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Command Decision (1948)

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19 out of 19 people found the following comment useful :-
An actor's movie..., 31 July 2004
Author: markystav from Austin, TX

"Command Decision" is a wonderful film filled with several great performances. It's Gable's movie, but he's very capably supported by Walter Pigeon, Brian Donlevy and John Hodiak, who nearly equals his "Lifeboat" performance.

Pigeon is especially good in the roll of a senior commander who is more concerned with the political considerations of the war effort than the tactical and strategic goals. (Not without reason - The film correctly details the perilous and tenuous position that the 8th Air Force found itself in during the worst combat period of 1943.)

One of the best scenes in the film is a very long speech given by Pigeon, wherein he explains his reasons for fighting the good fight to keep American air power strong. The scene is a good 6 or 7 minutes long, one camera shot, entirely done without cuts. It must have been rehearsed extensively as it requires about 10 actors to interact with Pigeon at several times, all the while he is moving about the room. Seamless, and very well done! This remarkable scene is followed up with one almost as long, given by Gable.

The drama is occasionally broken up with comic moments provided by Van Johnson, as a savvy sergeant, and Clinton Sunberg as a fastidious aide to Pigeon's General Kane.

If you like to watch actors banging away with words instead of guns, this is the war movie for you.

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18 out of 18 people found the following comment useful :-
Make a "Command Decision" and watch this movie!, 21 August 2001
Author: Lynn-76 from Columbus, Ohio

"Command Decision" is based on a stage play, so scenes of aerial combat are not to be found in the movie. This is a major difference between it and "Twelve O'clock High," released a year later in 1949, and which presented a more engaging, gritty, realistic motion picture of aerial combat and the toll it takes on the airmen and their support teams and commanders on the ground.

"Command Decision" tells a story of WWII air warfare from the point of view generals, politicians and the press, and the process of making a military decision in light of political consequences and public opinion. Clark Gable gives a great performance as General Casey, the officer who acts out of military necessity in choosing his targets, and in doing so, knows he puts the lives of his men and his friends on the line. Walter Pidgeon is General Kane, Gable's superior, who has lost some of his ability to look at his duty in purely military terms. Instead he perceives his mission is to fight the politicos and the press and to get the best spin on the actions of his command and commanders. Brian Donleavy is General Garnet, a relative newcomer to all of this. He is eager for his first command, but once on the scene at a combat headquarters, he begins to have doubts of his own about the mission, the politics and his own ability to send young men to their deaths.

The command decision in this fine, taut film is not one climatic decision, but is the story of a number of command decisions made by the three general officers, and how each effects and feeds off of the other men's command decisions throughout the film.

Good performances by all, a little melodramatic at times, but overall, one of the best war movies (especially about air warfare) you'll come across.

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16 out of 17 people found the following comment useful :-
People who fought WWII without hearing gunfire, 16 June 2002
Author: patsw from New York

Just saw this on TCM. The story of generals fighting generals, press officers, politicians, etc. There's a few cliches, like the pilot who get news his wife has had a son gets killed during a mission. Don't expect Gable to give an over-the-top performance. It was originally a stage play -- so there are lots of one-on-one confrontations -- they are all done well.

There are no special effects, no women, no air battles. There's spliced in newsreel footage of a plane that lands and explodes. 1948 audiences couldn't really appreciate the abstraction of "air supremacy" that is the heart of the fight here. In our post-Gulf War post-Afghan War -- we now can appreciate the vision of men who took these risks -- so I'd say there's a special historical importance to this film. Check around the web for info on Gable's WW II service record -- he enlisted at age 41 into the Army Air Corps.

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12 out of 13 people found the following comment useful :-
This is among Gable's very best, 9 June 2005

Author: planktonrules from Bradenton, Florida

This is one of the best WW2 movies. The acting and writing are superb and rather subdued at that. With Clark Gable you expect BIG ACTING AND BIG ACTION but in this one he does a very credible job portraying a very troubled man who is put in charge of the bombing campaign against the Germans. So, this movie is a bit of a stretch for the usually glib Gable, as it focuses on the emotional toll of war.

