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| John Wayne | ... | Capt. Nathan Cutting Brittles | |
| Joanne Dru | ... | Olivia Dandridge | |
| John Agar | ... | Lt. Flint Cohill | |
| Ben Johnson | ... | Sgt. Tyree | |
| Harry Carey Jr. | ... | 2nd Lt. Ross Pennell | |
| Victor McLaglen | ... | Top Sgt. Quincannon | |
| Mildred Natwick | ... | Abby Allshard aka Old Iron Pants | |
| George O'Brien | ... | Major Mac Allshard, Commanding Officer Fort Starke | |
| Arthur Shields | ... | Dr. O'Laughlin | |
| Michael Dugan | ... | Sgt. Hochbauer | |
| Chief John Big Tree | ... | Chief Pony That Walks | |
| Fred Graham | ... | Sgt. Hench | |
| Chief Sky Eagle | ... | Chief Sky Eagle | |
| Tom Tyler | ... | Cpl. Mike Quayne, Leader of Paradise River Patrol | |
| Noble Johnson | ... | Chief Red Shirt | |
| rest of cast listed alphabetically: | |||
| Rudy Bowman | ... | Pvt. John Smith aka Rome Clay (uncredited) | |
| Lee Bradley | ... | Interpreter (uncredited) | |
| Paul Fix | ... | Gun-runner (uncredited) | |
| Francis Ford | ... | Connelly, Fort Stark Suttlers Barman (uncredited) | |
| Art Gilmore | ... | Trailer Narrator (voice) (uncredited) | |
| Ray Hyke | ... | Trooper McCarthy (uncredited) | |
| Billy Jones | ... | Courier (uncredited) | |
| Fred Kennedy | ... | Badger (uncredited) | |
| Fred Libby | ... | Cpl. Krumrein (uncredited) | |
| Cliff Lyons | ... | Trooper Cliff (uncredited) | |
| Frank McGrath | ... | Bugler / Indian (uncredited) | |
| Post Park | ... | Officer (uncredited) | |
| Jack Pennick | ... | Sergeant Major (uncredited) | |
| Irving Pichel | ... | Narrator (uncredited) | |
| Mickey Simpson | ... | Cpl. Wagner (blacksmith) (uncredited) | |
| William Steele | ... | Officer (uncredited) | |
| Don Summers | ... | Jenkins (uncredited) | |
| Dan White | ... | Trooper (uncredited) | |
| Harry Woods | ... | Licensed Suttler Karl Rynders (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| James Warner Bellah | (story) | |
| Frank S. Nugent | (screenplay) (as Frank Nugent) and | |
| Laurence Stallings | (screenplay) | |
Produced by | |||
| Lowell J. Farrell | .... | associate producer (as Lowell Farrell) | |
| Merian C. Cooper | .... | executive producer (uncredited) | |
| John Ford | .... | executive producer (uncredited) | |
Original Music by | |||
| Richard Hageman | (musical score) | ||
Cinematography by | |||
| Winton C. Hoch | (director of photography) (as Winton Hoch) | ||
Film Editing by | |||
| Jack Murray | |||
Art Direction by | |||
| James Basevi | |||
Set Decoration by | |||
| Joseph Kish | (as Joe Kish) | ||
Makeup Department | |||
| Don L. Cash | .... | makeup artist (as Don Cash) | |
| Anna Malin | .... | hairdresser | |
Production Management | |||
| Lowell J. Farrell | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Edward O'Fearna | .... | assistant director | |
| Wingate Smith | .... | assistant director | |
| Cliff Lyons | .... | second unit director (uncredited) | |
Art Department | |||
| Jack Colconda | .... | properties (as Jack Golconda) | |
Sound Department | |||
| Patrick Kelley | .... | sound effects | |
| Clem Portman | .... | sound | |
| Frank Webster | .... | sound | |
Special Effects by | |||
| Jack Caffee | .... | special effects | |
| Jack Cosgrove | .... | special effects (uncredited) | |
Stunts | |||
| Roydon Clark | .... | stunts (uncredited) | |
| Everett Creach | .... | stunts (uncredited) | |
| Michael Dugan | .... | stunts (uncredited) | |
| John Epper | .... | stunts (uncredited) | |
| Fred Graham | .... | stunts (uncredited) | |
| Chuck Hayward | .... | stunts (uncredited) | |
| Bryan 'Slim' Hightower | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Billy Jones | .... | stunts (uncredited) | |
| Fred Kennedy | .... | stunts (uncredited) | |
