The Treasure of the Sierra Madre (1948)

Director:

John Huston

Writers:

John Huston (screenplay)
B. Traven (novel)

Release Date:

24 January 1948 (USA)

Genre:

Adventure | Drama | Western | Action

Tagline:

The more he yearns for a woman's arms . . . the fiercer he lusts for the treasure that cursed them all!

Plot:

Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled...

Plot Keywords:

Gold | Mexico | Prospector | Bandit | Friend

Awards:

Won 3 Oscars. Another 9 wins & 4 nominations

Cast

Humphrey Bogart	...	Dobbs
Walter Huston	...	Howard
Tim Holt	...	Curtin
Bruce Bennett	...	Cody
Barton MacLane	...	McCormick (as Barton Mac Lane)
Alfonso Bedoya	...	Gold Hat
Arturo Soto Rangel	...	Presidente (as A. Soto Rangel)
Manuel Dondé	...	El Jefe (as Manuel Donde)
José Torvay	...	Pablo (as Jose Torvay)
Margarito Luna	...	Pancho
rest of cast listed alphabetically:
Robert Blake	...	Mexican Boy Selling Lottery Tickets (uncredited)
Guillermo Calles	...	Mexican Storeowner (uncredited)
Roberto Cañedo	...	Mexican Lieutenant (uncredited)
Spencer Chan	...	Proprietor (uncredited)
Jacqueline Dalya	...	Flashy Girl (uncredited)
Ralph Dunn	...	Flophouse Bum (uncredited)
Ernesto Escoto	...	Mexican Bandit (uncredited)
Pat Flaherty	...	Customer in Bar Who Warns Curtin and Dobbs about Pat McCormick (uncredited)
Martin Garralaga	...	Railroad Conductor (uncredited)
Jack Holt	...	Flophouse Bum (uncredited)
John Huston	...	American in Tampico in White Suit (uncredited)
Francisco Islas	...	Indian (uncredited)
Mario Mancilla	...	Child (uncredited)
Julian Rivero	...	Barber (uncredited)
Valdespino	...	Indian (uncredited)
Ildefonso Vega	...	Indian (uncredited)
Harry J. Vejar	...	Bartender (uncredited)
Ignacio Villabajo	...	Mexican Bandit (uncredited)
Clifton Young	...	Flophouse Bum (uncredited)

Directed by
John Huston

Writing credits
John Huston		(screenplay)
B. Traven		(novel)

Produced by
Henry Blanke	....	producer
Jack L. Warner	....	executive producer

Original Music by
Max Steiner		(music by)

Cinematography by
Ted D. McCord		(director of photography) (as Ted McCord)

Film Editing by
Owen Marks

Art Direction by
John Hughes

Set Decoration by
Fred M. MacLean

Makeup Department
Perc Westmore	....	makeup artist
Betty Delmont	....	hair stylist (uncredited)
Frank McCoy	....	makeup artist (uncredited)
Monty Westmore	....	makeup artist (uncredited)

Production Management
Don Alvarado	....	production manager (uncredited)
Don Page	....	unit manager (uncredited)

Second Unit Director or Assistant Director
Richard Maybery	....	assistant director (uncredited)
John Prettyman	....	assistant director (uncredited)

Art Department
Bob Bono	....	props (uncredited)
Frank Durlauf	....	assistant art director (uncredited)
Ed Romero	....	painter (uncredited)
George Sweeney	....	props (uncredited)

Sound Department
Robert B. Lee	....	sound
Rafael Ruiz Esparza	....	sound (uncredited)
Edward Ullman	....	sound recordist (uncredited)

Special Effects by
Hans F. Koenekamp	....	special effects (as H.F. Koenekamp)
William C. McGann	....	special effects director (as William McGann)
Eddie Craven	....	special effects (uncredited)

Stunts
Harvey Parry	....	stunts (uncredited)
David Sharpe	....	stunt double: Tim Holt (uncredited)