The movie is VERY similar to the great 12 O'Clock High (starring Gregory Peck). 12 O'Clock is a slightly better movie (and it gives Peck more room to hash out his character as the man in charge of sending airmen to their deaths), though they are so good I recommend seeing both.

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10 out of 10 people found the following comment useful :-
Hard decisions in the present save countless lives in the future, 29 May 2005

Author: sol from Brooklyn NY USA

(There May Be Spoilers) Launching "Operation Stich" a week ahead of time, due to the favorable weather conditions over Germany, Brig. Gen. K.C Dennis', Clark Gable, B-17 Bombers suffer the loss of 48 aircraft on the first day's mission.

Going some 600 miles into Germany, without fighter escort, in a triangular bombardment of the key German industrial cities of Posenleben Schweinhafen and Fendelhorst. Gen. Dennis is determined to take them out Before the weather worsens and doesn't care how many planes and crews it costs him to do it.

The next days bombing of Schweinhafen cost another 24 B-17's. Due to German ingenuity in camouflaging the factories there the USAAF bombed the wrong city making it necessary to go on a bomb run the next day on the real Schweinhafen. By now the USAAF crews are at the point of refusing to go on their missions over Germany feeling that Gen.Dennis is out of his mind by sending then to certain death.

Gen. Dennis' superior and friend Maj. Gen. Kane, Walter Pigeon, is very upset with his actions and is about to relive him of his duties as combat-wing commander. Since Gen. Dennis launched his assault on Germany he lost some 70 bombers in two days compared to the loss of under 20 bombers lost by the RAF during the same period.

In a private meeting with Gen. Kane and other USAAF top personnel Gen. Dennis makes his case for the actions that he's taken even if it coast him his command of the B-17 combat-wing. The Germans are developing this revolutionary jet-fighter, the Lantze-Wolf. The Nazi Super-Plane is so superior to anything that the allies have that if it's manufactured in mass and put in the air the German Luftwaffe would drive the USAAF and RAF from the skies of Europe. It would make it impossible for a cross channel invasion of Europe the next year, 1944, and cost the allies the war.

Unable to open a second front in Western Europe and with the Luftwaffe having total air supremacy will force the allies, the USA UK and USSR, to agree to an armistice and peace treaty with the Germans on Hitler's terms. The bombing of those cities deep in Germany by Gen. Dennis' bombers will destroy the Germans ability to mass-produce the Lantez-Wolf. Thus save in the future countless American and Allied soldiers lives at the cost of the heavy, but necessary, losses in B-17 and their crews now.

This causes Gen. Kane to look the other way, knowing how right Gen. Dennis is, by allowing him to send his bombers out the next day and finally knock out the German industrial city of Schweinhafen. The bombing raid cost the life of Gen. Dennis best friend Col. Martin,John Hodiak. It's also in Schweinhafen where the jet-fighter is being assembled and in the end because of the heavy losses in that bombing raid Gen. Kane is forced, reluctantly, to relive Gen. Dennis of his command. US politicians like Congressman Arthur Malcolm, Edward Arnold, afraid of how the people back home feel about the staggering losses in the skies over Germany and Gen. Dennis' actions being responsible for them it's only a matter of time for him to be dismissed as a USAAF combat-wing commander.

The general took his dismissal with the same courage as his men took the murderous anti-aircraft fire and attacks of German fighters on the missions that he sent them on. Being replaced by his friend and fellow classmate at West Point Let. Gen. Clifton Garnet,Brian Donlevy.

Gen. Garnet also goes against the top brass, the next day, in ordering the bombing of Fendelhorst in central Germany to take out the last place where the deadly Lantze-Wolf are being made. With that, facing the same fate that Gen. Dennis just went through, ended up winning the war for the allies at the possible cost of his military career.

