952) | ||
| Rod Amateau | (unknown episodes) | ||
Series Writing credits | ||
| Harvey Helm | (16 episodes, 1950-1956) | |
| William Burns | (14 episodes, 1950-1956) | |
| Sid Dorfman | (13 episodes, 1950-1952) | |
| Paul Henning | (12 episodes, 1950-1952) | |
| Keith Fowler | (2 episodes, 1956) | |
| Norman Paul | (2 episodes, 1956) | |
| Harvey Milk | (unknown episodes) | |
Series Produced by | |||
| Ralph Levy | .... | producer (14 episodes, 1950-1952) | |
| George Burns | .... | executive producer (3 episodes, 1951-1956) | |
| Al Simon | .... | associate producer (2 episodes, 1951-1952) | |
| Rod Amateau | .... | producer (unknown episodes) | |
| Frederick De Cordova | .... | producer (unknown episodes) | |
| Charles Lowe | .... | producer (unknown episodes) | |
Series Original Music by | |||
| Lud Gluskin | (1 episode, 1952) | ||
Series Cinematography by | |||
| Philip Tannura | (2 episodes, 1951-1952) | ||
Series Film Editing by | |||
| Robert Angus | (1 episode, 1952) | ||
Series Set Decoration by | |||
| Robert Lee | (1 episode, 1951) | ||
| Chris Choate | (1 episode, 1952) | ||
| Harry R. Kemm | (1 episode, 1952) | ||
Series Costume Design by | |||
| Howard Greer | (1 episode, 1952) | ||
Series Production Management | |||
| George King | .... | production supervisor (unknown episodes) | |
Series Art Department | |||
| Chris Choate | .... | scene designer / scenic designer (6 episodes, 1951-1952) | |
| Harry R. Kemm | .... | scene designer / scenic designer (2 episodes, 1951-1952) | |
| Archie J. Bacon | .... | set designer (unknown episodes) | |
Series Sound Department | |||
| Larry Heath | .... | sound editor (1 episode, 1951) | |
Series Camera and Electrical Department | |||
| William D. King | .... | chief electrician (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Howard Greer | .... | gowns: Gracie Allen (5 episodes, 1951-1952) | |
| Don Loper | .... | costumer / gowns: Gracie Allen / ... (4 episodes, 1950-1951) | |
| Marjorie Michael | .... | gowns: Gracie Allen / wardrobe (2 episodes, 1951-1952) | |
Series Editorial Department | |||
| Stanley Frazen | .... | supervising editor (1 episode, 1951) | |
Series Music Department | |||
| Lud Gluskin | .... | musical director / music director (7 episodes, 1951-1952) | |
| Leith Stevens | .... | musical director (3 episodes, 1950) | |
| Harry Sosnik | .... | musical director (2 episodes, 1950) | |
Series Other crew | |||
| Dick Fisher | .... | production assistant (1 episode, 1952) | |
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| "The George Burns Show" | "The Jack Benny Program" | "The Milton Berle Show" | "The Dinah Shore Show" | "The Adventures of Ozzie & Harriet" |
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This show was, please don't kill me for saying this, even better than "I Love Lucy". Lucy was good, but this was better. Gracie and Blanche(Bea Benederett, voice of Betty Rubble and original choice for Ethel Mertz) would pull one crazy stunt after another. Meanwhile Bill Goodwin(later replaced by Harry Von Zell) would attract all the girls, and George would step out of the scene to narrate(A technique now used in the Disney cartoon show "The Weekenders"). Gracie's "Illogical logic", as George called it, cracks you up every time. By the way, the radio version featured music of Meredith Wilson(famous for writing "The Music Man").