| Dick Powell | ... | John Forbes | |
| Lizabeth Scott | ... | Mona Stevens | |
| Jane Wyatt | ... | Sue Forbes | |
| Raymond Burr | ... | MacDonald | |
| John Litel | ... | District Attorney | |
| Byron Barr | ... | Bill Smiley | |
| Jimmy Hunt | ... | Tommy Forbes | |
| Ann Doran | ... | Maggie | |
| Selmer Jackson | ... | Ed Brawley | |
| Margaret Wells | ... | Terry | |
| Dick Wessel | ... | Desk Sergeant |
Directed by | |||
| André De Toth | |||
Writing credits(in alphabetical order) | ||
| William Bowers | uncredited | |
| André De Toth | uncredited | |
| Jay Dratler | novel "The Pitfall" | |
| Karl Kamb | writer | |
Produced by | |||
| Samuel Bischoff | .... | producer | |
Cinematography by | |||
| Harry J. Wild | (as Harry Wild) | ||
Film Editing by | |||
| Walter Thompson | |||
Art Direction by | |||
| Arthur Lonergan | |||
Set Decoration by | |||
| Robert Priestley | |||
Makeup Department | |||
| Robert Cowan | .... | makeup artist | |
| Kiva Hoffman | .... | makeup artist | |
| Hedy Mjorud | .... | hair stylist (as Hedvig Mjorud) | |
Production Management | |||
| Ben Hersh | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Joseph Depew | .... | assistant director (as Joe Depew) | |
Sound Department | |||
| Frank Webster | .... | sound | |
Camera and Electrical Department | |||
| Charles Straumer | .... | camera operator (uncredited) | |
| Frank Tanner | .... | still photographer (uncredited) | |
| Frank Williams | .... | grip (uncredited) | |
Music Department | |||
| Louis Forbes | .... | musical director | |
Other crew | |||
| Cora Palmatier | .... | script supervisor (uncredited) | |
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| Magnum Force | Where the Heart Is | Psycho | Shed No Tears | Out of the Past |
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| Full cast and crew | Company credits | External reviews |
| IMDb Film-Noir section | IMDb USA section | Add this title to MyMovies |
An insurance executive for a large company (Dick Powell) jokingly tells his wife (Jane Wyatt) as she's driving him to his office, that their lives have become a big routine. He's not really in a position to do anything about it, but when he takes over an embezzlement case from a private detective played by Raymond Burr, everything changes. Burr and Powell don't like each other, and their mutual animosity grows throughout the film when Powell gets involved with Lizabeth Scott who plays the fiancé of the jailed Byron Barr, who spent the embezzled money on gifts for her. Burr, an ex-cop, thinks he can have her, though she can't stand him, and he slips a wicked sucker punch on Powell one night while Powell is closing his garage door, warning him to stay away. Burr's part is the glue that holds much of the film together. He's insinuating, devious, but also kind of a coward. As good as Burr is, Powell seems even better. He was a born talent.