| Cliff Lyons | .... | stunts (uncredited) | |
| Frank McGrath | .... | stunts (uncredited) | |
| Don Nagel | .... | stunts (uncredited) | |
| Post Park | .... | stunts (uncredited) | |
| Gil Perkins | .... | stunts (uncredited) | |
| Bob Rose | .... | stunts (uncredited) | |
| Norm Taylor | .... | stunt double: Indian (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Charles P. Boyle | .... | photographer: second unit (as Charles Boyle) | |
| Harvey Gould | .... | camera operator | |
| Robert Campbell | .... | gaffer (uncredited) | |
| Tom Clement | .... | grip (uncredited) | |
| Alexander Kahle | .... | still photographer (uncredited) | |
| Archie Stout | .... | camera operator: second unit (uncredited) | |
| Archie Stout | .... | director of photography: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| D.R.O. Hatswell | .... | costume researcher | |
| Michael Meyers | .... | wardrobe: men | |
| Ann Peck | .... | wardrobe: women | |
Editorial Department | |||
| Stephen Bearman | .... | colorist (uncredited) | |
| Barbara Ford | .... | assistant editor (uncredited) | |
Music Department | |||
| Lucien Cailliet | .... | musical arranger | |
| C. Bakaleinikoff | .... | musical director (uncredited) | |
| Lucien Cailliet | .... | orchestrator (uncredited) | |
| Jester Hairston | .... | choral director (uncredited) | |
Other crew | |||
| Merian C. Cooper | .... | presenter | |
| John Ford | .... | presenter | |
| Natalie Kalmus | .... | technicolor color director | |
| Philip Kieffer | .... | technical advisor (as Major Philip Kieffer, U.S.A., Retd.) | |
| Cliff Lyons | .... | technical advisor | |
| Morgan Padelford | .... | associate technicolor color director | |
| Sid Davis | .... | stand-in: John Wayne (uncredited) | |
| Barlow Simpson | .... | gun wrangler (uncredited) | |
| Meta Stern | .... | script supervisor (uncredited) | |
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| Custer's Last Stand | Outlaw Express | Fort Apache | The Searchers | Major Dundee |
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The second instalment of the acclaimed John Ford cavalry trilogy had a lot to live up to me personally based on my joy with Fort Apache. So it is with a little sadness that I write that this film failed to love up to the promise of Apache as regards a pulsing heartbeat, but so much to enjoy here I still find myself grinning in the way that only good cinema can make me.
The theme here is the passing of time, time and love lost, lest we forget indeed, these themes give the film a good core to work from but as good as an affecting character piece as this is, you still scratch around for something to lift your adrenalin juices out of first gear, it doesn't happen but anyone being fore warned about the nature of the beast will be richly rewarded regardless.
John Wayne gives a top notch performance in what is obviously one of the first out and out serious roles that Ford gave him, his ageing Captain Nathan Brittles requires him to put in a very human fallible performance and he achieves this in spades, a believable leader ruing the calling of time on his career in the service. Yet even Wayne's affecting turn is trumped by the most gorgeous cinematography you could wish to see from the 1940s, Winton Hoch clashed with Ford on the shoot about various perfections {both parties}, but the final result is incredible, witness a scene as Brittles visits his dead wife's grave, the backdrop is all purple and red, a storm imminent, has shooting in the desert ever been so lush ?.
The film leaves an indelible mark on the conscious for its art and performances, but as a story it just about stays on the good side of safe, 7/10 for the film and its structure, 10/10 for the artistry involved.