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William Shakespeare (play)
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23 June 1950 (France) more
Entertainment Greatness . . . That Only Motion Picture Magic Can Bring !
In fog-dripping, barren and sometimes macabre settings, 11th-century Scottish nobleman Macbeth is led... more | add synopsis
Now Macbeth..? So many to choose from... more (28 total)
| Orson Welles | ... | Macbeth | |
| Jeanette Nolan | ... | Lady Macbeth | |
| Dan O'Herlihy | ... | Macduff | |
| Roddy McDowall | ... | Malcolm | |
| Edgar Barrier | ... | Banquo | |
| Alan Napier | ... | A Holy Father | |
| Erskine Sanford | ... | Duncan | |
| John Dierkes | ... | Ross | |
| Keene Curtis | ... | Lennox | |
| Peggy Webber | ... | Lady Macduff / The Three | |
| Lionel Braham | ... | Siward | |
| Archie Heugly | ... | Young Siward | |
| Jerry Farber | ... | Fleance | |
| Christopher Welles | ... | Macduff Child | |
| Morgan Farley | ... | Doctor | |
| Lurene Tuttle | ... | Gentlewoman / The Three | |
| Brainerd Duffield | ... | First Murderer / The Three | |
| William Alland | ... | Second Murderer | |
| George Chirello | ... | Seyton | |
| Gus Schilling | ... | A Porter |
Directed by | |||
| Orson Welles | |||
Writing credits | ||
| William Shakespeare | (play) | |
| Orson Welles | (adaptation) uncredited | |
Produced by | |||
| Orson Welles | .... | producer | |
| Richard Wilson | .... | associate producer | |
| Charles K. Feldman | .... | executive producer (uncredited) | |
Original Music by | |||
| Jacques Ibert | |||
Cinematography by | |||
| John L. Russell | (director of photography) | ||
Film Editing by | |||
| Louis Lindsay | |||
Art Direction by | |||
| Fred A. Ritter | (as Fred Ritter) | ||
Set Decoration by | |||
| John McCarthy Jr. | |||
| James Redd | |||
Costume Design by | |||
| Adele Palmer | (costumes: women) | ||
| Fred Ritter | (costumes: men) (uncredited) | ||
| Orson Welles | (uncredited) | ||
Makeup Department | |||
| Peggy Gray | .... | hair stylist | |
| Bob Mark | .... | makeup supervisor | |
Second Unit Director or Assistant Director | |||
| Jack Lacey | .... | assistant director (uncredited) | |
Art Department | |||
| Dan O'Herlihy | .... | set designer (uncredited) | |
| Orson Welles | .... | set designer (uncredited) | |
Sound Department | |||
| Garry A. Harris | .... | sound (as Garry Harris) | |
| John Stransky Jr. | .... | sound | |
Special Effects by | |||
| Howard Lydecker | .... | special effects | |
| Theodore Lydecker | .... | special effects | |
Camera and Electrical Department | |||
| William Bradford | .... | photography: second unit | |
| Nels Mathias | .... | grip (uncredited) | |
Music Department | |||
| Efrem Kurtz | .... | conductor | |
Other crew | |||
| William Alland | .... | dialogue director | |
| Charles K. Feldman | .... | presenter | |
89 min (cut version) | Germany:92 min | USA:107 min (premiere version) | USA:107 min (restored video version)
1.37 : 1 more
Mono (RCA Sound System)
Brazil:14 | Belgium:16 (Enfants Non Admis) | Finland:K-16 | USA:Approved | West Germany:12
CBS Studio Center - 4024 Radford Avenue, Studio City, Los Angeles, California, USA
The dialog was pre-recorded, leaving the actors to mime their lines. more
Anachronisms: Duncan and his men renew their baptismal vows with a prayer composed by Pope Leo XIII in 1884. more
[first lines]
The Three Witches:
Double,double,toil and trouble; fire burn, and cauldron bubble.
more
Referenced in Back to School (1986) more
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I had bought two versions of Macbeth (Roman Polanski's and Orson's )after successfully toiling with the Arden texts for a couple of weeks, I had pictured in my mind's eye what what might be an adequate visual interpretation of the ambitious king and nagging wife etc... However 'interpretation' is the key to viewing any filmed Shakespeare, For a start on the Imbd there are easily over 20 versions, and with 'Orson Welles MacBeth' an 'interpretation' is certainly what you get.
The radical physical setting of this screen version (amongst random ragged rocks in the 'Highlands') indeed evokes a sense of a rustic kingdom in early Y1K, lit by burning broom and men toiling and dying at every available nook and cranny in the rock. Typically, the actors (particularly Welles) address the rhetoric with the Scotch accent which has never been indigenously heard in Scotland (think of Disney's 'Scrooge McDuck' or The Terrier 'Mac' in 'Lady and the Tramp'). Oral issues aside, MacBeth, after slaying Duncan, patrols his new house with a sort of upside down stool on his head with the legs sharpened to a point, and issues decrees from a throne in a type of indoor tent. One point about the play in general is the fact that he murders at least 4 people and only one of their spirits can be bothered to haunt the obsessed tyrant (Banquo visits mid Banquet)?
When you see this version of MacBeth, bear in mind Welles' brave and original touch to the highly worked text. The atmosphere is unique, rich with darkness and a kind of fear. Settings are perfectly lit for their purpose, and reliably Welles is always the man capable for for the titular role.
I had intended to return at least one of the videos, I think I will keep both, just to remind me how good each of them are.
(Incidently, I am writing from the town in the north of Scotland where Duncans Castle is located in the text : How far is it called to FORRES?, On old maps of the town there was a site 'ruin of Duncan's castle' now known as 'Castle Hill' was this the place where Macbeth strutted with the stool on his head?)