| Photos (see all 4 | slideshow) |
| Chishû Ryû | ... | Shukichi Somiya | |
| Setsuko Hara | ... | Noriko Somiya | |
| Yumeji Tsukioka | ... | Aya Kitagawa | |
| Haruko Sugimura | ... | Masa Taguchi | |
| Hohi Aoki | ... | Katsuyoshi | |
| Jun Usami | ... | Shuichi Hattori | |
| Kuniko Miyake | ... | Akiko Miwa | |
| Masao Mishima | ... | Jo Onodera | |
| Yoshiko Tsubouchi | ... | Kiku | |
| Yôko Katsuragi | ... | Misako | |
| Toyo Takahashi | ... | Shige (as Toyoko Takahashi) | |
| Jun Tanizaki | ... | Seizo Hayashi | |
| Ichirô Shimizu | ... | Takigawa's master | |
| Youko Benisawa | ... | Teahouse Proprietress | |
| Manzaburo Umewaka | ... | Shite | |
| Nobu Nojima | ... | Waki | |
| Ichiro Kitamura | ... | Little drum | |
| Haruo Yasufuku | ... | Big drum | |
| Soichi Konparu | |||
| Tadaichi Aoki | ... | Goto | |
| Nagahiro Yoshida | |||
| Seiju Kanze | |||
| Shintaro Umewaka | |||
| Shizuo Kanze | |||
| Seiji Toda | |||
| Kozo Fukuda | |||
| Shinichiro Takayama | |||
| Seinosuke Ishida | |||
| Yutaka Aoki | |||
| Kinzo Hasegawa | |||
| Gazan Hasegawa |
Directed by | |||
| Yasujiro Ozu | |||
Writing credits | ||
| Kazuo Hirotsu | (based on the novel "Chichi to musume" by) | |
| Kôgo Noda | (screenplay) and | |
| Yasujiro Ozu | (screenplay) | |
Original Music by | |||
| Senji Itô | |||
Cinematography by | |||
| Yuuharu Atsuta | |||
Film Editing by | |||
| Yoshiyasu Hamamura | |||
Art Direction by | |||
| Tatsuo Hamada | |||
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The concept of mono no aware is said to define the essence of Japanese culture. The phrase means "a sensitivity to things", the ability to experience a direct connection with the world without the necessity of language. Yasujiro Ozu sums up this philosophy in Late Spring, a serene depiction of the acceptance of life's inevitabilities and the sadness that follows it. The film shows the pressure in Japanese families for children to be married as the "natural order" of things, regardless of their wishes. One wonders if Ozu, who never married, is sharing his own family experience with us.
In Late Spring, a widowed Professor, Somiya (Chishu Ryu), must face the inevitability of giving up his daughter, Noriko (Setsuko Hara) to marriage. Noriko, however, wants only to continue to live at home and care for her father and insists that marriage is not for her. Yet the social pressure to marry continues to build, coming not only from her father but also from Somiya's sister Masa (Haruko Sugimura) whom she calls "Auntie", and from a friend, the widower Onodera (Masao Mishima) who has recently remarried. Masa, unrelenting, presents Noriko with a prospect named Satake who reminds her of actor Gary Cooper, but she is still reluctant. To make it easier for Noriko to decide, Somiya tells her that he is planning to remarry and she will no longer need to take care of him. Noriko's agonizes over her decision and her once beaming face increasingly carries hints of resignation. At the end, the old man sits alone peeling a piece of fruit as the ocean waves signal the inexorable flow of timeless things.