| Jeanne Crain | ... | Patricia 'Pinky' Johnson | |
| Ethel Barrymore | ... | Miss Em | |
| Ethel Waters | ... | Pinky's Granny | |
| William Lundigan | ... | Dr. Thomas Adams | |
| Basil Ruysdael | ... | Judge Walker | |
| Kenny Washington | ... | Dr. Canady | |
| Nina Mae McKinney | ... | Rozelia | |
| Griff Barnett | ... | Dr. Joe McGill | |
| Frederick O'Neal | ... | Jake Walters | |
| Evelyn Varden | ... | Melba Wooley | |
| Raymond Greenleaf | ... | Judge Shoreham | |
| rest of cast listed alphabetically: | |||
| Shelby Bacon | ... | Boy (uncredited) | |
| Rene Beard | ... | Teejore (uncredited) | |
| Bert Conway | ... | Loafer (uncredited) | |
| Everett Glass | ... | Mr. Jeffers Wooley (uncredited) | |
| William Hansen | ... | Mr. Goolby (uncredited) | |
| Arthur Hunnicutt | ... | Police Chief (uncredited) | |
| Jean Inness | ... | Viola, Saleslady (uncredited) | |
| Tiger Joe Marsh | ... | George, Wooleys' Chauffeur (uncredited) | |
| Juanita Moore | ... | Nurse (uncredited) | |
| Robert Osterloh | ... | Police Officer (uncredited) | |
| Tonya Overstreet | ... | Nurse (uncredited) | |
| Dan Riss | ... | Mr. Stanley, Wooleys' Attorney (uncredited) | |
| Harry Tenbrook | ... | Townsman (uncredited) | |
Directed by | |||
| Elia Kazan | |||
| John Ford | (uncredited) | ||
Writing credits | ||
| Cid Ricketts Sumner | (novel) | |
| Philip Dunne | (screenplay) and | |
| Dudley Nichols | (screenplay) | |
Produced by | |||
| Darryl F. Zanuck | .... | producer | |
Original Music by | |||
| Alfred Newman | |||
Cinematography by | |||
| Joseph MacDonald | (director of photography) (as Joe MacDonald) | ||
Film Editing by | |||
| Harmon Jones | |||
Art Direction by | |||
| J. Russell Spencer | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Set Decoration by | |||
| Thomas Little | |||
| Walter M. Scott | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
Sound Department | |||
| Eugene Grossman | .... | sound | |
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects | |
Camera and Electrical Department | |||
| Frank Corey | .... | grip (uncredited) | |
| Les Everson | .... | gaffer (uncredited) | |
| Til Gabani | .... | camera operator (uncredited) | |
| Anthony Ugrin | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | wardrobe director (as Charles LeMaire) | |
| Sam Benson | .... | wardrobe supervisor (uncredited) | |
Music Department | |||
| Edward B. Powell | .... | orchestrator (as Edward Powell) | |
Other crew | |||
| Darryl F. Zanuck | .... | presenter | |
| Rose Steinberg | .... | script supervisor (uncredited) | |
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| Malcolm X | Lost Boundaries | Gone with the Wind | The Liberation of L.B. Jones | Giant |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
A light skinned black woman Pinky (Jeanna Crain) returns home to the deep South. She had been at school in the North passing as white and getting her training as a nurse. She's also fallen in love with a handsome, white doctor who knows nothing about her past. It's clear that Pinky HATES being black...but everybody in that town knows she is. She's going to leave but her grandmother (Ethel Waters) asks her to take care a sick mean white woman (Ethel Barrymore) who's near death. Pinky starts to learn to not be ashamed of who she is.
This film was well ahead of its time. In the late 1940s racism was alive and well in the US and this film attacked it. It also showed a black woman who's ashamed of being who she is because of white society. Those were revolutionary ideas at the time. Also there are some disgusting sequences in here that are now almost impossible to watch--the "n" word is used casually; the acts of racism are truly cruel and there's a harrowing scene where Pinky is almost raped just for being black! Still, these scenes need to be shown to see how terrible conditions once were. Still, the picture isn't as brave as it thinks it is. The ending was, for me, entirely predictable and way too "happy".
Top production values help and all the acting is great. Crain (who was white) pulls off a difficult role and was nominated for an Academy Award. Waters and Barrymore are also just great in their roles. This is dated (of course) but still powerful and well worth seeing. For some reason this film just disappeared over the years but now it's back and being rediscovered. Worth catching.