| Alan Baxter | ... | Phil Sparr | |
| Virginia Gilmore | ... | Peggy Lake | |
| Richard Kollmar | ... | Martin Beaumont | |
| Loring Smith | ... | Harry Avery | |
| Phillip Huston | ... | Joseph Gibbons | |
| Joey Faye | ... | Roger | |
| Russell Collins | ... | Beck | |
| Michael Wyler | ... | Fredericks | |
| Sid Melton | ... | Stanislaus Kranobowsky (cabbie) | |
| Wendell K. Phillips | ... | Harold (as Wendell Phillips) | |
| Erin Selwyn | ... | Bessie, Receptionist (as Erin O'Kelly) | |
| Jimmy Sheridan | ... | Jimmy (as James Sheridan) | |
| Marcia Walter | ... | Rita | |
| rest of cast listed alphabetically: | |||
| Dort Clark | ... | Detective (uncredited) | |
| Kenne Duncan | ... | Detective (uncredited) | |
| Lauren Gilbert | ... | Miller (uncredited) | |
| Johnny Kane | ... | Drunk (uncredited) | |
| Maurice Manson | ... | Inspector Lonigan (uncredited) | |
Directed by | |||
| Jack Donohue | |||
Writing credits(in alphabetical order) | ||
| John Bright | writer | |
| James Poe | story | |
| Martin Rackin | adaptation | |
| Max Wilk | writer | |
Produced by | |||
| Robert L. Joseph | .... | associate producer | |
| Frank Satenstein | .... | producer | |
Original Music by | |||
| Jerome Moross | |||
Cinematography by | |||
| William Miller | |||
Film Editing by | |||
| Robert Klager | |||
Art Direction by | |||
| Furth Ullman | |||
Makeup Department | |||
| Ira Senz | .... | makeup artist | |
Production Management | |||
| Jules Bricken | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jim Di Gangi | .... | assistant director (as James Digangi) | |
Sound Department | |||
| Clarence R. Wall | .... | sound (as Clarence Wall) | |
Camera and Electrical Department | |||
| Edward Hyland | .... | camera operator | |
| William J. Nallan | .... | still photographer | |
Other crew | |||
| Faith Hubley | .... | script supervisor (as Faith Elliott) | |
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| Riffraff | Scandal Sheet | The Bedford Incident | Last Train from Gun Hill | Open Secret |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
Without realizing it, two newsreel reporters took pictures of a surviving nazi-leader in front of a bank, while filming fashion mannequins in the streets of New York. The German, who was thought to have died during the war, was inquiring if he could recuperate a large sum of money. He needs it, to be able to continue Hitler's dream after the dictator's death. He is helped by a criminal gang, which is only in it for a slice of the money, not for political reasons. Hal Ericson's description in the All Movie Guide of the gang as being a "secret neo-nazi gang" is therefor incorrect. The gang will make several attempts to recuperate the film and its negatives, including by kidnapping one of the reporters. The boss of the two reporters however discovers whose face has been captured on the newsreel, and contacts the authorities.
The problem with this rare B movie is that it just can't decide whether it wants to be a kind of political thriller, a crime movie or some kind of comedy. The final result therefor isn't very bright, without being terrible at the same time. The movie sure is watchable till the predictable end, but well... The script too isn't always very convincing. While the Nazi leader's henchman doesn't hesitate to kill one of the criminals, our hero just gets knocked unconscious with a gun on his head. The dialogs are poor, no cute « one-liners », no quick exchanges of wisecracks etc. Well, the hero's colleague is trying to be funny every now and then, but the movie could have done perfectly well without his clowning.
Alan Baxter may be in the words of Hal Ericson a "character actor", but you won't see very much of it in this movie. Frankly, I would have liked much more Alan Ladd playing this role, the way he played in The Glass Key. That would have given the movie that extra status it desperately needed to rise above a certain mediocrity. The music doesn't help either: the soundtrack you'll hear while the names of the actors etc are shown is OK. But during the key moments, the music just doesn't support the action, or is simply irritating. I'd give it a 6/10, so just good enough to keep it in my collection. By the way, I found a good copy on eBay USA, via one of the main B-movie sellers.