| Photos (see all 4 | slideshow) |
| Isao Numasaki | ... | Yuzo | |
| Chieko Nakakita | ... | Masako | |
| Atsushi Watanabe | ... | Yamamoto | |
| Zeko Nakamura | ... | Dessert Shop Owner | |
| Ichiro Namiki | ... | Street Photographer | |
| Toppa Utsumi | ... | Street Photographer | |
| Ichirô Sugai | ... | Yamiya, the black-marketeer | |
| Masao Shimizu | ... | Dance Hall Manager | |
| Tokuji Kobayashi | ... | Overweight apartment receptionist | |
| Shiro Mizutani | ... | Waif | |
| Aguri Hidaka | ... | Dancer | |
| Midori Ariyama | ... | Sono, Yamiya's mistress | |
| Katao Numazaki | ... | Bakery Owner | |
| Toshi Mori | ... | Apartment Superintendent | |
| rest of cast listed alphabetically: | |||
| Sachio Sakai | ... | Shady Ticket Man (uncredited) | |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Akira Kurosawa | writer | |
| Keinosuke Uegusa | writer | |
Produced by | |||
| Sojiro Motoki | .... | producer | |
Original Music by | |||
| Tadashi Hattori | |||
Cinematography by | |||
| Asakazu Nakai | |||
Production Design by | |||
| Kazuo Kubo | |||
Second Unit Director or Assistant Director | |||
| Tsuneo Kobayashi | .... | chief assistant director | |
| Zenji Koizumi | .... | assistant director | |
Sound Department | |||
| Ichirô Minawa | .... | sound effects editor | |
| Shigeharu Yasue | .... | sound | |
Camera and Electrical Department | |||
| Kuichiro Kishida | .... | lighting technician | |
| Takao Saitô | .... | assistant camera | |
| Yoji Takagi | .... | still photographer | |
Editorial Department | |||
| Zenji Koizumi | .... | negative cutter | |
Other crew | |||
| Reiko Kawamura | .... | script supervisor | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section | Add this title to MyMovies |
ONE WONDERFUL SUNDAY (1947) has a simple little plot. A young Tokyo couple have almost no money to spend on their only day available for a date. It isn't long until the money is gone, as well as the young man's spirit. The ending is uncomfortably corny, you will squirm in your seat. There is signs of Akira Kurosawa becoming a great director. He makes us pay attention to the decreasing amount of money (much like he made us pay attention to the number of slain bandits in SEVEN SAMURAI, and his stab at Frank Capra style humor is pretty good. A must see for the student of this great director.