| Photos (see all 28 | slideshow) | Videos |
Directed by | |||
| John Ford | |||
Writing credits | ||
| Frank S. Nugent | (screenplay) | |
| James Warner Bellah | (story "Massacre") | |
Produced by | |||
| Merian C. Cooper | .... | executive producer (uncredited) | |
| John Ford | .... | executive producer (uncredited) | |
Original Music by | |||
| Richard Hageman | |||
Cinematography by | |||
| Archie Stout | |||
| William H. Clothier | (uncredited) | ||
Film Editing by | |||
| Jack Murray | |||
Art Direction by | |||
| James Basevi | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist | |
Production Management | |||
| Bernard McEveety | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Lowell J. Farrell | .... | assistant director (as Lowell Farrell) | |
| Cliff Lyons | .... | second unit director (uncredited) | |
| Frank Parmenter | .... | second assistant director (uncredited) | |
| Jack Pennick | .... | assistant director (uncredited) | |
Art Department | |||
| Jack Colconda | .... | properties (as Jack Galconda) | |
| Joseph Kish | .... | set dresser | |
Sound Department | |||
| Joseph I. Kane | .... | sound | |
| Frank Webster | .... | sound | |
Special Effects by | |||
| Dave Koehler | .... | special effects | |
Stunts | |||
| Frank Baker | .... | stunts (uncredited) | |
| Fred Carson | .... | stunts (uncredited) | |
| John Epper | .... | stunts (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Fred Graham | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Ben Johnson | .... | stunts (uncredited) | |
| Walt La Rue | .... | stunts (uncredited) | |
| Cliff Lyons | .... | stunts (uncredited) | |
| Frank McGrath | .... | stunts (uncredited) | |
| Gil Perkins | .... | stunts (uncredited) | |
| Bob Rose | .... | stunts (uncredited) | |
| Danny Sands | .... | stunts (uncredited) | |
| Barlow Simpson | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
| Henry Wills | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| D.R.O. Hatswell | .... | costume researcher | |
| Michael Meyers | .... | wardrobe: men's | |
| Ann Peck | .... | wardrobe: ladies' | |
Music Department | |||
| Lucien Cailliet | .... | conductor | |
| Lucien Cailliet | .... | music arranger | |
Other crew | |||
| Katherine Cliffton | .... | research editor | |
| Merian C. Cooper | .... | presenter | |
| John Ford | .... | presenter | |
| Philip Kieffer | .... | technical advisor (as Major Philip Kieffer USA Rtd.) | |
| Katharine Spaatz | .... | technical advisor | |
| Kenny Williams | .... | dance sequences | |
| Sid Davis | .... | stand-in: John Wayne (uncredited) | |
|
|
|
|
|
| Major Dundee | Custer's Last Stand | They Died with Their Boots On | Fort Bowie | Apocalypse Now |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
| Add this title to MyMovies |
Lieutenant Colonel Thursday (Henry Fonda) is, for unclear reasons, promoted away to the far away outpost of Fort Apache. When a tribe of Indians rise up against the poor conditions in their reservation, Thursday sees it as an opportunity to re-establish his reputation.
Such is the story, but Ford doesn't force it on us. For the first hour or so, nothing much happens in this movie, we just witness the rituals and routines of a cavalry outpost, a close knit community of men and women on the edge of the frontier. Ford and his actors are amazing in capturing the warmth and humanity of their characters, even when they're painted in thick brush-strokes. Slowly but surely we get to know - and care for - everybody in the troop, so that, when the story starts to take over, we can empathize with everybody, even the proud, stubborn and bigoted Thursday, who becomes a true tragic hero, led and ultimately destroyed by his own misjudgments.
This is a western that plays out like a Greek tragedy - and a great one at that.
****