| Photos (see all 21 | slideshow) |
| Gene Kelly | ... | Gabey | |
| Frank Sinatra | ... | Chip | |
| Betty Garrett | ... | Brunhilde Esterhazy | |
| Ann Miller | ... | Claire Huddesen | |
| Jules Munshin | ... | Ozzie | |
| Vera-Ellen | ... | Ivy Smith | |
| Florence Bates | ... | Mme. Dilyovska | |
| Alice Pearce | ... | Lucy Shmeeler | |
| George Meader | ... | Professor | |
| rest of cast listed alphabetically: | |||
| Murray Alper | ... | Cab company owner (uncredited) | |
| Bette Arlen | ... | Dancer in 'Day in New York' Ballet (uncredited) | |
| Anne Beck | ... | Nightclub Extra (uncredited) | |
| Bea Benaderet | ... | Brooklyn Girl on Subway (uncredited) | |
| Gladys Blake | ... | Brooklyn Girl on Subway (uncredited) | |
| Eugene Borden | ... | Waiter (uncredited) | |
| Leonard Bremen | ... | Spectator (uncredited) | |
| Don Brodie | ... | Photo Layout Man (uncredited) | |
| Ralph Brooks | ... | Nightclub Extra (uncredited) | |
| Claire Carleton | ... | Nightclub Extra (uncredited) | |
| Peter Chong | ... | Bartender (uncredited) | |
| Dorinda Clifton | ... | Dancer in 'Day in New York' Ballet (uncredited) | |
| Hans Conried | ... | Francois (head waiter) (uncredited) | |
| Jeanne Coyne | ... | Dancer in 'Day in New York Ballet (uncredited) | |
| Lester Dorr | ... | Subway passenger (uncredited) | |
| Tom Dugan | ... | Officer Tracy, Car 44 (uncredited) | |
| Helen Eby-Rock | ... | Little Girl's Mother (uncredited) | |
| James A. FitzPatrick | ... | Trailer Narrator (voice) (uncredited) | |
| Wanda Flippen | ... | Nightclub Extra (uncredited) | |
| Frank Hagney | ... | Policeman (uncredited) | |
| Carol Haney | ... | Dancer in 'Day in New York' Ballet (uncredited) | |
| Timmy Hawkins | ... | Boy in Subway (uncredited) | |
| Bern Hoffman | ... | Shipyard singer (uncredited) | |
| Judy Holliday | ... | Daisy (Simpkins' MGM date) (voice) (uncredited) | |
| Curtis Loys Jackson Jr. | ... | Boy in Subway (uncredited) | |
| Richard Kean | ... | Poet Type (uncredited) | |
| Milton Kibbee | ... | Sign poster (uncredited) | |
| Jack Lee | ... | Speed Cop (uncredited) | |
| Hank Mann | ... | Max, the Photographer (uncredited) | |
| Gloria Marlen | ... | Dancer in 'Day in New York' Ballet (uncredited) | |
| Helen McAllister | ... | Kooch Girl (uncredited) | |
| Sid Melton | ... | Spud (uncredited) | |
| Diane Nance | ... | Little Girl (uncredited) | |
| Kerry O'Day | ... | Nightclub Extra (uncredited) | |
| Norman Ollestad | ... | Boy in Subway (uncredited) | |
| William 'Bill' Phillips | ... | Sailor Simkins (uncredited) | |
| Royal Raymond | ... | Barker (uncredited) | |
| Alex Romero | ... | Sailor - in 'Day in New York' Ballet (uncredited) | |
| Frank J. Scannell | ... | Officer Mulrooney (uncredited) | |
| Lee Scott | ... | Dancer in 'Day in New York' Ballet (uncredited) | |
| Jack Shea | ... | Tough Marine in Subway (uncredited) | |
| Robert Smith | ... | Spectator (uncredited) | |
| Robert R. Stephenson | ... | Man in Subway Station (uncredited) | |
| Dick Wessel | ... | Sailor Kovarsky (uncredited) | |
| Robert Williams | ... | Police sergeant, Car 44 (uncredited) | |
| Bud Wolfe | ... | Speed Cop (uncredited) | |
Directed by | |||
| Stanley Donen | |||
| Gene Kelly | |||
Writing credits | ||
| Adolph Green | (screenplay) and | |
| Betty Comden | (screenplay) | |
| Adolph Green | (musical play) and | |
| Betty Comden | (musical play) | |
| Jerome Robbins | (idea) | |
Produced by | |||
| Roger Edens | .... | associate producer | |
| Arthur Freed | .... | producer | |
Cinematography by | |||
| Harold Rosson | (director of photography) | ||
Film Editing by | |||
| Ralph E. Winters | |||
Art Direction by | |||
| Cedric Gibbons | |||
| Jack Martin Smith | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Costume Design by | |||
| Helen Rose | |||
Makeup Department | |||
| Jack Dawn | .... | makeup designer | |
| Sydney Guilaroff | .... | hair styles designer | |
Art Department | |||
| Jack D. Moore | .... | associate set decorator | |
Sound Department | |||
| Douglas Shearer | .... | recording supervisor | |
| Richard Gramaglia | .... | sound (uncredited) | |
Special Effects by | |||
| Warren Newcombe | .... | special effects | |
Camera and Electrical Department | |||
| Robert Martin | .... | camera operator (uncredited) | |
Music Department | |||