The truth is that like in the movie "Command Dicision" the Germans did develop a jet-fighter late in the war that if it was mass-produced and sent up against the allied air forces a year earlier would have won the Second World War for Germany. The German Masserschmitt Me-262 jet fighter could reach speeds of 540 to 580 MPH that was some 100 to 150 MPH faster then the swiftest USAAF and RAF fighters. In combat it scored as much as 700 combat kills over allied planes during 1944-1945. In their last major air to air engagement over Berlin in March 1945 some dozen Me-262's downed 25 B-17 and 5 fighter escorts to the loss of only two of their own.

Under 300 of the Me-262 jets put into combat and with, for the most part, them being flown by unexperienced pilots and with a shortage of jet fuel to keep the planes airborne for any long period of time. It turned out that the decision of USAAF generals like K.C Dennis to bomb the factories where the Me-262 were being made, despite the heavy allied air losses, that in the end won the war for the Allies in Europe.

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12 out of 15 people found the following comment useful :-
One of the very best WWII films, 6 June 2002

Author: lencello from London, England

There must be at least one whole generation of viewers who don't even know this film exists! Yet it remains one of the very best WWII films ever made. I first saw as a child, when it was quite new, and have seen it several times since. It has never lost its hold and that, I suppose, principally because of Clark Gable's superb performance (although the other parts are all very strongly done). It really must be one of his finest screen roles and that alone, one might think, would ensure that it is never long absent from television screens. Sadly it has been shown in Britain but once that I know of, and is not available here on a PAL-system video, although "Twelve O'Clock High" is available and often screened. In many ways the two films complement each other, each not wholly to be appreciated without seeing the other. "Twelve O'Clock High" has an almost exclusively military focus while "Command Decision" brings in the effect of political factors on military decisions. The latter film, however, has an edge: Gable on top form and that was always something very special.

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8 out of 8 people found the following comment useful :-
The political process of a military decision, 3 April 2006

Author: bkoganbing from Buffalo, New York

Command Decision was adapted from a Broadway play that ran for 409 performances the previous year. Tony Awards were won by Paul Kelly who played General K.C. Dennis and James Whitmore for Tech Sergeant Emanuel Evans. The play shows the process of making military decisions when you have to factor in the politicians who control the purse strings. It's a necessary evil in a society that values civilian control of the military.

Both during and after World War II there was a debate among the British and American air commanders over the value of daylight versus nighttime bombing attacks. The British did night raids over Germany, responding in kind to what the Luftwaffe had done to them. Fly over at high altitudes and just drop the bombs. It did make for fewer casualties among the RAF pilots of their Lancaster bombers.

The Americans opted for daylight raids at a lower altitude trying to hit certain strategic objectives. In Command Decision it involves three factories that intelligence has learned are manufacturing new jet aircraft. If the Nazis had ever developed the far advanced jets against the Allied propeller aircraft in any number, the course of the war over Europe might have changed. Just like the V-2 rockets were developed too late to help the Axis cause.

Command Decision has Clark Gable leading a distinguished cast as the general who has to make the decision about whether to bomb or not, to go into Germany's heartland without fighter escort. Unfortunately his purely military outlook is not shared by his immediate superior Walter Pigeon who has to factor in the politicians in Congress who read the dispatches by correspondents like Charles Bickford here about the appalling losses in American life.

In many ways Pigeon has the most difficult part in the film. He has to take in the voices of objection raised by the visiting Congressional delegation led by Edward Arnold. Pigeon is a politician, but purely by necessity. We admire Gable's stand on principle, but the audience also respects Pigeon and sympathizes with him.

