| Photos (see all 44 | slideshow) |
| James Stewart | ... | Rupert Cadell | |
| John Dall | ... | Brandon Shaw | |
| Farley Granger | ... | Phillip Morgan | |
| Cedric Hardwicke | ... | Mr. Kentley (as Sir Cedric Hardwicke) | |
| Constance Collier | ... | Mrs. Atwater | |
| Douglas Dick | ... | Kenneth Lawrence | |
| Edith Evanson | ... | Mrs. Wilson | |
| Dick Hogan | ... | David Kentley | |
| Joan Chandler | ... | Janet Walker | |
| rest of cast listed alphabetically: | |||
| Alfred Hitchcock | ... | Man walking in street after opening credits (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Patrick Hamilton | (play "Rope's End") | |
| Hume Cronyn | (adaptation) | |
| Arthur Laurents | (screenplay) | |
| Ben Hecht | uncredited | |
Produced by | |||
| Sidney Bernstein | .... | producer (uncredited) | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| David Buttolph | (uncredited) | ||
Cinematography by | |||
| William V. Skall | |||
| Joseph A. Valentine | (as Joseph Valentine) | ||
Film Editing by | |||
| William H. Ziegler | |||
Art Direction by | |||
| Perry Ferguson | |||
Set Decoration by | |||
| Howard Bristol | |||
| Emile Kuri | |||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
| Agnes Flanagan | .... | hair stylist (uncredited) | |
| Ed Voight | .... | makeup artist (uncredited) | |
Production Management | |||
| Fred Ahern | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lowell J. Farrell | .... | assistant director | |
Art Department | |||
| Dorothea Holt | .... | illustrator (uncredited) | |
Sound Department | |||
| Al Riggs | .... | sound | |
Camera and Electrical Department | |||
| Richard Emmons | .... | camera movement operator (uncredited) | |
| Eddie Fitzgerald | .... | camera movement operator (uncredited) | |
| Paul Hill | .... | camera movement operator (uncredited) | |
| John Miehle | .... | still photographer (uncredited) | |
| James Potevin | .... | lighting technician (uncredited) | |
| Morris Rosen | .... | camera movement operator (uncredited) | |
| Morris Rosen | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Adrian | .... | dress: Miss Chandler | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
Other crew | |||
| Robert Brower | .... | associate technicolor color director | |
| Natalie Kalmus | .... | technicolor color director | |
| Dinsmore Alter | .... | cloud technical advisor (uncredited) | |
| Charlsie Bryant | .... | script supervisor (uncredited) | |
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| IMDb USA section | Add this title to MyMovies |
Alfred Hitchcock directed so many brilliant movies that the best known ones like 'Rear Window', 'Vertigo', 'Psycho' and 'The Birds' overshadow equally worthy films like 'Shadow Of A Doubt', 'Lifeboat' - insert your personal favourite here - and this one, 'Rope'. It was the first Hitchcock movie to feature James Stewart and it is easily the most underrated of the four movies they made together. I think Stewart was brave for taking this part, which was much darker than the usual characters associated with him, and it's difficult to imagine him being able to play Scottie in 'Vertigo' without having done this movie first. Stewart is excellent in the movie, but equally good are Farley Grainger (who subsequently starred in Hitchcock's 'Strangers On A Train') and John Dall as the thrill killers. Dall gives the best performance in the movie. I'm surprised that after making this and the Noir cult classic 'Gun Crazy' he isn't better known. The technical "gimmick" of 'Rope' is usually mentioned more than anything else about it (Hitchcock wanted one long continuous take, which wasn't possible at the time, but compromised by using several long ones, a very innovative approach at the time), but there is a lot more to it than just that. Considering the strict censorship of the period it was a daring look at homosexuality. The word is never used at any time in the script but a sophisticated audience would have no doubt what was really going on. I've only seen about a third of Hitchcock's output but every movie of his I watch or rewatch makes me marvel at him all the more. The greatest and most influential director of suspense movies was also one of the greatest directors of ANY genre ever. 'Rope' deserves to be mentioned in any list of his ten best movies. 55 years after it was originally released it is as fascinating and entertaining as ever. Highly recommended!