Gentleman's Agreement (1947)

User Rating:

7.4/10   

Director:

Elia Kazan

Writer:

Moss Hart (screenplay)

Release Date:

February 1948 (USA)

Genre:

Drama | Romance

Plot:

A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred.

Plot Keywords:

Jewish | Racism | Anti Semitism | Magazine | Jew

Awards:

Won 3 Oscars. Another 7 wins & 6 nominations

Cast

Gregory Peck	...	Philip Schuyler Green
Dorothy McGuire	...	Kathy Lacy
John Garfield	...	Dave Goldman
Celeste Holm	...	Anne Dettrey
Anne Revere	...	Mrs. Green
June Havoc	...	Elaine Wales
Albert Dekker	...	John Minify
Jane Wyatt	...	Jane
Dean Stockwell	...	Tommy Green
Nicholas Joy	...	Dr. Craigie
Sam Jaffe	...	Professor Fred Lieberman
Harold Vermilyea	...	Lou Jordan
Ransom M. Sherman	...	Bill Payson

Also Known As:

Laura Z. Hobson's Gentleman's Agreement (UK) (complete title) (USA) (complete title)

Runtime:

118 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Canada:PG (video rating) | Brazil:Livre | West Germany:12 (f) (w) | UK:A (original rating) | UK:U (tv rating) | UK:U (video rating) (1990) | Argentina:13 | Finland:S | Spain:13 | USA:Approved (PCA #12488) | Sweden:Btl | Australia:G

Filming Locations:

Darien, Connecticut, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Despite winning an Oscar for his direction, Elia Kazan revealed in a later interview that he was never fond of this movie, feeling that it lacked passion on his part and he thought that the romance was too forced.

Goofs:

Factual errors: When Phil is taking Tommy to meet his (Phil's) mother at Saks Fifth Avenue, they stop in front of the statue of Atlas outside Rockefeller Center. In the shot of the two of them talking, with Fifth Avenue in the background, Saks is directly behind them, diagonally across the street on the right, with St. Patrick's Cathedral on the left. But when Phil looks at his watch and tells Tommy they'd better leave to meet grandma, the two hurry off back north along Fifth Avenue - in the completely opposite direction of the plainly visible Saks.

Quotes:

Tommy Green: Don't you ever think of what to write yourself?

Movie Connections:

Referenced in "American Masters: None Without Sin" (2003)

Groundbreaking

I hate to say it, but before I saw this movie, I did not realize that there was racism against Jews in the post war period. I couldn't understand it: why would Americans promote the very thing they fought against in the war? Then I was informed that they weren't fighting against racism or discrimination, but against the Nazi regime and genocide. There is a large difference between one person's opinion and a government policy. I'm a teenager, and the fact that Jews were still discriminated against was never mentioned to me. Maybe it should be better known. I am doing Modern History next year and we will be studying the Second World War, and I'm very glad I saw this film (despite its inaccuracies).

Anyway – now to the plot. Phillip Green (Gregory Peck) is a writer who pretends to be Jewish to find out about anti-Semitism. Through this, he learns how much people discriminate against Jews and it affects him deeply and changes his life.

I was never bored in this film. I am forever fascinated by Peck, who I've always remembered as Atticus Finch in To Kill a Mockingbird (1962). This is only the second film I've seen with Peck in his younger days (it's quite a pleasure watching him). Celeste Holm also is amazing and I love how she can laugh so easily – very realistic. The only thing I wasn't satisfied with is the romantic choices by Peck's character. I wish he would have chosen the happy blonde Anne instead of the sappy, boring Kathy. Oh, how I was hoping he would choose Anne! Perhaps Dorothy McGuire was miscast; maybe someone else could have brought more energy to her character. John Garfield is fantastic as Green's Jewish friend.

This was ground breaking at the time and I really respect the people who participated in this film for taking a risk. Despite being made almost 60 years ago, I have not only learned from it but enjoyed it. Yes, there are some inaccuracies and plot holes, but I don't particularly care and it doesn't distract me. It's a great film, go see it.