| Cathy O'Donnell | ... | Catherine 'Keechie' Mobley | |
| Farley Granger | ... | Arthur 'Bowie' Bowers | |
| Howard Da Silva | ... | Chicamaw 'One-Eye' Mobley | |
| Jay C. Flippen | ... | Henry 'T-Dub' Mansfield | |
| Helen Craig | ... | Mattie Mansfield | |
| Will Wright | ... | Mobley | |
| Marie Bryant | ... | Nightclub Singer | |
| Ian Wolfe | ... | Hawkins | |
| William Phipps | ... | Young Farmer | |
| Harry Harvey | ... | Hagenheimer | |
| Will Lee | ... | Jeweler | |
| James Nolan | ... | Schreiber (as Jim Nolan) | |
| Teddy Infuhr | ... | Alvin Lambert | |
| Byron Foulger | ... | Lambert | |
| Guy Beach | ... | Rudy (as Guy L. Beach) | |
| rest of cast listed alphabetically: | |||
| Jane Allen | ... | Woman (uncredited) | |
| Paul Bakanas | ... | Shadow (uncredited) | |
| Regan Callais | ... | Young Wife (uncredited) | |
| Lewis Charles | ... | Auto Lot Attendant (uncredited) | |
| Curt Conway | ... | Man in Tuxedo (uncredited) | |
| Suzi Crandall | ... | Lulu (uncredited) | |
| Helen Crozier | ... | Nurse (uncredited) | |
| Boyd Davis | ... | Herman Hawkins (uncredited) | |
| Gail Davis | ... | Girl at Parking Lot (uncredited) | |
| James Dobson | ... | Boy at Parking Lot (uncredited) | |
| Ralph Dunn | ... | Policeman (uncredited) | |
| Frank Ferguson | ... | Bum (uncredited) | |
| Dan Foster | ... | Groom (uncredited) | |
| Fred Graham | ... | Motorcycle Cop (uncredited) | |
| Eula Guy | ... | Mrs. Haviland (uncredited) | |
| N.L. Hitch | ... | Bus Driver (uncredited) | |
| J. Louis Johnson | ... | Restroom Porter (uncredited) | |
| Chester Jones | ... | Waiter in Nightclub (uncredited) | |
| Tom Kennedy | ... | Cop (uncredited) | |
| Kate Drain Lawson | ... | Tillie (uncredited) | |
| Frank Marlowe | ... | Robert Mansfield, Mattie's Husband (uncredited) | |
| Myra Marsh | ... | Mrs. Schaeffer (uncredited) | |
| Marilyn Mercer | ... | Bride (uncredited) | |
| Charles Meredith | ... | Commissioner Hubbell (uncredited) | |
| Carmen Morales | ... | Mother on bus (uncredited) | |
| Jimmy Moss | ... | Boy on bus (uncredited) | |
| Stanley Prager | ... | Short Order Man (uncredited) | |
| Erskine Sanford | ... | Doctor (uncredited) | |
| Mickey Simpson | ... | Shadow (uncredited) | |
| Russ Whiteman | ... | Man (uncredited) | |
| Lynn Whitney | ... | Waitress (uncredited) | |
| Douglas Williams | ... | Drunk (uncredited) | |
Directed by | |||
| Nicholas Ray | |||
Writing credits | ||
| Charles Schnee | (screenplay) | |
| Nicholas Ray | (adaptation) | |
| Edward Anderson | (novel "Thieves Like Us") | |
Produced by | |||
| John Houseman | .... | producer | |
| Dore Schary | .... | executive producer (uncredited) | |
Original Music by | |||
| Leigh Harline | |||
| Woody Guthrie | (uncredited) | ||
Cinematography by | |||
| George E. Diskant | (director of photography) | ||
Film Editing by | |||
| Sherman Todd | |||
Art Direction by | |||
| Albert S. D'Agostino | |||
| Alfred Herman | (as Al Herman) | ||
Set Decoration by | |||
| Darrell Silvera | |||
| Maurice Yates | |||
Costume Design by | |||
| Adele Balkan | (uncredited) | ||
Makeup Department | |||
| Gordon Bau | .... | makeup supervisor | |
| Helen Grizuk | .... | hair stylist (uncredited) | |
Production Management | |||
| James H. Anderson | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| James Lane | .... | assistant director | |
Sound Department | |||
| John L. Cass | .... | sound (as John Cass) | |
| Clem Portman | .... | sound | |
| Roy Meadows | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Russell A. Cully | .... | special effects | |
Camera and Electrical Department | |||
| Edward Bergholz | .... | camera operator (uncredited) | |
| Paul Ivano | .... | director of photography: second unit (uncredited) | |
| Ollie Sigurdson | .... | still photographer (uncredited) | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
Other crew | |||
| Knute Flint | .... | helicopter pilot (uncredited) | |
| Mercy Weireter | .... | script supervisor (uncredited) | |
|
|
|
|
|
| The Miracle of Morgan's Creek | Touch of Evil | The Night of the Hunter | The Assassination of Jesse James by the Coward Robert Ford | La hija del caníbal |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
| Add this title to MyMovies |
O'Donnell /Granger are par excellence the romantic couple of the film noir,and their scenes display a tenderness ,a longing for a happiness which always eludes them.This is a dark movie,since most of the scenes were filmed by night:the first meeting of the doomed lovers,the wedding (no walk down the aisle,no flowers,no wedding dress) ,the unforgettable last scene when O'Donnell whispers "I love you" ....
I certainly love Nicholas Ray's movies.In "they live by night" a lot of his recurrent features are already present:the hero is still a child ,a victim of fate.We do not know anything about his background,his parents but he's certainly akin to Jim Stark in "rebel without a cause " who is playing with a toy on the street or Jeff in "lusty men" finding back his old money-box.The heroine is a distant relative of Judy in "rebel" and O'Donnell resembles Natalie Wood.Like her,her family life is a dead end and she sees love as the only way out of it.In 'rebel' ,Ray puts the parents on trial ,in "Bigger than life" -one of his most extraordinary films ,unfairly overlooked - a father becomes monstrous and almost kills his son.Here Bowie was probably "killed" too, on his own at such an early age.
To quote Neil Young,Ray "offers life in sacrifice so the others can go on".In "Rebel" ,Plato's death might mean a new beginning for Jim and Judy and their families (it's stunning how Plato wanted his two friends to be his "parents" ).In "lusty men" ,Jeff's death signals Wes's maturity.But there 's much more:in "run for cover" we find another relationship father/son where the latter's decease allows his "father " to find love and serenity.Even the much debated "55 days at Peking" follows suit:Ray might have been drunk during the shooting,but the baroness'death leads the officer to take on the Chinese orphan girl.
Here Bowie's death does not leave the audience helpless and desperate :he had to die so that his child could have a better life .We know that Keechie is a strong girl and that she will do all that she can for her baby.
In Ray's world,young people are misfits:around them everything is hostile from a father washing up (in "Rebel") to the ugly sinister-looking gangsters in direct contrast with the lovers' charm(in "they live by night" ) to the cruel microcosm of rodeo (in "lusty men").The scene of the wedding is somewhat gloomy even if Ray displays a sense of humor ("You've got a cold!" (so don't kiss the bride)).It's a world beyond any moral:take for instance Mattie's character;is she good? is she evil?probably both like Vienna in "Johnny Guitar" or Ed in "Bigger than life".It displays more than a world in ruins: a world that has forgotten it's in ruins.Almost every ending tells us life HAS to be rebuilt.