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Call Northside 777 (1948)
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Overview
User Rating:
Release Date:
1 February 1948 (USA) moreTagline:
Reporter Uncovers New Clues In Wiecek Case moreAwards:
1 win & 2 nominations moreUser Comments:
Reliable Jimmy Stewart fighting for a cause more (51 total)Cast
(Complete credited cast)| James Stewart | ... | P.J. 'Jim' McNeal | |
| Richard Conte | ... | Frank W. Wiecek | |
| Lee J. Cobb | ... | Brian Kelly | |
| Helen Walker | ... | Laura McNeal | |
| Betty Garde | ... | Wanda Skutnik | |
| Kasia Orzazewski | ... | Tillie Wiecek | |
| Joanne De Bergh | ... | Helen Wiecek (as Joanne de Bergh) | |
| Howard Smith | ... | K.L. Palmer | |
| Moroni Olsen | ... | Parole Board Chairman | |
| John McIntire | ... | Sam Faxon | |
| Paul Harvey | ... | Martin J. Burns |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
111 minCountry:
USAColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Recording)Certification:
Norway:A (1948) | UK:U | Finland:K-16 | USA:Approved (PCA #12397) | Canada:14 (Nova Scotia) | Canada:G (Manitoba/Quebec) | Canada:PG (Ontario)Fun Stuff
Trivia:
Thelma Ritter's role as the police captain's secretary was mostly deleted from the released print, but she can still briefly be seen and heard in one scene in which she tells James Stewart the captain will see him in his office. moreGoofs:
Errors made by characters (possibly deliberate errors by the filmmakers): At some point in this film someone refers to Soldier Field as 'Soldiers Field' - a mistake that a Chicagoan would not make. moreQuotes:
Laura McNeal: What's the matter, won't the pieces fit together?P.J. McNeal: *Some* of them, but they make the wrong picture.
Laura McNeal: Pieces never make the wrong picture. Maybe you're looking at them from the wrong angle.
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Call Northside 777 is a genuinely engaging film. It has reliable James Stewart as an investigative reporter on a story about an alleged cop killer in prison. At first he believes that the prisoner is guilty but then becomes convinced otherwise and is willing to risk his professional reputation on clearing him. The pace of the film is told like a gritty docudrama with no dramatic musical underscore for effect. But more importantly, this film is interesting to watch for a time capsule of post WWII Chicago. The Chicago Times, the police precincts, the ethnic neighborhoods that existed then and a whole sequence of a wireless photo copier. This is generations before the fax machine was ever conceived. This film is important as Stewart was beginning his maturing film roles in the postwar period and taking on good narrative stories and less goodguy next door roles which were going out of fashion.