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| Videos |
| Susan Hayward | ... | Angelica 'Angie' 'Angel' Evans Conway | |
| Lee Bowman | ... | Ken Conway | |
| Marsha Hunt | ... | Martha Gray, Elliott's Secretary | |
| Eddie Albert | ... | Steve Nelson | |
| Carl Esmond | ... | Dr. Lorenz | |
| Carleton Young | ... | Fred Elliott | |
| Charles D. Brown | ... | Michael 'Mike' Dawson | |
| Janet Murdoch | ... | Miss Kirk, Baby Angelica's Nanny | |
| Sharyn Payne | ... | Angelica 'Angel' Conway | |
| Robert Shayne | ... | Mr. Gordon | |
| rest of cast listed alphabetically: | |||
| Ernie Adams | ... | Charley, Waiter (uncredited) | |
| Erville Alderson | ... | Farmer at Fire (uncredited) | |
| Fred Aldrich | ... | Doorman at Nightclub (uncredited) | |
| Carol Andrews | ... | Female Photographer (uncredited) | |
| Brooks Benedict | ... | Celebrant with Mr. Gordon (uncredited) | |
| Larry J. Blake | ... | Radio Station Emcee (uncredited) | |
| Paul Bradley | ... | Mike's Companion (uncredited) | |
| Ralph Brooks | ... | Clerk (uncredited) | |
| Fred Browne | ... | Bartender (uncredited) | |
| Virginia Carroll | ... | Woman (uncredited) | |
| Douglas Carter | ... | Hotel Manager (uncredited) | |
| Tom Chatterton | ... | Edwards, Ken's Butler (uncredited) | |
| Dorothy Christy | ... | Woman (uncredited) | |
| Eddie Coke | ... | News Photographer (uncredited) | |
| James Conaty | ... | Party Guest (uncredited) | |
| James Craven | ... | Sam Winsley (uncredited) | |
| Matt Dennis | ... | Announcer (voice) (uncredited) | |
| Laurie Douglas | ... | Singer at the Raven Club (uncredited) | |
| Cecil Elliott | ... | Matron (uncredited) | |
| Alice Fleming | ... | Miss Tierman (uncredited) | |
| Bess Flowers | ... | Inquisitive Party Guest (uncredited) | |
| Charles Flynn | ... | News Photographer (uncredited) | |
| Cay Forrester | ... | Young Woman (uncredited) | |
| Joan Fulton | ... | Angelica as baby (voice) (uncredited) | |
| Phil Garris | ... | Bellhop (uncredited) | |
| William Gould | ... | Judge (uncredited) | |
| Beatrice Gray | ... | Nurse (uncredited) | |
| Sherry Hall | ... | Cab Driver (uncredited) | |
| Al Hill | ... | Man (uncredited) | |
| Victoria Horne | ... | Woman (uncredited) | |
| Eddie Kane | ... | Party Guest (uncredited) | |
| Richard Kipling | ... | Man (uncredited) | |
| Peg La Centra | ... | Angie's Singing Voice (voice) (uncredited) | |
| Connie Leon | ... | Mary, Angie's Maid (uncredited) | |
| Willene Luckett | ... | Baby in crib (uncredited) | |
| Wilbur Mack | ... | Radio Commentator (voice) (uncredited) | |
| Caren Marsh | ... | Bobby-Soxer (uncredited) | |
| David McKim | ... | Boy (uncredited) | |
| George Meader | ... | Attorney (uncredited) | |
| George Meeker | ... | Wolf, an Attorney (uncredited) | |
| Harold Miller | ... | Party Guest (uncredited) | |
| Ralph Montgomery | ... | Doorman (uncredited) | |
| Frances Morris | ... | Mrs. Benton, Baby's Nurse (uncredited) | |
| Noel Neill | ... | Girl at Party (uncredited) | |
| Vivien Oakland | ... | Woman at Bar (uncredited) | |
| Steve Olsen | ... | Bartender (uncredited) | |
| George Ramsey | ... | Cab Driver (uncredited) | |
| Ed Randolph | ... | Cab Driver (uncredited) | |
| Joe Recht | ... | Jimmy, an Elevator Boy (uncredited) | |
| Ruth Sanderson | ... | Maggie (uncredited) | |
| Jeffrey Sayre | ... | Poker Player (uncredited) | |
| Lee Shumway | ... | Benson, Doorman (uncredited) | |
| Milburn Stone | ... | Raven Club Announcer (voice) (uncredited) | |
| Clarence Straight | ... | Man (uncredited) | |
| John Valentine | ... | Dr. Forbes (uncredited) | |
| Nanette Vallon | ... | Woman (uncredited) | |
| Robert Verdaine | ... | Maitre d' (uncredited) | |
| John Wald | ... | Radio Announcer at Cowboy Singing Show (uncredited) | |
| Ethel Wales | ... | Farmer's Wife at Fire (uncredited) | |
| Barbara Woodell | ... | Girl (uncredited) | |
Directed by | |||
| Stuart Heisler | |||
Writing credits | ||
| Dorothy Parker | (story) & | |
| Frank Cavett | (story) | |
| John Howard Lawson | (screenplay) | |
| Lionel Wiggam | (additional dialogue) | |
Produced by | |||
| Martin Gabel | .... | associate producer | |
| Walter Wanger | .... | producer | |
Original Music by | |||
| Frank Skinner | |||
| Daniele Amfitheatrof | (uncredited) | ||
Cinematography by | |||
| Stanley Cortez | |||
Film Editing by | |||
| Milton Carruth | |||
Art Direction by | |||
| Alexander Golitzen | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Ruby R. Levitt | (as Ruby Levitt) | ||
Costume Design by | |||
| Travis Banton | (gowns) | ||
Makeup Department | |||
| Carmen Dirigo | .... | hair stylist | |
| Jack P. Pierce | .... | director of makeup | |
Second Unit Director or Assistant Director | |||
| Fred Frank | .... | assistant director | |
Sound Department | |||
| Charles Felstead | .... | sound director | |
| Joe Lapis | .... | technician | |
Special Effects by | |||
| David S. Horsley | .... | special photography | |
Music Department | |||
| David Tamkin | .... | orchestrator | |
Other crew | |||
| Walter Wanger | .... | presenter | |
| Recent Posts (updated daily) | User |
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| 2 cents | ophelia137 |
| Smash Up Susan at her best !!! | olddiscs |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
This meaty role of an alcoholic initiated several similar type roles for Susan Hayward.
A rather cold, determined talent, Hayward saw no reason but to sock it to post-WWII audiences. In many instances she assailed to impressive histrionic heights, garnering critical praise and public acclaim.
"Smash-Up, the Story of a Woman" was the role to jump start this career turn. She was paired here with benign Lee Bowman--a sort of watered down George Brent--who looked like a standard leading man without much point of view. Best photographed with a mustache and bow tie, he neither added nor detracted much from a scenario. He was just present, doing his stock duty, while allowing his co-leads to shine.
While the film alerted viewers to Hayward's then untapped potential, it has not aged very well, and "Smash-Up" today seems a quite tepid, predictable and over-wrought melodrama. Film buffs may appreciate it as a turning point in the prolific Hayward career.