| Photos (see all 2 | slideshow) |
| Johnny Weissmuller | ... | Tarzan | |
| Brenda Joyce | ... | Jane | |
| George Zucco | ... | Palanth, the High Priest | |
| Andrea Palma | ... | Luana, Mara's Mother | |
| Fernando Wagner | ... | Varga, Pearl Trader | |
| Edward Ashley | ... | Commissioner | |
| John Laurenz | ... | Benji | |
| Gustavo Rojo | ... | Tiko, Mara's Fiancé | |
| Matthew Boulton | ... | British Inspector-General | |
| Linda Christian | ... | Mara |
Directed by | |||
| Robert Florey | |||
Writing credits(in alphabetical order) | ||
| Edgar Rice Burroughs | characters | |
| Albert DePina | uncredited | |
| Carroll Young | screenplay | |
| Carroll Young | story | |
Produced by | |||
| Sol Lesser | .... | producer | |
| Joseph Noriega | .... | associate producer (as Joe Noriega) | |
| Julian Lesser | .... | assistant producer (uncredited) | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Jack Draper | |||
Art Direction by | |||
| McClure Capps | |||
Costume Design by | |||
| Norma Koch | (as Norma) | ||
Production Management | |||
| Antonio Guerrero Tello | .... | associate production manager | |
| Ray Heinz | .... | production manager | |
| John Mari | .... | associate production manager | |
Second Unit Director or Assistant Director | |||
| Bert Briskin | .... | assistant director | |
| Jaime Contreras | .... | associate assistant director | |
| Moisés Delgado | .... | associate assistant director (as Moises Delgado) | |
Art Department | |||
| Gunther Gerszo | .... | associate art director | |
Sound Department | |||
| James L. Fields | .... | sound supervisor (as James Fields) | |
| Rafael Ruiz Esparza | .... | associate sound mixer | |
Stunts | |||
| Ángel García | .... | stunt double: Johnny Weissmuller (uncredited) | |
| Paul Stader | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Gabriel Figueroa | .... | associate photographer | |
| Raúl Martínez Solares | .... | associate photographer | |
Editorial Department | |||
| John Sheets | .... | associate editor | |
| Merrill G. White | .... | supervising editor (as Merrill White) | |
Music Department | |||
| Dimitri Tiomkin | .... | musical director | |
Other crew | |||
| Miguel M. Delgado | .... | associate director | |
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| Tarzan and His Mate | Tarzan and the Leopard Woman | Tarzan Escapes | Tarzan the Ape Man | Tarzan's New York Adventure |
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| Full cast and crew | Company credits | External reviews |
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The last Tarzan film starring Johnny Weissmuller (looking surprisingly aged a year after "Tarzan and the Huntress") is bad, in spite of all the trivia one can add to make it look better. It is obvious that RKO tried to make a great farewell for Weissmuller, shooting in beautiful scenery in México, with a top star of that country (Andrea Palma) and multiple award-winning cinematographer Gabriel Figueroa, and bringing in prestigious composer Dimitri Tiomkin to do the score. Although it may have cost less for filming abroad, it looks more expensive than any other RKO film in the series, taking advantage of Acapulco beaches and real pyramids as Aquatania, and with impressive décors for all the scenes related to the temple of god Balu (especially the exterior, built on steep rocks.) Kurt Neumann should have stayed as director, instead of Robert Florey, who gives it a very slow pace. Neumann had done a fine work with "Tarzan and the Amazons", "Tarzan and the Leopard Woman" and "Tarzan and the Huntress", and finished his career directing the classic "The Fly" the year before his death; while Florey became a television director, after a career of few remarkable films. If Weissmuller looks tired, the chimp playing Cheeta is not as good as the others, but the worst character is Benji, an obnoxious mailman who sings horrendous songs (that have a Caribbean air, in a location supposed to be Africa and shot in México!) Boring and decidedly of dubious taste, it was a sad farewell to Weissmuller's Tarzan.