Crossfire (1947)

Director:

Edward Dmytryk

Writers:

John Paxton (screenplay)
Richard Brooks (novel)

Release Date:

22 July 1947 (USA)

Genre:

Crime | Drama | Film-Noir

Tagline:

Sensational? No, it's dynamite!

Plot:

A man is murdered, apparently by one of a group of soldiers just out of the army. But which one? And why?

Plot Keywords:

Soldier | Sergeant | Friend | Flashback | Motive

Awards:

Nominated for 5 Oscars. Another 2 wins & 1 nomination

Cast

Robert Young	...	Finlay
Robert Mitchum	...	Keeley
Robert Ryan	...	Montgomery
Gloria Grahame	...	Ginny
Paul Kelly	...	The Man
Sam Levene	...	Samuels
Jacqueline White	...	Mary Mitchell
Steve Brodie	...	Floyd
George Cooper	...	Mitchell
Richard Benedict	...	Bill
Tom Keene	...	Detective (as Richard Powers)
William Phipps	...	Leroy
Lex Barker	...	Harry
Marlo Dwyer	...	Miss Lewis

Also Known As:

Cradle of Fear (USA) (working title)

Runtime:

86 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Australia:PG | Finland:K-16 | USA:Approved (PCA #12325)

Filming Locations:

RKO Encino Ranch - Balboa Boulevard & Burbank Boulevard, Encino, Los Angeles, California, USA

Company:

RKO Radio Pictures

Trivia:

Because of the film's tight shooting schedule, it was able to beat the similarly themed Gentleman's Agreement (1947) into theaters by three and a half months.

Goofs:

Crew or equipment visible: 22 minutes in. Shadow of camera and dolly visible just to the right of the hotel door as the character played by Richard Benedict enters the hotel.

Quotes:

Ginny: [to Mitchell's wife] Okay, where were you when he needed you? Maybe you were someplace having beautiful thoughts. Well, I wasn't. I was in a stinkin' gin mill, where all he had to do to see me was walk in, sit down at the table and buy me a drink.

Movie Connections:

Referenced in The Best of Film Noir (1999) (V)

Great Message, Great Symbolism, Very Good Movie

Crossfire (1947)

Great Message, Great Symbolism, Very Good Movie

It's hard to go totally wrong with Robert Mitchum, Robert Young, and Robert Ryan all together as the three male leads, and with director Edward Dmytryk pulling together a complicated murder and detective yarn. That's reason enough to watch it once and even twice.

You might need a second look to fully catch the plot as it is explained (too much) or shown in flashback (also too much) because it's a little complicated without good reason. But it makes sense overall, and we see early on (too early probably) who the culprit is, and even why.

Besides the drama, well done in typical noir lighting and filled with those short quips that make post-war films dramatic, there is the social message, the anti-anti-Semitic point of it all. It only borders on preachy once or twice, and it's such an obviously good point to make we watch it being made approvingly and wait for the plot and the dramatic acting to take front row. Which they do, especially Young, who is a brilliantly laconic and patient detective, and Ryan, who is mean in a believably crude and angry way (Ryan is good at that, his typecasting reasonable). Mitchum mostly plays a watered down version of what he is famous for, and the fourth known acting force, Gloria Grahame, is a great, brief, presence even if slightly dispensable.

Though the movie is dominated by the sequence of events and by the message, both of which grow in force as we go, it is really easy to watch just for the lighting, camera-work, and acting, including the classic fight scene that opens the first few seconds of the film, all done with shadows.

The archetypes of soldiers presented is very deliberate, and this might be something people at the time were very familiar with and could relate to as much as the anti-Semitism thread. The shell-shocked soldier rendered helpless (but still intrinsically capable), the modest youngster without confidence (but capable, too), and the weary but outward capable veteran are all there. And of course, the angry, violent soldier who is a product of the war, too. This last is also a responsibility of society, because even the army goes all out to make good on the injustices here, not just because they are criminal, but because they stem from the wear and tear of a long awful war.

The audience then, more than now, could really get, but it's there to appreciate still.