| Photos (see all 3 | slideshow) |
| Robert Montgomery | ... | Phillip Marlowe | |
| Audrey Totter | ... | Adrienne Fromsett | |
| Lloyd Nolan | ... | Lt. DeGarmot | |
| Tom Tully | ... | Capt. Kane | |
| Leon Ames | ... | Derace Kingsby | |
| Jayne Meadows | ... | Mildred Haveland aka Muriel Chess | |
| Dick Simmons | ... | Chris Lavery | |
| Morris Ankrum | ... | Eugene Grayson | |
| Lila Leeds | ... | Receptionist | |
| William Roberts | ... | Artist | |
| Kathleen Lockhart | ... | Mrs. Grayson | |
| Ellay Mort | ... | Chrystal Kingsby | |
| rest of cast listed alphabetically: | |||
| Eddie Acuff | ... | Ed, the Coroner (uncredited) | |
| Charles Bradstreet | ... | Party Guest (uncredited) | |
| David Cavendish | ... | Party Guest (uncredited) | |
| Wheaton Chambers | ... | Property Clerk (uncredited) | |
| Roger Cole | ... | Party Guest (uncredited) | |
| Frank Dae | ... | Party Guest (uncredited) | |
| Jack Davis | ... | Policeman (uncredited) | |
| John Webb Dillon | ... | Policeman (uncredited) | |
| Ralph Dunn | ... | Sergeant (uncredited) | |
| Budd Fine | ... | Policeman (uncredited) | |
| John Gallaudet | ... | Policeman (uncredited) | |
| Sherry Hall | ... | Party Guest (uncredited) | |
| Cy Kendall | ... | Jailer (uncredited) | |
| Ann Lawrence | ... | Party Guest (uncredited) | |
| George Magrill | ... | Policeman (uncredited) | |
| Bert Moorhouse | ... | Party Guest (uncredited) | |
| Sandra Morgan | ... | Party Guest (uncredited) | |
| Thomas Murray | ... | Policeman (uncredited) | |
| William Newell | ... | Drunk (uncredited) | |
| James Nolan | ... | Party Guest (uncredited) | |
| William O'Leary | ... | Party Guest (uncredited) | |
| Frank Orth | ... | Floyd Greer (uncredited) | |
| William McKeever Riley | ... | Buster, Young Party Guest (uncredited) | |
| Ellen Ross | ... | Elevator Girl (uncredited) | |
| Nina Ross | ... | Party Guest (uncredited) | |
| Fred Santley | ... | Charlie, Party Guest (uncredited) | |
| Fred Sherman | ... | Reporter (uncredited) | |
| Florence Stephens | ... | Party Guest (uncredited) | |
| George Travell | ... | Party Guest (uncredited) | |
| Laura Treadwell | ... | Party Guest (uncredited) | |
| Kay Wiley | ... | Party Guest (uncredited) | |
| Robert Williams | ... | Detective (uncredited) | |
Directed by | |||
| Robert Montgomery | |||
Writing credits | ||
| Steve Fisher | (screenplay) | |
| Raymond Chandler | (novel) | |
Produced by | |||
| George Haight | .... | producer | |
Original Music by | |||
| David Snell | |||
| Maurice Goldman | (uncredited) | ||
Cinematography by | |||
| Paul Vogel | (director of photography) (as Paul C. Vogel) | ||
Film Editing by | |||
| Gene Ruggiero | |||
Art Direction by | |||
| E. Preston Ames | (as Preston Ames) | ||
| Cedric Gibbons | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Makeup Department | |||
| Jack Dawn | .... | makeup designer | |
| Sydney Guilaroff | .... | hair designer: Miss Totter | |
Second Unit Director or Assistant Director | |||
| Dolph Zimmer | .... | assistant director (uncredited) | |
Art Department | |||
| Thomas Theuerkauf | .... | associate set decorator | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
Special Effects by | |||
| A. Arnold Gillespie | .... | special effects | |
Costume and Wardrobe Department | |||
| Irene | .... | costume supervisor | |
Music Department | |||
| Maurice Goldman | .... | choral director | |
| Wally Heglin | .... | orchestrator (uncredited) | |
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| Murder, My Sweet | The Big Sleep | Farewell, My Lovely | Call Northside 777 | The Maltese Falcon |
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Out of the many Marlowe novel adaptations, this must be one of the closest to the spirit of the original. Unfortunately Chandler himself does not seem to have had the opportunity to contribute to the screenplay - although there are plenty of Chandleresque wisecracks. The film, unlike most of the other adaptions reflects the original author's full dislike of the cops (although the tough police chief having to answer a telephone call from his daughter during an interrogation is an unusual appeal for the viewer's understanding), and mistrust bordering on pathological hatred of women (I suspect that the ending is an uncharacteristic 'cop out' to assuage the producer's or popular taste). Director/star Robert Montgomery shows great self-restraint by appearing only briefly in the action. When he does show himself, mainly in mirror-reflections, the star appears (as in that other great latter day film noir, China Town) battered and bruised and not at all flattering. The plot is suitably twisted and confusing - just like the novels. And the concept of timing the whole dark affair against the backdrop of the Christmas holidays only emphasises the bleakness of the subject matter. Incidentally the idea of continuing the opening titles' jolly Christmas carol chorus in darker, more disturbing tones throughout the soundtrack is fascinating and I think unique. Audrey Totter (whatever happened to her?) makes a very sexy femme fatale. And as she plays most of her lines to camera we are seduced just as protagonist Marlowe. On top of that, her gowns are absolutely magnificent examples of forties chic. Lloyd Nolan deserves special mention as a superb heavy. What a wonderful example of Hollywood film noir.