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Flamingo Road (1949)
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Overview
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Release Date:
6 May 1949 (USA)
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Tagline:
A wrong girl for the right side of the tracks.
Plot:
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple...
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Mildred Pierce meets the devil on her way to easy street.
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Cast
(Complete credited cast)| Joan Crawford | ... | Lane Bellamy | |
| Zachary Scott | ... | Fielding Carlisle | |
| Sydney Greenstreet | ... | Sheriff Titus Semple | |
| David Brian | ... | Dan Reynolds | |
| Gladys George | ... | Lute Mae Sanders | |
| Virginia Huston | ... | Annabelle Weldon | |
| Fred Clark | ... | Doc Waterson | |
| Gertrude Michael | ... | Millie | |
| Alice White | ... | Gracie | |
| Sam McDaniel | ... | Boatright | |
| Tito Vuolo | ... | Pete Ladas |
Additional Details
Parents Guide:
Runtime:
94 min
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Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound System)
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Fun Stuff
Trivia:
Originally intended as a vehicle for Ann Sheridan, who turned down role played by 'Joan Crawford'.
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Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): Sheriff Titus Semple tells Fielding Carlisle to "get over to that girl's house and ask her to marry 'her'", instead of “marry you”.
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Quotes:
Sheriff Titus Semple:
Now me, I never forget anything.
Lane Bellamy: You know sheriff; we had an elephant in our carnival with a memory like that. He went after a keeper that he'd held a grudge against for almost 15 years. Had to be shot. You just wouldn't believe how much trouble it is to dispose of a dead elephant.
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Lane Bellamy: You know sheriff; we had an elephant in our carnival with a memory like that. He went after a keeper that he'd held a grudge against for almost 15 years. Had to be shot. You just wouldn't believe how much trouble it is to dispose of a dead elephant.
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Movie Connections:
Version of Flamingo Road (1980) (TV)
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Soundtrack:
A Vision of Salome
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This film is a joy to watch, even if defies logic. The narrative is convoluted, to put it mildly. Joan Crawford as a carnival girl? That's a stretch of the imagination. From the very beginning, watching Ms Crawford and the two other dancing women, the viewer realizes that he has to be kind to this film. Her take on Lane Bellamy is vintage Crawford!
This must have been a vehicle for the star right after her star turn in Mildred Pierce. It has some of the same people behind it, like director Michael Curtiz and Zachary Scott. The dialogue is something to be treasured. They don't make films like this anymore. Just imagine what panache Ms Crawford brought to anything she appeared in.
The cast that was assembled for this film is probably impossible to match. The great Sydney Greenstreet is so good as the evil sheriff Titus Semple, that we stay riveted looking at his every move. David Brian as the man who loves Lane and rescues her from poverty is also an asset. The minor players, Gladys George, Fred Clark and Virginia Huston, among others fit right into the story.
But this is a Joan Crawford's film. She dominates every scene in which she appears. What power she conveys with only an economy of gestures. No one working in films these days can come near to this actress, who left her own imprint in the canon of American cinema, not to be equaled by anyone any time soon.