| Kathryn Grayson | ... | Prudence Budell | |
| José Iturbi | ... | Himself (as Jose Iturbi) | |
| Ethel Barrymore | ... | Abigail Trent Budell | |
| Mario Lanza | ... | Johnny Donnetti | |
| Keenan Wynn | ... | Artie Geoffrey Glenson | |
| J. Carrol Naish | ... | Papa Donnetti | |
| Jules Munshin | ... | Michael Pemberton | |
| Thomas Gomez | ... | Guido Russino Betelli | |
| Marjorie Reynolds | ... | Mary | |
| Arthur Treacher | ... | Hutchins | |
| Mimi Aguglia | ... | Mamma Donnetti - Johnny's mother | |
| Amparo Iturbi | ... | Herself | |
| Bridget Carr | ... | Donna Donnetti | |
| Amparo Ballester | ... | Rosina Donnetti | |
| Ann Codee | ... | Mme. Bouget | |
| Edward Earle | ... | Jason | |
| George Meader | ... | Paul | |
| Sheila Stein | ... | Peanuts Donnetti | |
| rest of cast listed alphabetically: | |||
| Gregg Barton | ... | Stagehand (uncredited) | |
| Stanley Blystone | ... | Customer (uncredited) | |
| George Boyce | ... | Member of G.I. Quartette (uncredited) | |
| Robert Cherry | ... | Member of G.I. Quartette (uncredited) | |
| Frank Donahue | ... | Truck Driver (uncredited) | |
| Edward Gargan | ... | Traffic Cop (uncredited) | |
| Michael Kostrick | ... | Truck Driver (uncredited) | |
| Richard Lane | ... | Radio D.J. interviewing Ethel Barrymore (uncredited) | |
| Jerry Lascoe Jr. | ... | Truck Driver (uncredited) | |
| Dwight Martin | ... | Member of G.I. Quartette (uncredited) | |
| Anne O'Neal | ... | Charwoman (uncredited) | |
| Lee Phelps | ... | Stagehand (uncredited) | |
| Dewey Robinson | ... | Waiter (uncredited) | |
| Joe Rocca | ... | Truck Driver (uncredited) | |
| Charles Smith | ... | Member of G.I. Quartette (uncredited) | |
| Al Thompson | ... | Truck Driver (uncredited) | |
| Wilson Wood | ... | Disk Jockey (uncredited) | |
Directed by | |||
| Norman Taurog | |||
Writing credits | ||
| Bruce Manning | (screenplay) and | |
| Tamara Hovey | (screenplay) | |
Produced by | |||
| Joe Pasternak | .... | producer | |
Original Music by | |||
| Charles Previn | (uncredited) | ||
| Conrad Salinger | (uncredited) | ||
Cinematography by | |||
| Robert Surtees | |||
Film Editing by | |||
| Gene Ruggiero | |||
Art Direction by | |||
| E. Preston Ames | (as Preston Ames) | ||
| Cedric Gibbons | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Costume Design by | |||
| Helen Rose | |||
| Valles | (costumes: men) | ||
Makeup Department | |||
| Jack Dawn | .... | makeup designer | |
| Sydney Guilaroff | .... | hair designer | |
Production Management | |||
| Sergei Petschnikoff | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Dolph Zimmer | .... | assistant director (uncredited) | |
Art Department | |||
| Arthur Krams | .... | associate set decorator | |
Sound Department | |||
| Douglas Shearer | .... | recording supervisor | |
| Conrad Kahn | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Durward Graybill | .... | still photographer (uncredited) | |
| Albert Hunter | .... | grip (uncredited) | |
| A. Lindsley Lane | .... | camera operator (uncredited) | |
Music Department | |||
| Leo Arnaud | .... | orchestrator | |
| José Iturbi | .... | music supervisor (as Jose Iturbi) | |
| Charles Previn | .... | musical director | |
| Conrad Salinger | .... | orchestrator | |
| Robert Franklyn | .... | composer: title music (uncredited) | |
| Paul Marquardt | .... | orchestrator (uncredited) | |
Other crew | |||
| James Gooch | .... | technicolor color consultant | |
| Henri Jaffa | .... | technicolor color consultant | |
| Leslie H. Martinson | .... | script supervisor (uncredited) | |
| Recent Posts (updated daily) | User |
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| Title of piece Iturbi plays | phoenixnancy01 |
| Bugs Bunny connection | comatus-1 |
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| One Night of Love | The Phantom of the Opera | Song o' My Heart | Joyeux Noël | De-Lovely |
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| Full cast and crew | Company credits | External reviews |
| IMDb Musical section | IMDb USA section | Add this title to MyMovies |
A young Mario Lanza. A young Kathryn Grayson. Ethel Barrymore. Keenan Wynn. Jules Munshin hamming it up as only he can.
Plotwise, the movie is very thin: Grandmother finances an opera company so her young granddaughter can sing. Except, she doesn't want to sing with the old, fat tenor with the ego-- she wants to sing with the young, gifted truck driver she discovers. Then there's a love triangle, in which of course everything goes wrong because nobody communicates.
But the singing is so wonderful, and so are Jose Iturbi's piano skills. We are treated to plenty of both throughout the movie. This film is a gem.