Whiplash (1948)

User Rating:

6.4/10   

Director:

Lewis Seiler

Writers:

Kenneth Earl (story)
Harriet Frank Jr. (writer)

Release Date:

24 December 1948 (USA)

Genre:

Drama | Film-Noir

Plot Keywords:

Melodrama

Cast

Dane Clark	...	Michael Gordon, aka Mike Angelo
Alexis Smith	...	Laurie Durant
Zachary Scott	...	Rex Durant
Eve Arden	...	Chris Sherwood
Jeffrey Lynn	...	Dr. Arnold Vincent
S.Z. Sakall	...	Sam
Alan Hale	...	Terrance O'Leary
Douglas Kennedy	...	Costello
Ransom M. Sherman	...	Tex Sanders (as Ransom Sherman)
Freddie Steele	...	Duke Carney (as Fred Steele)
Robert Lowell	...	Trask
Don McGuire	...	Markus
rest of cast listed alphabetically:
Joe Gray	...	Fighter

Runtime:

91 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Australia:G | Finland:K-16 | Sweden:15

Company:

Warner Bros. Pictures

Trivia:

Nitrate prints of this film are held by the UCLA Film and Television Archives.

Soundtrack:

The Girl with the Spanish Drawl

Routine boxing melodrama stars Dane Clark as John Garfield wannabe

Shake together John Garfield's roles as a violinist in Humoresque and a prizefighter in Body and Soul (hits of the previous couple of years), and out comes Dane Clark's character in Whiplash. He's a beach bum who daubs canvases in a coastal town near San Francisco. But when reclusive vacationer Alexis Smith buys one of his seascapes, she ignites a torch in him that won't sputter out. When she abruptly departs, he travels east and sets up a studio in New York while he tracks her down. It proves a bad career move.

He finds Smith singing in a nightclub, only to discover that she's married to Zachary Scott, its owner and a former middleweight champ now confined to a wheelchair. Scott, sadistic and embittered, lives the fight game vicariously – through the cohort of ex-boxers who keep his wife in place and through new talent he exploits then drops. In Clark, he sees a contender. Wanting to keep close to Smith (who keeps warning him off), Clark signs up for work on another kind of canvas....

In addition to the always welcome Alexis Smith, the movie boasts good supporting work from Eve Arden, a gal pal with a crush on Clark, and from Jeffrey Lynn, as Smith's alcoholic brother, a doctor working in Scott's gym. Scott himself brings nothing new to the kind of part he found himself typecast in: the effete, insinuating villain. That leaves Clark, who was plainly being groomed as the second-string Garfield but who never left much of an impression on the movies.

The direction, by the undistinguished Lewis Seiler, can only be graded adequate; he keeps things moving along but never tries for anything different or offbeat or striking. In this he's matched by a lackluster script (it was the late ‘40s; couldn't the dialogue have been a little more etched?). Nonetheless, Whiplash endures as a routine B-movie, with noirish coloration, that reflects the themes and plot-lines of post-war melodrama.