| Robert Mitchum | ... | Jeff Bailey | |
| Jane Greer | ... | Kathie Moffat | |
| Kirk Douglas | ... | Whit Sterling | |
| Rhonda Fleming | ... | Meta Carson | |
| Richard Webb | ... | Jim | |
| Steve Brodie | ... | Jack Fisher | |
| Virginia Huston | ... | Ann Miller | |
| Paul Valentine | ... | Joe Stephanos | |
| Dickie Moore | ... | The Kid | |
| Ken Niles | ... | Leonard Eels | |
| rest of cast listed alphabetically: | |||
| Brooks Benedict | ... | Kibitzer in Blue Sky Club (uncredited) | |
| Oliver Blake | ... | Tillotson - Night Clerk (uncredited) | |
| Eumenio Blanco | ... | Mexican Waiter (uncredited) | |
| Wesley Bly | ... | Harlem Club Headwaiter (uncredited) | |
| Mildred Boyd | ... | Woman at Harlem Club (uncredited) | |
| Hubert Brill | ... | Car Manipulator (uncredited) | |
| James Bush | ... | Doorman (uncredited) | |
| Ted Collins | ... | Man at Harlem Club (uncredited) | |
| James Conaty | ... | Bartender in Acapulco (uncredited) | |
| Homer Dickenson | ... | Kibitzer in Blue Sky Club (uncredited) | |
| Lee Elson | ... | Policeman (uncredited) | |
| Jess Escobar | ... | Mexican Doorman (uncredited) | |
| Mary Field | ... | Marny - Diner Owner (uncredited) | |
| Adda Gleason | ... | Mrs. Miller (uncredited) | |
| Theresa Harris | ... | Eunice Leonard (uncredited) | |
| Harry Hayden | ... | Canby Miller (uncredited) | |
| John Kellogg | ... | Lou Baylord (uncredited) | |
| Mike Lally | ... | Kibitzer in Blue Sky Club (uncredited) | |
| Primo López | ... | Mexican Bellhop (uncredited) | |
| Philip Morris | ... | The Porter (uncredited) | |
| Manuel París | ... | Croupier (uncredited) | |
| Caleb Peterson | ... | Man with Eunice (uncredited) | |
| Jose Portugal | ... | Mexican Waiter (uncredited) | |
| Charles Regan | ... | Mystery Man (uncredited) | |
| Victor Romito | ... | Mexican Waiter (uncredited) | |
| Tony Roux | ... | Jose Rodriguez (uncredited) | |
| Jeffrey Sayre | ... | Extra in Nightclub Cloakroom (uncredited) | |
| Wallace Scott | ... | Petey - Taxi Driver (uncredited) | |
| Archie Twitchell | ... | Rafferty (uncredited) | |
| William Van Vleck | ... | Cigar Store Clerk (uncredited) | |
| Bill Wallace | ... | Kibitzer in Blue Sky Club (uncredited) | |
| Sam Warren | ... | Harlem Club Waiter (uncredited) | |
| Frank Wilcox | ... | Sheriff Ed Douglas (uncredited) | |
Directed by | |||
| Jacques Tourneur | |||
Writing credits | ||
| Daniel Mainwaring | (screenplay) (as Geoffrey Homes) | |
| Daniel Mainwaring | (novel "Build My Gallows High") (as Geoffrey Homes) | |
| Frank Fenton | uncredited and | |
| James M. Cain | uncredited | |
Produced by | |||
| Warren Duff | .... | producer | |
| Robert Sparks | .... | executive producer | |
Original Music by | |||
| Roy Webb | |||
Cinematography by | |||
| Nicholas Musuraca | |||
Film Editing by | |||
| Samuel E. Beetley | |||
Art Direction by | |||
| Albert S. D'Agostino | |||
| Jack Okey | |||
Set Decoration by | |||
| Darrell Silvera | |||
Costume Design by | |||
| Edward Stevenson | (gowns) | ||
Makeup Department | |||
| Gordon Bau | .... | makeup supervisor | |
Production Management | |||
| James H. Anderson | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Harry Mancke | .... | assistant director | |
| Earl Harper | .... | assistant director (uncredited) | |
| Lynn Shores | .... | second unit director (uncredited) | |
Sound Department | |||
| Clem Portman | .... | sound | |
| Francis M. Sarver | .... | sound | |
Special Effects by | |||
| Russell A. Cully | .... | special effects | |
Visual Effects by | |||
| Linwood G. Dunn | .... | optical effects (uncredited) | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
Other crew | |||
| Boyd Cabeen | .... | stand-in: Robert Mitchum (uncredited) | |
| Robert De Grasse | .... | fill-in photographer (uncredited) | |
| Frank Fenton | .... | screenplay constructor (uncredited) | |
| M. Gutterman | .... | stand-in: Jane Greer (uncredited) | |
| Leonard Shannon | .... | unit publicity writer (uncredited) | |
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| Deadly Is the Female | Psycho | Monte Carlo Nights | The Maltese Falcon | Touch of Evil |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Tremendously stylish, brilliantly scripted and wonderfully directed noir classic about a man who cannot escape from his past. Rarely does the genre get away from the grimy city streets with it's dark corridors and alleyways only partially lit by un-realistic streams of bright light. In this film we not only see the underworld gangs, the bars and floozies, the heavies and the fatales, but we also see the bright beautiful countryside, the streams and the rocks - a complete otherworld.
Mitchum is superb as the man who has escaped the city to live a new life in the country only to be dragged back by powerful forces. This broadening of the cinematic landscape makes the movie more affecting than your assorted Bogarts' & Ladds'. As with 'I am a Fugitive from a Chain Gang' I feel much more sympathy for the lead actor who gets dragged back into the bear pit to wrestle for his life and soul.
'Out of the Past' also has some of the finest dialogue and narration I have ever heard, probably matched only by 'The Maltese Falcon'. 'She was like an autumn leaf blowing from gutter to gutter', is one gem that sticks in my mind.
The mood of the film is pleasantly melancholic and the portrayal of the fatale figure (Jane Greer) is particularly sympathetic. In most noir movies the male perspective of the double-crossing woman predominates (not that there's anything wrong with that, it's usually very funny). Here however, whilst Greer presents one of the blackest of women you at least know why she does what she does and can sympathise with her plight. She is trapped too.
Tourneur, tragically made few films but was a master at getting messages deep into your psyche, into your soul. 'Cat People 'and 'I Walked With a Zombie' both had otherworlds where the demons lived. We all have otherworlds too, places we'd rather not go very often, but as with Mitchum we are sometimes confronted with those demons and have to do battle once again. When I go next I hope to be wearing my hat at an exquisite angle and have my trench coat well belted.