Knock on Any Door (1949)

User Rating:

6.7/10   

Director:

Nicholas Ray

Writers:

John Monks Jr. (writer)
Willard Motley (novel)

Release Date:

22 February 1949 (USA)

Genre:

Crime | Film-Noir | Drama

Plot:

Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him...

Plot Keywords:

Slum | Attorney | Suicide | Trial | Punch To Face

Cast

Humphrey Bogart	...	Andrew Morton
John Derek	...	Nick Romano
George Macready	...	Dist. Atty. Kerman
Allene Roberts	...	Emma
Candy Toxton	...	Adele Morton (as Susan Perry)
Mickey Knox	...	Vito
Barry Kelley	...	Judge Drake

Runtime:

100 min

Country:

USA

Language:

English | Italian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Finland:K-16 | Sweden:15

Filming Locations:

Lake Arrowhead, San Bernardino National Forest, California, USA

Company:

Santana Pictures Corporation

Trivia:

This was the first film made by Humphrey Bogart's independent production company, Santana. He chose Nicholas Ray to direct because he had greatly admired his directorial debut They Live by Night (1948).

Goofs:

Continuity: In the court, when Morton stands up for the first time, he puts his both hands in the pockets. The next shot shows him with only his left hand in the pocket.

Quotes:

Sunshine: How can a guy be happy and broke at the same time?

Movie Connections:

Referenced in True Romance (1993)

a spotty and uneven courtroom drama with a two-dimensional story, but Bogart makes it worthy of one's time

Humphrey Bogart stars in this rather uneven courtroom, flashback-dominated drama as a good-hearted defense attorney standing up for a young man (John Derek) accused of shooting a police officer dead while making an escape attempt. As Bogart fights against a persistent prosecuting attorney placed by George Macready, he tells the jury the story of his client's past. How this man accused of murder and facing the death penalty became the man he is, the sort of things he'd gone through, and all the while, trying to prove his innocence. Basically, Bogart spends most of the time trying to create sympathy for his client. Sympathy that the jury and the audience frankly cannot come to terms with.

"Knock on Any Door" is basically a standard courtroom drama picture with an iconic leading man narrating the whole story. It's fairly short, but sort of drawn out at the same time because this whole story of a demented young individual poisoned by the ravages of civilization has been told many times before and in better situations. Filmmakers like Otto Preminger and Sidney Lumet would later go on to prove that when it comes to courtroom dramas, it's better to relate to the killings through word of mouth rather than showing it either as a prologue or a flashback, for it just seems to get in the way and there is far more drama that can be generated by the actors relating to this event none of them have seen.

"Knock on Any Door" is a spotty and very uneven courtroom drama with very little to surprise and even less to move the audience. Even the famous and well-acted final sentencing speech done by Bogart does not strike with the impact that one should expect it to. But do not be confused. I am not bashing "Knock on Any Door". I am just simply saying that it's an underplayed, but nevertheless worthy way of spending exactly one hundred minutes of your time. Humphrey Bogart is great as usual, but the problem is that his character is a frankly uninteresting and two-dimensional defense lawyer. Bogart gives the character some charisma, but the writing just generates a recyclable hero. But do not be misled. I am not panning "Knock on Any Door." It works fine for what it is. But if you want to see Humphrey Bogart in a truly charismatic, well-written role, then rent "Casablanca." And if you want a truly well-realized courtroom drama, then set your sights on "Anatomy of a Murder" (1959) and/or "12 Angry Men" (1957).