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IMDb > Dead Reckoning (1947)
Dead Reckoning
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Dead Reckoning (1947) More at IMDbPro »

Videos
Dead Reckoning (1947) -- Dynamite trailer for this Bogart classic

Overview

User Rating:
7.1/10   1,823 votes
MOVIEmeter: ?
Up 14% in popularity this week. See why on IMDbPro.
Director:
Writers:
Oliver H.P. Garrett (screenplay) &
Steve Fisher (screenplay) ...
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Contact:
View company contact information for Dead Reckoning on IMDbPro.
Release Date:
16 January 1947 (USA) more
Tagline:
He Doesn't Trust Anyone . . . especially Women ! more
Plot:
A soldier runs away rather than receive the Medal of Honor, so his buddy gets permission to investigate, and love and death soon follow. full summary | full synopsis
Plot Keywords:
NewsDesk:
User Comments:
Unoriginal but enjoyable noir more (58 total)
US TV Schedule:

Cast

  (Complete credited cast)

Humphrey Bogart ... Capt. 'Rip' Murdock
Lizabeth Scott ... 'Dusty' Chandler
Morris Carnovsky ... Martinelli
Charles Cane ... Lt. Kincaid
William Prince ... Sgt. Johnny Drake
Marvin Miller ... Krause
Wallace Ford ... McGee
James Bell ... Father Logan
George Chandler ... Louis Ord
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Additional Details

Also Known As:
John Cromwell's Dead Reckoning (UK) (complete title) (USA) (copyright title)
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Runtime:
100 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:

Fun Stuff

Trivia:
The role of Coral Chandler was originally intended for Rita Hayworth, but she had already been cast by her estranged husband, Orson Welles for the role of Elsa in The Lady from Shanghai (1947). more
Goofs:
Continuity: When Murdock is listening Coral to sing, he leans his left elbow on the table and puts his hand to his face. In the next shot, before she stands up, his left hand is on the table. more
Quotes:
Photographer: Captain Murdock?
Captain Warren 'Rip' Murdock: On the hoof, son.
Photographer: The camera boys'd like to get a couple of shots of you and Sergeant Drake. Could you come out on the platform? You only stop here for five minutes.
Captain Warren 'Rip' Murdock: This is the City of Brotherly Love?
Photographer: That's what New Yorkers call it. They don't live here.
Captain Warren 'Rip' Murdock: I'm all for love, son.
more
Movie Connections:
References The Maltese Falcon (1941) more
Soundtrack:
Either It's Love or It Isn't more

FAQ

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14 out of 23 people found the following comment useful.
Unoriginal but enjoyable noir, 1 June 2003
7/10
Author: amhnorris from New York, NY

This movie, while certainly not the best film noir, certainly would be an ideal introduction to the genre, in large part because of its blatant banality. It does not even attempt to elaborate or subvert any of the genre's themes, so in that sense is ideal for someone wanting to get a feel of a film noir. All of the noir ingredients are there: man returning from war, femme fatale, flashback narrative, gambling, seedy clubs, suspicion, paranoia, etc. I've never seen Lizabeth Scott in anything else so can't really comment on her, but my goodness she seems to be trying to do her best Lauren Bacall impression. Certainly she's no Bacall, Lake, Gardner or even Turner, but is passable in her performance as the femme fatale. The plot is more complicated than someone used to contemporary movies may expect, and one certainly needs to pay a lot of attention to it. That being said, it can work in the same way as 'The Big Sleep' (a much superior film) if one disregards the plot and just soaks in the atmosphere. The city at night shots at the movie's beginning are incredible, probably the photographic highlight of the entire movie. I've read criticism about the direction and lighting in the sense that it switches between light and dark. I think that it is supposed to work in the same way that a movie such as 'Mildred Pierce' works in the sense that the juxtaposition between light and dark represents the character's state of mind. So in a scene where Bogie is content with Scott, the colors are extremely light, representing his state of mind. More suspicious scenes are thereby darker. I don't know, just a theory, and even if this was the director's intention its debatable as to whether its effectively achieved.

All in all, an enjoyable noir, certainly recommended for fans of the genre, just don't expect any originality.

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