Camera and Electrical Department
Dave Brodie	....	assistant camera (uncredited)
William Classen	....	grip (uncredited)
Ellsworth Fredericks	....	camera operator (uncredited)
Burdette Hoke	....	best boy (uncredited)
Mac Julian	....	still photographer (uncredited)
Clair Sealey	....	gaffer (uncredited)
Jorge Stahl Jr.	....	photographer (uncredited)

Costume and Wardrobe Department
Robert O'Dell	....	wardrobe (uncredited)
Ted Schultz	....	wardrobe (uncredited)

Editorial Department
Fred E. Farrell	....	assistant editor (uncredited)

Music Department
Murray Cutter	....	orchestral arrangements
Leo F. Forbstein	....	musical director
Max Steiner	....	conductor (uncredited)

Other crew
Antonio Arriaga	....	technical advisor
Ernesto A. Romero	....	technical advisor
Fred Applegate	....	script supervisor (uncredited)
Jaime Contreras	....	production assistant (uncredited)
Luis Sánchez	....	production chief (uncredited)

Production Companies

• Warner Bros. Pictures (presents) (A Warner Bros.-First National Picture)

Distributors

• Warner Bros. Pictures (1948) (USA) (theatrical)
• Warner Bros. (1949) (West Germany) (theatrical)
• M.P.E.A. (1949) (West Germany) (theatrical)
• Neue Visionen Filmverleih (1949) (West Germany) (theatrical)
• MGM/UA Home Entertainment (1998) (USA) (VHS)
• Chapel Distribution (1997) (Australia) (theatrical) (35mm print)
• Elite Films
• Key Video (????) (USA) (VHS)
• Living Colour Entertainment (2008) (Netherlands) (DVD)
• Warner Home Video (2003) (USA) (DVD)
• Warner Home Video (2006) (USA) (DVD)
• Warner Home Vídeo (????) (Brazil) (VHS)

Also Known As:

Treasure of Sierra Madre (USA) (poster title)

Runtime:

126 min

Country:

USA

Language:

English | Spanish

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Canada:G (Nova Scotia/Quebec) | Canada:PG (Manitoba/Ontario) | South Korea:12 | West Germany:12 (nf) | Canada:PG (video rating) | Norway:16 | West Germany:6 | Australia:PG | Finland:K-16 | Netherlands:AL | Sweden:15 (1977) | UK:PG | USA:Approved (certificate #12347)

Filming Locations:

Acapulco, Guerrero, Mexico

Company:

Warner Bros. Pictures

Trivia:

One of the first American films to be made almost entirely on location outside the USA.

Goofs:

Revealing mistakes: Glaringly obvious use of doubles in the barfight scene to replace Humphrey Bogart, Tim Holt and Barton MacLane.

Quotes:

[first lines]
Dobbs: Say buddy, will you stake a fellow Am...

Movie Connections:

Referenced in Pet Shop (1995)

Soundtrack:

Believe Me If All Those Endearing Young Charms

Truly something special

This film made a huge impression on me when I first saw it at the age of 15 or 16. A recent rewatching on DVD really served to bring home for me what makes this film so special.

The whole thing is quite good, but it really hits you when Howard goes off to celebrate with the Indians, leaving Dobbs and Curtin to care for his gold and burros. The ensuing scenes of their spiraling mistrust and tension are absolutely spellbinding--the kind of thing that makes you lean forward in your seat just to get your eyes a little closer to the raw humanity unfolding in front of you. Their paranoia, the way you can SEE scenarios of betrayal dancing in their eyes, Dobbs' burgeoning madness--these are the moments that make this film one for the ages.

At its best, film noir (which this most certainly is--Western surroundings or no) makes the viewer complicit in the evil depicted on screen. We find ourselves scheming and plotting in our heads along with the unsavory characters we are watching--we start to feel the same temptations and desires that they do. "Treasure of the Sierra Madre" accomplishes this bond with the audience as well as any film you are likely to see.

A magnificent film--one of the few great screen tragedies.