| Photos (see all 65 | slideshow) | Videos (see all 5 NEW) |
| Humphrey Bogart | ... | Frank McCloud | |
| Edward G. Robinson | ... | Johnny Rocco | |
| Lauren Bacall | ... | Nora Temple | |
| Lionel Barrymore | ... | James Temple | |
| Claire Trevor | ... | Gaye Dawn | |
| Thomas Gomez | ... | Richard 'Curly' Hoff | |
| Harry Lewis | ... | Edward 'Toots' Bass | |
| John Rodney | ... | Deputy Clyde Sawyer | |
| Marc Lawrence | ... | Ziggy | |
| Dan Seymour | ... | Angel Garcia | |
| Monte Blue | ... | Sheriff Ben Wade | |
| William Haade | ... | Ralph Feeney | |
| rest of cast listed alphabetically: | |||
| Beulah Archuletta | ... | Passenger on Bus (uncredited) | |
| Luther Crockett | ... | Ziggy's henchman #1 (uncredited) | |
| Pat Flaherty | ... | The traveler (uncredited) | |
| Felipa Gómez | ... | Old Indian woman (uncredited) | |
| Jerry Jerome | ... | Ziggy's henchman #2 (uncredited) | |
| John Litel | ... | Dispatcher (uncredited) | |
| Alberto Morin | ... | Skipper of Rocco's boat (uncredited) | |
| John Phillips | ... | Ziggy's henchman #3 (uncredited) | |
| Rodd Redwing | ... | John Osceola (uncredited) | |
| Jay Silverheels | ... | Tom Osceola (uncredited) | |
| Joe P. Smith | ... | Bus Driver (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Maxwell Anderson | (play) | |
| Richard Brooks | (writer) and | |
| John Huston | (writer) | |
Produced by | |||
| Jerry Wald | .... | producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Karl Freund | |||
Film Editing by | |||
| Rudi Fehr | |||
Art Direction by | |||
| Leo K. Kuter | |||
Set Decoration by | |||
| Fred M. MacLean | |||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
| Betty Delmont | .... | hair stylist (uncredited) | |
Production Management | |||
| Chuck Hansen | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Arthur Lueker | .... | assistant director (uncredited) | |
Sound Department | |||
| Dolph Thomas | .... | sound | |
Special Effects by | |||
| Robert Burks | .... | special effects | |
| William C. McGann | .... | special effects director (as William McGann) | |
Stunts | |||
| Allen Pomeroy | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Everett Dexter | .... | grip (uncredited) | |
| Ellsworth Fredericks | .... | camera operator (uncredited) | |
| Mac Julian | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Leah Rhodes | .... | wardrobe | |
Music Department | |||
| Murray Cutter | .... | orchestrator | |
Other crew | |||
| Jean Baker | .... | script supervisor (uncredited) | |
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Humphrey Bogart and John Huston must be considered the artistic equivalent of De Niro-Scorsese. Huston and Bogie made several films together, this being one of their best. But there is another combo that comes to an end in cinema's history: Bogie and Bacall appear on screen for the final time together. It is their finest collaboration. Edward G. Robinson, "Little Caesar" himself, returns to gangster form after years of playing the good guy (Wilder's DOUBLE INDEMNITY, Welles' THE STRANGER) and has one of the more memorable entrances in film villain history. We see him in a tub, smoking, a fan in front of him. He seems to be decaying in a way, but "Johnny Rocco" is still to be reckoned with. This is the Robinson we all love, demented and wise, sinister yet humorous. The Largo Hotel is the setting and a hurricane of drama, heroism, and rain is coming.
Huston stages the film much like the play it is based on, yet we never feel confined. There is enough colorful dialogue to go around. Surprisingly, much of it is not by Bogart, who plays probably his most quiet role, promoting his character through facial gestures more than words. He plays off Robinson and his posse of mobsters perfectly in this way, allowing Edward G. to dominate the majority of the film, which is the point. Lionel Barrymore plays the chair-ridden owner of the Largo and his daughter Bacall is falling in love with Bogart, naturally. They are at the mercy of Rocco and his boys, all of whom have some itchy trigger fingers. Bogart is just buying his time to make his move. The finale is extremely well done and foresees suspense endings to come.
Lauren Bacall is one of the most beautiful actresses to grace the screen, especially in black and white. Her perfect features look sculpted in this light and her sensual stare is enough to make you melt. Her smoky voice and attitude is an excellent match for Bogie's simple, heroic character. Film Noir becomes Florida Noir here, as the lightening outside the windows of the hotel play games with the shadows and atmosphere of events inside. Robinson murders an innocent man with the look of a terrifying ghost, lightening flashing on him and all. The thunder substitutes for the sound of cars and street-life normally heard in classic noir pictures. KEY LARGO is a very good film, dark and suspenseful, in the most pleasant of locales.
RATING: 8 of 10