The Razor's Edge (1946)

Director:

Edmund Goulding

Writers:

Lamar Trotti (screenplay)
W. Somerset Maugham (novel)

Release Date:

December 1946 (USA)

Genre:

Drama

Tagline:

Hunger no love . . . woman . . . or wealth could satisfy!

Plot:

A adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.

Plot Keywords:

Will | Engagement | India | Uncle | Nightclub

Awards:

Won Oscar. Another 2 wins & 3 nominations

Cast

Tyrone Power	...	Larry Darrell
Gene Tierney	...	Isabel Bradley
John Payne	...	Gray Maturin
Anne Baxter	...	Sophie MacDonald
Clifton Webb	...	Elliott Templeton
Herbert Marshall	...	W. Somerset Maugham
Lucile Watson	...	Louisa Bradley
Frank Latimore	...	Bob MacDonald
Elsa Lanchester	...	Miss Keith
Fritz Kortner	...	Kosti
John Wengraf	...	Joseph - Gray & Isabel's Butler
Cecil Humphreys	...	Holy Man
Harry Pilcer	...	Specialty Dancer
Cobina Wright Sr.	...	Princess Novemali

Also Known As:

W. Somerset Maugham's The Razor's Edge (USA) (complete title)

Runtime:

145 min

Country:

USA

Language:

English | French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Argentina:Atp | Australia:PG | Finland:K-16 | USA:Approved (PCA #11498) | Sweden:15

Filming Locations:

Denver, Colorado, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

The Breen Office requested a translation of the Russian lyrics sung during the nightclub scene in case they contained a subversive or salacious message.

Quotes:

Elliott Templeton: If I live to be a hundred I shall never understand how any young man can come to Paris without evening clothes.

Movie Connections:

Featured in 20th Century-Fox: The First 50 Years (1997) (TV)

Soundtrack:

Auprès de ma blonde

Brilliant script. Strong acting. Sensational Gene Tierney

"The razor's edge" has outstanding merits and, unfortunately, remarkable defects. Balancing the ones and the others, it stands as a sound, beautiful instance of classic movie.

The story, based on Somerset Maugham's novel, is certainly original, although some twists of the plot are hardly believable, others are naive and predictable. The spiritual quest by Larry (Tyrone Power) is an interesting theme. However, his yearning for living among workers and poor people is far-fetched, and fails to be touching. The director's job is just adequate. The cardboard backdrops are awful! The scenes placed in the fake Himalaya are laughable. The representation of French people is inaccurate and too picturesque. By the way, French people NEVER spoke a foreign language in those years (in truth, not much has changed nowadays).

Fortunately enough, the merits of the movie overwhelm the flaws. The script is brilliant. A thorough psychological study of the characters is made, through lines at times dramatic, at times permeated with typical English sharp wit. A great acting is a major strength of the film. The whole cast, minor roles included, makes an excellent job. Anne Baxter deserved to win the Oscar for the best supporting actress. Gene Tierney is fantastic: her Isabel, fully believable and realistic, is the most interesting character of the movie.

Gene's acting is willingly understated, but extremely subtle and accurate. Look at the glances she flashes to the drunk Sophie (Anne Baxter) at the tavern. Look at Isabel's expression when Sophie vulgarly sits down on the table, turning her back to Isabel and flirting with Larry. We feel that a mortal hate is soaring. The clash between Isabel and Sophie is a great scene. Baxter beautifully shows Sophie's tragic weakness, But Gene's icy attitude is even more effective. After all, let's take Isabel's point of view: we realize that she's perfectly right. It's true that Sophie is a hopeless drunkard. It's true that Larry wants to marry her just as an act of pity. And Isabel fights for her love. Why shouldn't she?

Yes, Isabel is selfish, spoiled, even ruthless... and so? For all his generosity, sense of duty and so on, Larry neglected Isabel just to avoid such an enormous self-sacrifice as to take a job! And then Isabel shouts "Love me, Larry, love me!" Come on, Larry! How on the earth can you resist to such an appeal? Why aren't we audience allowed to replace you, undeservedly over-lucky fellow? Alas! Larry is "completely out of mind", as Isabel puts it. By the way, Larry's incoherences, in a world of people ever following their own way (snobbery for Elliott, comfortable wealthy life for Isabel, poised literature for Maugham, debauchery for Sophie), by no means are a flaw of the movie. They rather make a fine artistic effect, even improving the realism of the story.

And how I like the scene when Herbert Marshall as Maugham makes a detailed description of Isabel's perfect beauty, loveliness, grace (Gene-Isabel staring at him with a half-dreaming, half-mocking smile). That's a much appreciated gift for all us devoted fans of Gene Tierney.

Yes, I don't hide the defects of "The razor's edge". But it is certainly entertaining, interesting, even profound at several moments. A beautiful film.