| Photos (see all 49 | slideshow) |
Robert Hichens (novel)
Alma Reville (adaptation)
(more)
26 August 1949 (Sweden) more
The beautiful Mrs. Paradine is accused of poisoning her older, blind husband. She hires married Anthony... more | full synopsis
Nominated for Oscar. more
On DVD Today: October 14, 2008
(From Rope Of Silicon. 14 October 2008, 1:30 AM, PDT)
Actress Valli Dies
(From WENN. 24 April 2006)
A technically sound, but ultimately unsatisfying courtroommelodrama more (62 total)
| Gregory Peck | ... | Anthony Keane, Counsel for the Defence | |
| Ann Todd | ... | Gay Keane | |
| Charles Laughton | ... | Judge Lord Thomas Horfield | |
| Charles Coburn | ... | Sir Simon Flaquer | |
| Ethel Barrymore | ... | Lady Sophie Horfield | |
| Louis Jourdan | ... | Andre Latour, Paradine's Valet | |
| Alida Valli | ... | Mrs. Maddalena Anna Paradine (as Valli) | |
| Leo G. Carroll | ... | Sir Joseph, Counsel for the Prosecution | |
| Joan Tetzel | ... | Judy Flaquer | |
| Isobel Elsom | ... | Innkeeper | |
| rest of cast listed alphabetically: | |||
| Patrick Aherne | ... | Sgt. Leggett (uncredited) | |
| Gilbert Allen | ... | Undetermined Role (uncredited) | |
| Leonard Carey | ... | Courtroom Stenographer (uncredited) | |
| Elspeth Dudgeon | ... | Second Matron (uncredited) | |
| James Fairfax | ... | Undetermined Role (uncredited) | |
| John Goldsworthy | ... | Lakin (uncredited) | |
| Lumsden Hare | ... | Courtroom Attendant (uncredited) | |
| Alec Harford | ... | Undetermined Role (uncredited) | |
| Sam Harris | ... | Courtroom Spectator (uncredited) | |
| Alfred Hitchcock | ... | Man carrying cello case (uncredited) | |
| Colin Hunter | ... | Baker (uncredited) | |
| Boyd Irwin | ... | Courtroom Observer (uncredited) | |
| Colin Keith-Johnston | ... | Clerk of the Court (uncredited) | |
| Kenner G. Kemp | ... | Courtroom Spectator (uncredited) | |
| Lester Matthews | ... | Insp. Ambrose (uncredited) | |
| Phyllis Morris | ... | Mrs. Carr, the Housekeeper (uncredited) | |
| Edgar Norton | ... | Courtroom Attendant (uncredited) | |
| John Williams | ... | Barrister Collins (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Robert Hichens | (novel) | |
| Alma Reville | (adaptation) | |
| David O. Selznick | (screenplay) and | |
| Ben Hecht | (screenplay) uncredited | |
| James Bridie | adaptation (uncredited) | |
Produced by | |||
| David O. Selznick | .... | producer (uncredited) | |
Original Music by | |||
| Franz Waxman | |||
| Paul Dessau | (uncredited) | ||
Cinematography by | |||
| Lee Garmes | |||
Production Design by | |||
| J. McMillan Johnson | |||
Art Direction by | |||
| Thomas N. Morahan | (as Thomas Morahan) | ||
Set Decoration by | |||
| Emile Kuri | |||
| Joseph B. Platt | (interiors) | ||
Costume Design by | |||
| Travis Banton | (gowns) | ||
| Charles Arrico | (uncredited) | ||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
Production Management | |||
| Fred Ahern | .... | unit manager | |
| Argyle Nelson | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Lowell J. Farrell | .... | assistant director | |
| Joel Freeman | .... | assistant director (uncredited) | |
Sound Department | |||
| James G. Stewart | .... | sound director | |
| Richard Van Hessen | .... | sound recordist | |
| Edward Ullman | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Clarence Slifer | .... | special effects | |
Editorial Department | |||
| John Faure | .... | associate supervising film editor | |
| Hal C. Kern | .... | supervising editor | |
Other crew | |||
| Lydia Schiller | .... | scenario assistant | |
| David O. Selznick | .... | presenter | |
Alfred Hitchcock's The Paradine Case (USA) (complete title)
more
125 min | 119 min (re-release) | 132 min (original release) | 94 min (edited television version) | 115 min (re-release)
1.37 : 1 more
Mono (Western Electric Recording)
UK:U | Australia:PG | Finland:S | Germany:16 | USA:Approved (PCA #12320) | Sweden:15 | Argentina:13 | Spain:13
In Hitchcock's rough cut and 131 minutes version, Ethel Barrymore can be seen as a half crazed wife of Lord Horfield played by Charles Laughton. But David O. Selznick removed these scenes in the final editing and the final runtime was only 114 minutes. more
Continuity: When Latour is seen in close-up in the court, there is a man on either side of him. In the long shots, there is nobody near him. more
[first lines]
Lakin:
Dinner will be ready in fifteen minutes, mum.
Mrs. Maddalena Anna Paradine:
Thank you, Lakin.
more
Featured in "American Masters: Hitchcock, Selznick and the End of Hollywood" (1998) more
|
|
|
|
|
| Strangers on a Train | Rebecca | Witness for the Prosecution | Laura | Leave Her to Heaven |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
| Add this title to MyMovies |
This is a disappointing effort from the team of Hitchcock and Selznick. Probably its greatest shortcoming was its inability to ingeniously circumvent the Production Code (as accomplished in "Notorious") to present its adult themes. As a result, even though it is obvious that the case itself is not the subject of the film so much as a backdrop for an awkward arrangement of love triangles and its effect on one "involved" attorney, the courtroom scenes are the most compellingly watchable of the film. In contrast, the final scene of the film does not carry the weight that it should and feels like a cheat rather than the resolution it pretends to be.
Some fault may be given to the just-OK performances from usually dependable actors such as Peck and Ann Todd. The stand-out performances here are from supporting characters such as Charles Coburn, Louis Jordan, Joan Tetzel, Charles Laughton and Ethel Barrymore, but they are either given very little to do or, in Barrymore's case, feel like they were interesting characters in sub-plots that were incompletely edited out of the film (usually a sign of a poor adaptation).
In the final analysis, this is a film that will probably only appeal to devotees of Hitchcock and/or Laughton.