| Photos (see all 6 | slideshow) |
| Burt Lancaster | ... | Frankie Madison | |
| Lizabeth Scott | ... | Kay Lawrence | |
| Kirk Douglas | ... | Noll 'Dink' Turner | |
| Wendell Corey | ... | Dave | |
| Kristine Miller | ... | Mrs. Alexis Richardson | |
| George Rigaud | ... | Maurice | |
| Marc Lawrence | ... | Nick Palestro | |
| Mike Mazurki | ... | Dan (the doorman) | |
| Mickey Knox | ... | Skinner | |
| Roger Neury | ... | Felix Walter | |
| rest of cast listed alphabetically: | |||
| Bobby Barber | ... | Newsboy (uncredited) | |
| John Bishop | ... | Ben (uncredited) | |
| Charles D. Brown | ... | Lt. Hollaran (uncredited) | |
| Gino Corrado | ... | George (uncredited) | |
| James Davies | ... | Masseur (uncredited) | |
| Jean Del Val | ... | Henri (the chef) (uncredited) | |
| Bess Flowers | ... | Nightclub Extra (uncredited) | |
| Sam Harris | ... | Nightclub Extra (uncredited) | |
| Olin Howland | ... | Ed (the watchman) (uncredited) | |
| Bruce Lester | ... | Charles (uncredited) | |
| Walter Merrill | ... | Det. Schreiber (uncredited) | |
| Frank Mills | ... | Cab Driver (uncredited) | |
| Bert Moorhouse | ... | Toll booth policeman (uncredited) | |
| William H. O'Brien | ... | Waiter (uncredited) | |
| Jack Perrin | ... | Policeman (uncredited) | |
| Dewey Robinson | ... | Heinz (uncredited) | |
| Cap Somers | ... | Butcher (uncredited) | |
| Freddie Steele | ... | Tiger Rose (uncredited) | |
| Brick Sullivan | ... | Policeman (uncredited) | |
Directed by | |||
| Byron Haskin | |||
Writing credits | ||
| Theodore Reeves | (play "Beggars Are Coming to Town") | |
| Robert Smith | (adaptation) and | |
| John Bright | (adaptation) | |
| Charles Schnee | (screenplay) | |
Produced by | |||
| Hal B. Wallis | .... | producer | |
Original Music by | |||
| Victor Young | |||
Cinematography by | |||
| Leo Tover | (director of photography) | ||
Film Editing by | |||
| Arthur P. Schmidt | (as Arthur Schmidt) | ||
Art Direction by | |||
| Franz Bachelin | |||
| Hans Dreier | |||
Set Decoration by | |||
| Sam Comer | |||
| Patrick Delany | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Wally Westmore | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Richard McWhorter | .... | assistant director | |
Sound Department | |||
| Harry Lindgren | .... | sound | |
| Walter Oberst | .... | sound | |
Camera and Electrical Department | |||
| Farciot Edouart | .... | process photographer | |
Music Department | |||
| Sidney Cutner | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
Other crew | |||
| Joan Hathaway | .... | dialogue director | |
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| King of Chinatown | Joe Palooka in Fighting Mad | Angels with Dirty Faces | Chicago | The Drag-Net |
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| Full cast and crew | Company credits | External reviews |
| IMDb Film-Noir section | IMDb USA section | Add this title to MyMovies |
Frankie (Burt Lancaster) is released after 14 years in prison and is met by old friend Dave (Wendell Corey) who sets him up with a place to stay. He senses that Dave is uneasy with him and discovers that he is working for his old partner in crime, Noll (Kirk Douglas), who is now running a successful nightclub. Frankie visits the club and Noll is curious to find out what he wants. He instructs his mistress Kay (Lizabeth Scott), who is a singer at the club, to pump Frankie for information over a dinner. It is soon clear to Frankie that everyone around him is under the influence of Noll and so confronts him with a demand of a half share in the business. Noll refuses and Frankie plans to take what he believes is rightfully his - they agreed to split things 50-50 if either of them went to prison. It is interesting to see the two different characters pitted against each other, ie, Frankie (straight forward and uneducated) vs Noll (deceitful and intelligent). Kay switches allegiance when she hears of Noll's intention to marry Mrs Richardson (Kristine Miller) and Dave also has 2nd thoughts about Noll....
The film is well-acted but Lizabeth Scott seems slightly out of place as a world-weary nightclub singer. She's too young to be believable as someone who has been "around the block", and I also found her voice slightly irritating. Another let-down is in the script with the actors speaking each other's names to the point of irritation - we don't need to hear "Frankie..." followed by "Frankie...." and then a couple of minutes later "Frankie...." ... we know he's called Frankie!