| Saul Chaplin | .... | vocal arranger | |
| Lennie Hayton | .... | musical director | |
| Conrad Salinger | .... | orchestrator | |
Other crew | |||
| George Abbott | .... | stage director | |
| Paul Feigay | .... | producer: original stage production | |
| James Gooch | .... | technicolor color consultant | |
| Henri Jaffa | .... | technicolor color consultant | |
| Oliver Smith | .... | producer: original stage production | |
| Jeanne Coyne | .... | assistant: Mr. Kelly, Hollywood (uncredited) | |
| Carol Haney | .... | assistant choreographer (uncredited) | |
| Alex Romero | .... | assistant choreographer (uncredited) | |
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| Across the Universe | Funny Girl | It's Always Fair Weather | The Palm Beach Story | The Notebook |
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| News articles | IMDb Comedy section | IMDb USA section |
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Here's an idea: Get a group of exceptionally talented performers together, sketch in an outline of a story based on a successful Broadway show, then supply the score, songs and setting in which they can individually and collectively showcase their respective gifts, turn them loose and see what happens, see if it works. Of course, by the time this film was made in 1949, MGM knew it would work, as it had for them many times previously; there was no guess work involved. The result this time around was `On The Town,' a lively musical which marked the directorial debut of co-directors Gene Kelly and Stanley Donen, with Kelly starring and also doing the choreography. The plot is simple: Three sailors get twenty-four-hour shore leave in New York and set off to make the most of it. Chip (Frank Sinatra) wants to see the sights; Ozzie (Jules Munshin) wants to play; and Gabey (Kelly) immediately falls into an obsession over a girl he sees on a subway poster, `Miss Turnstiles' of the month, Ivy Smith (Vera-Ellen), and vows to find her. Along the way they run into a quirky cab driver, Brunhilde (Betty Garrett), and a young woman, Claire (Ann Miller), doing some research at a museum. But what this movie is really all about is entertainment, and it delivers it by the songful.
Kelly and Donen bring it all to life through the words and music of Betty Comden, Adolph Green and Leonard Bernstein, and the score, which earned an Oscar for Roger Edens and Lennie Hayton. it kicks off with Sinatra, Munshin and Kelly doing `New York, New York,' in which they enlighten you to the fact that `The Bronx is up and the Battery's down, and people ride in a hole in the ground--' a dynamite opening that sets the stage for all that comes after. And it's pure entertainment that just sweeps you away with it while you hum along with the six stars of the show as they do what they do best, and it's a delight from beginning to end.
Without a doubt, Kelly emerges as the star among the stars, and his solo numbers and the ones he performs with Vera-Ellen are especially engaging; but this is one of those musicals in which one memorable number follows another, with each of the principals getting their own moment in the spotlight. Vera-Ellen has a great number early on in the film, in which Miss Turnstiles is introduced; Ann Miller taps her way through a rousing routine in the museum (in which she is joined by Sinatra, Munshin, Kelly and Garrett) that really gives her a chance to show her stuff; and Sinatra and Garrett engage in a memorable bit in song, as she attempts to get him to `Come Up To My Place.' Through it all, Sinatra exudes a certain boyish charm while Garrett and Munshin provide the comic relief. All of which makes for a fun and thoroughly entertaining movie experience.
The supporting cast includes Alice Pearce (Lucy), Sid Melton (Spud), Hans Conried (Francois) and Florence Bates (Madame Dilyovska). Some movies are made simply to transport you to another place for a couple of hours, put a smile on your face, a song on your lips and just make you feel good; and `On The Town' is certainly one of them. This is pure, uplifting and satisfying Entertainment, beautifully crafted and delivered and guaranteed to make your day a little brighter. The fact is, they just don't make em like this anymore, and it's a shame. Because this is what the magic of the movies is all about. I rate this one 9/10.