On Broadway Command Decision takes place in the headquarters and to make it better for the screen, playwright William Wister Haines wrote an additional scene that Paul Kelly did not do on Broadway. Clark Gable on a radio microphone tries to talk down a bombardier who is piloting a plane where the pilot and co-pilot are wounded and killed. It's a harrowing scene and one of the best Clark Gable ever did. Gable must have drawn from his World War II experience, he was a tailgunner in our Army Air Corps and flew many a B-17 mission over Germany.

Rounding out a distinguished group of MGM contractees are Van Johnson, Brian Donlevy, Marshall Thompson, Cameron Mitchell, Warner Anderson, Ray Collins, John McIntire and John Hodiak. They all cast well as Army Air Force personnel. Johnson plays the part that James Whitmore originated on stage and provides what little humor there is in this film.

The main criticism of Command Decision has always been that it is too stagey. But I found it an absorbing account of the decision making process in a military command.

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7 out of 7 people found the following comment useful :-
A highly intelligent film from a lost age., 3 December 2005
Author: eclectic from London England

I found an old tape of Command Decision which I must have made 20 years ago. I concur with all those who have said that it is one of the best WW2 films ever made, but what struck me most forcefully was the fact that this highly intelligent, gripping and thoughtful film was made with a large crew of established filmstars by a completely commercial film studio. It brought home to me forcibly what was lost when the old studio system broke up and the sheer craftsmanship which it embodied was dispersed. The sheer childishness of most current films becomes even more evident.

Writing as one who lived through the bombing of Britain, the historical perspective on the Allied wartime bombing campaign was fascinating. One small complaint--all film coverage of the American campaign in WW2 seems to focus on the Flying Fortress. Actually, most of the bombs were dropped by the Consolidated Liberator squadrons--less photogenic but more effective!

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8 out of 10 people found the following comment useful :-
Talky, But It Has An Interesting Point Of View, 7 June 2005

Author: Hal-900 from WA, USA

"Command Decision" is an odd war movie, made by MGM a few years after World War II had ended. It is based on a popular stage play and it has an all-star (male) cast (Gable, Walter Pigeon, Van Johnson, etc.). The movie is far from perfect, but I did find the narrative very interesting. It deals with how Washington politics affect war issues, a strange subject matter for an old Hollywood movie. It was interesting to see how the film shows some signs that Hollywood was slowly moving away from the gung-ho mentality that prevailed during the war years. I'm not saying that the movie is anti-war, but one could easily notice how the production allows room for some criticism. I found that aspect of the movie fascinating. Unfortunately, the film does become a little too static during the second half. Director Wood doesn't do anything to spice up the drama, so the it all turns into a duel of talking heads. Still, there is some fine acting in the film, and the subject matter grabbed my attention.

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7 out of 10 people found the following comment useful :-
Under-Appreciated, A Great War-Movie, 25 April 2001
Author: Steve Lange (supershaman@millenia.com) from Long Beach, California

This is an under-appreciated gem of a move.

To start with, the core story sounds utterly fantastic, but it is partly true. There was never a "Lance-Wulf 190", but there really was a Messerschmidt Me-262 in World War 2. The Me-262 wasn't quite the wonder-plane which the mythical Lance-Wulf was, but it was a swept-wing jet with a top speed of 540 mph, a blinding speed for the time. And, as fighter pilots say, "speed is life".

American bombing in August, 1943 did delay the introduction of the real Me-262. (The pre-production aircraft were wrecked on an assembly line, forcing a delay of several months.) The irony is that the German jet fighter program was really stymied by Hitler's aversion to defensive weapons and the German feeling that the war could be won with existing fighter types.

There is, however, a "message" in this film which fully applies to civilian life. You know that everything is okay just now, but this will soon come to an end. Given those facts, are you willing to take some massive losses now and solve the problem? Or do you just wait for the situation to become visible to everyone before you act?

I don't know how many times I've seen people--even bright ones--opt for the "wait and see" course of action. It never works.

Just as Betty Davis's 1938 film "Jezebel" was overshadowed by "Gone With The Wind", this film was overshadowed by "Twelve O'Clock High".

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