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Hamlet (1948)
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Overview
User Rating:
Release Date:
12 August 1948 (Australia) morePlot:
William Shakespeare's tale of tragedy of murder and revenge in the royal halls of medieval Denmark. Claudius... more | add synopsisAwards:
Won 4 Oscars. Another 9 wins & 4 nominations moreNewsDesk:
(2 articles)
All My Children's Herlie Dies (From WENN. 10 October 2008, 3:57 AM, PDT)
Cannes Announces This Year's Classics Program
(From Studio Briefing - Film News. 3 May 2007)
User Comments:
Dust Up on Your Shakespeare. moreCast
(Cast overview, first billed only)| Laurence Olivier | ... | Hamlet, Prince of Denmark | |
| Jean Simmons | ... | Ophelia, Polonius's Daughter | |
| Eileen Herlie | ... | Gertrude, The Queen | |
| Basil Sydney | ... | Claudius, The King | |
| Norman Wooland | ... | Horatio, his friend | |
| Felix Aylmer | ... | Polonius, Lord Chamberlain | |
| Terence Morgan | ... | Laertes, Polonius's Son | |
| Anthony Quayle | ... | Marcellus | |
| Esmond Knight | ... | Bernardo | |
| John Laurie | ... | Francisco | |
| Niall MacGinnis | ... | Sea Captain | |
| Harcourt Williams | ... | First Player | |
| Patrick Troughton | ... | Player King | |
| Tony Tarver | ... | Player Queen | |
| Peter Cushing | ... | Osric |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
155 minCountry:
UKLanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Recording)Certification:
USA:Approved (PCA #12473) | UK:U | South Korea:12 (2002) | Argentina:13 | Finland:K-12 | Australia:GFilming Locations:
Denham Studios, Denham, Buckinghamshire, England, UKFun Stuff
Trivia:
The final scene to be filmed was the famous shot of Olivier jumping off a high tower onto Claudius and killing him, because it was considered to be so dangerous that it was feared that Olivier would injure himself too badly performing the stunt to film any other scenes. Olivier emerged uninjured from the leap, but the stuntman doubling as Claudius was knocked out from the impact and lost two teeth. moreQuotes:
[first lines]Narrator: So oft it chances in particular men / That through some vicious mole of nature in them, / By the o'ergrowth of some complexion / Oft breaking down the pales and forts of reason, / Or by some habit grown too much; that these men - / Carrying, I say, the stamp of one defect, / Their virtues else - be they as pure as grace, / Shall in the general censure take corruption / From that particular fault... This is the tragedy of a man who could not make up his mind.
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Why Hamlet has incest theme?more
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The titled melancholy Danish prince (Oscar-winner Laurence Olivier) seeks to avenge those involved with his father's death. It seems that Olivier's father (voiced by John Gielgud) still roams the Earth as a spirit that walks around aimlessly, unable to find Heaven or Hell (Purgatory for the most part). Gielgud makes it clear that his brother (Basil Sydney) was the culprit in his death and Olivier becomes enraged. The fact that Sydney has become king by marrying the titled character's mother (Eileen Herlie) just makes the tension build. Herlie and Olivier's relationship pushes the envelope hard on a typical mother-son bond (there are incestuous tones abound here). Oscar-nominee Jean Simmons appears to be Olivier's one true love, but after a terrible tragedy she falls down a path of mental anguish. It appears that the only logical conclusion for Shakespeare's famed character is to have that famous sword fight dual with Simmons' brother (Terence Morgan). Of course you know that not everything is the way it seems, right? "Hamlet" was a surprising success in 1948. Produced in Britain (and strictly a British project for all intensive purposes), the film became a runaway hit with most all audiences and critics (becoming the year's Best Picture Oscar winner). Shakespeare's plays have never really warranted excellence on the silver screen, but this adaptation (also by Olivier) is about as close as we have seen thus far. The movie runs nearly three hours and I was about to fall asleep after the first 60 minutes (the film is almost dragging to a crawl by that point), but after the set-up the movie soars very high. Lots of data that is somewhat confusing hogs up a little too much time when the pacing could have been much crisper. Olivier's spin on the timeless classic is truly uncanny nonetheless. His direction (he was Oscar-nominated in the category) and vision are something to behold. The production values are strong and I ended up enjoying the movie for what it is and what it ultimately wanted to be. Olivier became the first of only two people presently to direct himself to an Oscar victory (Roberto Benigni duplicated the feat with 1998's "Life Is Beautiful"). 4.5 out of 5 stars.