| Photos (see all 24 | slideshow) |
| Laurence Olivier | ... | Hamlet, Prince of Denmark | |
| Jean Simmons | ... | Ophelia, Polonius's Daughter | |
| Eileen Herlie | ... | Gertrude, The Queen | |
| Basil Sydney | ... | Claudius, The King | |
| Norman Wooland | ... | Horatio, his friend | |
| Felix Aylmer | ... | Polonius, Lord Chamberlain | |
| Terence Morgan | ... | Laertes, Polonius's Son | |
| Anthony Quayle | ... | Marcellus | |
| Esmond Knight | ... | Bernardo | |
| John Laurie | ... | Francisco | |
| Niall MacGinnis | ... | Sea Captain | |
| Harcourt Williams | ... | First Player | |
| Patrick Troughton | ... | Player King | |
| Tony Tarver | ... | Player Queen | |
| Peter Cushing | ... | Osric | |
| Stanley Holloway | ... | Gravedigger | |
| Russell Thorndike | ... | Priest | |
| rest of cast listed alphabetically: | |||
| Anthony Bushell | ... | Bit Part (uncredited) | |
| Patricia Davidson | ... | Lady of the Court (uncredited) | |
| Christopher Lee | ... | Spear carrier (uncredited) | |
| Desmond Llewelyn | ... | Extra (uncredited) | |
| Victor Lucas | ... | Extra (uncredited) | |
| Patrick Macnee | ... | Extra (uncredited) | |
Directed by | |||
| Laurence Olivier | |||
Writing credits | ||
| William Shakespeare | (play) | |
| Laurence Olivier | uncredited | |
Produced by | |||
| Reginald Beck | .... | associate producer | |
| Anthony Bushell | .... | assistant producer | |
| Laurence Olivier | .... | presents | |
| Herbert Smith | .... | executive producer in charge of production (uncredited) | |
Original Music by | |||
| William Walton | |||
Cinematography by | |||
| Desmond Dickinson | |||
Film Editing by | |||
| Helga Cranston | |||
Casting by | |||
| Maude Spector | (uncredited) | ||
Art Direction by | |||
| Carmen Dillon | |||
Costume Design by | |||
| Elizabeth Hennings | (uncredited) | ||
Makeup Department | |||
| Tony Sforzini | .... | makeup artist | |
| Vivienne Walker | .... | hairdresser | |
| Michael Morris | .... | makeup artist (uncredited) | |
| Basil Newall | .... | makeup artist (uncredited) | |
| Geoffrey Rodway | .... | makeup supervisor (uncredited) | |
Production Management | |||
| Filippo Del Giudice | .... | production manager | |
| John W. Gossage | .... | production manager (as John Gossage) | |
| Phil C. Samuel | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Peter Bolton | .... | assistant director | |
| Frank Ernst | .... | third assistant director (uncredited) | |
| Cecil F. Ford | .... | second assistant director (uncredited) | |
| Alec Gibb | .... | second assistant director (uncredited) | |
| Laurie Knight | .... | fourth assistant director (uncredited) | |
Art Department | |||
| Roger K. Furse | .... | designer (as Roger Furse) | |
| Roger Ramsdell | .... | set dresser | |
| William Bowden | .... | draughtsman (uncredited) | |
| Clément Hurel | .... | poster artist (uncredited) | |
| E. Lindegaard | .... | scenic artist (uncredited) | |
| E. Lindegarde | .... | scenic artist (uncredited) | |
| Betty Pierce | .... | assistant art director (uncredited) | |
Sound Department | |||
| Harry Miller | .... | sound editor | |
| John W. Mitchell | .... | sound recordist | |
| L.E. Overton | .... | sound recordist | |
| Peter Davies | .... | sound maintenance (uncredited) | |
| Desmond Dew | .... | sound recordist (uncredited) | |
| Gus Lloyd | .... | assistant boom operator (uncredited) | |
| Dudley Messenger | .... | boom operator (uncredited) | |
| C.C. Stevens | .... | sound supervisor (uncredited) | |
Special Effects by | |||
| Henry Harris | .... | special effects | |
| Paul Sheriff | .... | special effects | |
| Jack Whitehead | .... | special effects | |
| George Blackwell | .... | special processes (uncredited) | |
| Francis Carver | .... | special processes (uncredited) | |
| Syd Howell | .... | special processes (uncredited) | |
| James Snow | .... | special processes (uncredited) | |
| Bill Warrington | .... | special processes (uncredited) | |
Stunts | |||
| Jack Keely | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| James Hamilton | .... | chief electrician | |
| Ray Sturgess | .... | camera operator | |
| Maurice Gillett | .... | electrician (uncredited) | |
| Wilfrid Newton | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Barbara Gillett | .... | wardrobe mistress (uncredited) | |
| Elizabeth Hennings | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| John Pomeroy | .... | second assistant editor (uncredited) | |
| Peter Taylor | .... | assistant editor (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
| E.A. Drake | .... | music recordist (uncredited) | |
| John Hollingsworth | .... | assistant conductor (uncredited) | |
Other crew | |||
| Alan Dent | .... | text editor | |
| Elizabeth Everson | .... | continuity | |
| Alexander Korda | .... | by arrangement with: Eileen Herlie (as Sir Alexander Korda) | |
| Dennis Loraine | .... | sword play | |
| David Paltenghi | .... | mime play | |
| Anthony Bushell | .... | associate director (uncredited) | |
| Gladys Goldsmith | .... | assistant continuity (uncredited) | |
| Ken Green | .... | press representative (uncredited) | |
| Laurence Olivier | .... | voice: Ghost of Hamlet's Father (uncredited) | |
| Myrtle Rowe | .... | stand-in: Eileen Herlie (uncredited) | |
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| Hamlet | Hamlet, Prince of Denmark | Hamlet | Hamlet | Hamlet |
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It stands to reason that Larry Olivier's version of Hamlet is one of the best, and even if he was a little old for the role (in his forties by this time) it really is the perfect role for him.
One or two things to note - the camera angles and shots are often stunning, from above, using angles and shadows, extreme close-ups, and so on. This gives the sometimes ponderous adaptation atmosphere and the black and white photography is gorgeous. Amongst the supporting cast Jean Simmons is a childish, doting Ophelia but this works well. Not working so well are the soliloquies largely within Hamlet's head (and therefore, voiceover). This seems a little gimmicky and only really makes sense with 'To be or not to be'.
That aside, this really is Larry's show and he is brilliant. Despite a few cuts it does the original play proud and is, like Welles' Macbeth and Othello, a truly cinematic reading.